Publications
CADRE members and collaborators - selected publications
Heike Bartel
Emiliano Buis
David Carter
Patrick Finglass
Judith Fletcher
Gunther Martin
Peter Meineck
Judith Mossman
Cressida Ryan
Alan Sommerstein
Isabelle Torrance
Betine van Zyl Smit
Rosie Wyles
Heike Bartel
'Centaurengesänge’: Friedrich Hölderlins Pindarfragmente . Pp. 200. Würzburg: Königshausen und Neumann, 2000.
Mythos in der Literatur. Pp. 128. Münster: Aschendorff, 2004.
Unbinding Medea: Interdisciplinary Approaches to a Classical Myth from Antiquity to the 21st Century [ed., with A. Simon]. Pp. 200. Oxford: Legenda, 2010.
Articles:
Der Blick auf Medea: Erzählperspektive und Mythenkritik in Anna Seghers’ Erzählung “Das Argonautenschiff”. In Argonautenschiff: Jahrbuch der Anna Seghers Gesellschaft 16 (2007) 60-72.
Dressing the “other”, dressing the “self”: clothing in the Medea dramas by Euripides and Franz Grillparzer. In Unbinding Medea (above) 161-175.
A Medea called Wally: race, madness and fashion in Paul Heyse’s novella Medea’. In German Life and Letters (2011) 56-70
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Emiliano Buis
La pólis sexuada: normas, disturbios y transgresiones del género en la Grecia Antigua (The Sexed City: Norms, Disturbances and Transgressions of Gender in Ancient Greece) (ed. with E. Rodríguez Cidre). Buenos Aires: Instituto de Filología Clásica de la Facultad de Filosofía y Letras de la Universidad de Buenos Aires, 2011
Nóstoi. Estudios a la memoria de Elena Huber (Nóstoi. Studies in Memory of Elena Huber) (ed. with A Atienza and D Barrancos), Buenos Aires, forthcoming
Articles:
Impiedad, sacrilegio y misterios femeninos: fracasos de la justicia divina en Tesmoforiantes de Aristófanes ("Impiety, sacrilege and feminine mysteries: the failure of sacred justice in Aristophanes' Thesmophoriazusae"). In C. Marasco ed. Legalidad cósmica y legalidad humana en el pensamiento clásico, Buenos Aires, 2011, pp. 78-92.
El recurso a la imaginería mítico-dramática como estrategia judicial en Contra la madrastra de Antifonte ("Resorting to mythical and dramatic imagery as a legal strategy in Antiphon's Against the Stepmother"). To appear in La fascinación de la palabra. Homenaje a Paola Vianello de Córdova, Mexico City, 2011.
Old Comedy and the waves of Athenian hegemony: maritime imperialism and (lack of) autodikia in Cloudcuckooland. To appear in N. Birgalias ed. Thalassa: Great is the Power of the Sea, Athens, 2011.
El cuerpo, la ley y la autoridad (cómica): ficciones somáticas del nómos en Ar. Ec. 1055-1056 ("Body, Law and (comic) authority: the somatic fictions of nómos in Ar. Ec. 1055-1056"). To appear in Nostoi (above).
Los partos monstruosos de Doco: maternidad, usura y demagogia en los testimonios cómicos de Aristófanes y sus rivales ("The monstruous births of Doko: motherhood, usury and demagogy in the comic evidence from Aristophanes and his rivals"). To appear in N. Domínguez et al. ed. Criaturas y saberes de lo monstruoso II, Buenos Aires: Instituto Interdisciplinario de Estudios de Género, Facultad de Filosofía y Letras de la Universidad de Buenos Aires (Book Chapter).
"Acreedores razonables o usureros malintencionados" Estrepsíades y la caracterización cómica de los prestamistas en Ar. Nu. 1214-1300 (“Reasonable creditors or wicked usurers? Strepsiades and the comic characterization of the lenders in Ar. Clouds 1214-1300”) Anales de Filología Clásica 20 (2007) 59-91.
