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Lara Pucci
Lecturer, Faculty of Arts
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Biography
After gaining a BA (Joint Hons) in History of Art and Italian at the University of Bristol (2001) I moved to the Courtauld Institute of Art, where I completed an MA (2002) and PhD (2007) under the supervision of Professor Chris Green. In 2007, I was Research Assistant for the National Gallery exhibition Radical Light: Italy's Divisionist Painters 1891-1910. Before joining Nottingham in February 2010, I was British Academy Postdoctoral Fellow in Italian Studies at The University of Manchester (2007-2010).
Selected Publications
PUCCI, LARA, 2008. Terra Italia: The Peasant Subject as Site of National and Socialist Identities in the Work of Renato Guttuso and Giuseppe De Santis Journal of the Warburg and Courtauld Institutes. LXXI, 315-334
PUCCI, LARA, 2008. Chronology 1876-1915. In: FRAQUELLI, SIMONETTA, ed., Radical Light: Italy's Divisionist Painters, 1891-1910 London: National Gallery Company / Yale University Press. 170-176
PUCCI, LARA, 2006. Fighting Fascism in the Kitchen: The Domestic Context in Visconti's Ossessione and Guttuso's Still Life Series Immediations: The Research Journal of the Courtauld Institute of Art. 1(3), 60-77
PUCCI, LARA, 2010. Making Cold War Worlds (review essay) Oxford Art Journal. 33(1), 115-120 PUCCI, LARA, 2008. Chronology 1876-1915. In: FRAQUELLI, SIMONETTA, ed., Radical Light: Italy's Divisionist Painters, 1891-1910 London: National Gallery Company / Yale University Press. 170-176
PUCCI, LARA, 2008. Terra Italia: The Peasant Subject as Site of National and Socialist Identities in the Work of Renato Guttuso and Giuseppe De Santis Journal of the Warburg and Courtauld Institutes. LXXI, 315-334
PUCCI, LARA and SCHÄDLER, LINDA, 2008. Notes on Artists and Paintings. In: FRAQUELLI, SIMONETTA, ed., Radical Light: Italy's Divisionist Painters London: National Gallery Company / Yale University Press. 130-169
PUCCI, LARA, 2006. Fighting Fascism in the Kitchen: The Domestic Context in Visconti's Ossessione and Guttuso's Still Life Series Immediations: The Research Journal of the Courtauld Institute of Art. 1(3), 60-77