Del lecho al juzgado, del sexo al derecho: un juego de palabras significativo en Asambleístas de Aristófanes (“From bed to lawcourt, from sex to justice: a significant word-play in Aristophanes’ Assemblywomen”). Dike. Rivista di storia del diritto greco ed ellenistico 10 (2007) 85-112.
From inscriptions to the dramatic text: literary reminders of lawmaking in Athenian Old Comedy. In O. Brupbacher et al. ed. Erinnern und Vergessen: Remembering and Forgetting (Munich: Meidenbauer Verlag, 2007) 40-64.
Les (en)jeux d’un ‘affranchissement’ dramatique: la subjectivité légale de Xanthias dans les Grenouilles d’Aristophane (“Manumission in (a) play: the legal subjectivity of Xanthias in Aristophanes’ Frogs”). In A. Gonzales ed. La fin du statut servil ? (Affranchissement, libération, abolition…) : Hommage à Jacques Annequin (Besançon : Presses Universitaires de Franche-Comté, 2007) ii 419-435.
Diplomáticos y farsantes (Ar. Ach. 61-174): estrategias para una desarticulación cómica de la política exterior ateniense (“Diplomats and frauds (Ar. Ach. 61-174): strategies for a comic deconstruction of Athenian foreign policy”). Cuadernos de Filología Clásica: estudios griegos e indoeuropeos 18 (2008) 249-266.
Hombres al margen de la ley: la violación de las garantías procesales en Ar. Ecc. 1023-1029 (“Men on the margin of the law: the violation of procedural rights in Ar. Eccl. 1023-9”). In A. Castillo and R. Peveroni ed. Voces relegadas del mundo grecolatino (Montevideo: Facultad de Humanidades y Ciencias de la Educación de la Universidad de la República, Asociación Uruguaya de Estudios Clásicos & Unión Latina, 2008) 161-179.
Fragmentos de un discurso jurídico: la descontextualización del léxico judicial y su eficacia cómica en Comensales de Aristófanes (“Fragments of a legal discourse: the decontextualization of the lawcourt lexicón and its comic effects in Aristophanes’ Banqueters”), Emerita 77 (2009) 79-108.
Imágenes (cómicas) de la vida judicial: la crátera en cálice apuliana de la pieza de la oca (New York, 24.92.104) y la participación jurídica de las mujeres en los testimonios aristofánicos (“Comic images of lawcourt life: the Apulian ‘Goose Play’ calyx-krater (New York 24.92.104) and Aristophanic evidence for women’s role in legal proceedings”). In M.I. Saavedra and D. Murad ed. Artes en cruce: problemáticas teóricas actuales (Buenos Aires: Departamento de Artes de la Facultad de Filosofía y Letras de la Universidad de Buenos Aires, 2009) 145-159.
"Utopías estatales" La pólis cómica y las (in)versiones del orden jurídico en Aristófanes (“State utopias? The comic polis and (in)versions of the legal order in Aristophanes”). In M. Campagno et al. ed. El estado en el Mediterráneo antiguo (Buenos Aires: Miño y Dávila & PEFSCEA, 2010).
La musa aprende a debatir: escenificaciones femeninas de la praxis política en Tesmoforiantes de Aristófanes (“The Muse learns to debate: feminine stagings of political practice in Aristophanes’ Thesmophoriazusae”). In La pólis sexuada (above).
La persuasión en sus labios (fr. 102 K.-A.). Argumentación política y dispositivos retóricos en los fragmentos cómicos de Éupolis (“Persuasion on his lips (fr. 102 K.-A.). Political argumentation and rhetorical devices in Eupolis’ comic fragments”). In M.A. Vitale and M.C. Schamun ed. Actas del I Coloquio Nacional de Retórica “Retórica y Política” y de las I Jornadas Latinoamericanas de Investigación en Estudios Retóricos (Buenos Aires: Asociación Argentina de Retórica & Universidad de Buenos Aires, 2010) 1060-8.
Tereo y las metamorfosis del lenguaje articulado en Aves de Aristófanes: destrezas lingüísticas para una colonización cómica (“Tereus and metamorphoses of articulate language in Aristophanes’ Birds: linguistic skills for a comic colonization”). In M.E. Steinberg and P.A. Cavallero ed. Philologiae Flores: Estudios en homenaje a Amalia S. Nocito (Buenos Aires: Facultad de Filosofía y Letras de la Universidad de Buenos Aires) 55-74.
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David Carter
Why Athens? A Reappraisal of Tragic Politics [ed.] Pp. 450. Oxford: Oxford University Press, 2011
The Politics of Greek Tragedy. Pp. xii + 209. Exeter: Bristol Phoenix Press, 2007.
Articles:
Plato, drama and rhetoric. In Why Athens? (above), pp. 45-67
Could a Greek oath guarantee a claim right? Oaths, contracts, and the structure of obligation in Greek society. In A.H. Sommerstein and J. Fletcher ed. Horkos: The Oath in Greek Society (Exeter: Bristol Phoenix Press, 2007) 60-72.
The demos in Greek tragedy. Cambridge Classical Journal 56 (2010) 47-94.
Antigone. In A. Markantonatos ed. Brill’s Companion to Sophocles (Leiden, in press).
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Patrick Finglass
Sophocles: Electra [ed. with introduction and commentary]. Pp. xii + 646. Cambridge: Cambridge University Press, 2007.
Hesperos: Studies in Ancient Greek Poetry presented to M.L. West on his seventieth birthday [ed. with C. Collard and N.J. Richardson]. Pp. lvi + 406. Oxford: Oxford University Press, 2007.
Pindar: Pythian Eleven [ed. with introduction, translation and commentary]. Pp. x + 158. Cambridge: Cambridge University Press, 2007.
Sophocles: Ajax [ed. witih introduction, translation and commentary]. pp. x + 612. Cambridge: Cambridge University Press, 2011
Articles:
A newly-discovered edition of Sophocles by Peter Elmsley. Greek, Roman and Byzantine Studies 47 (2007) 101-116.
Unpublished emendations by Peter Elmsley on Euripides and Aristophanes. Classical Quarterly 57 (2007) 742-6.
Laurentianus 31.10 and the text of Sophocles. Classical Quarterly 58 (2008) 441-451.
Unveiling Tecmessa. Mnemosyne (4th ser.) 62 (2009) 272-282.
Unpublished conjectures at Leiden on the Greek dramatists. Greek, Roman and Byzantine Studies 49 (2009) 187-221.
The end of Sophocles’ Oedipus Rex. Philologus 153 (2009) 42-62.
Two amputations in Sophocles’, Materiali e Discussioni per l’analisi dei testi classici 62 (2009) 223-230.
Sophocles’ Tecmessa: characterisation and textual criticism. Eikasmos 20 (2009) 85-96.
Interpolation and responsion in Sophocles’ Ajax. Classical Quarterly 59 (2009) 335-352.
Orthographica Sophoclea. Philologus 153 (2009) 206-228.
The textual transmission of Sophocles’ dramas’. To appear in K. Ormand ed. The Blackwell Companion to Sophocles (Oxford: Blackwell).
Ajax. To appear in A. Markantonatos ed. Brill’s Companion to Sophocles (Leiden: Brill).
Sophocles’ Theseus. To appear in B. Zimmermann and A. Markantonatos ed. Crisis on Stage: Tragedy and Comedy in Late Fifth-Century Athens (Berlin: De Gruyter).
Unpublished conjectures on Sophocles by Jeremiah Markland’. Greek, Roman and Byzantine Studies 51/52 (2011) 232-8.
Sophocles' Ajax and the vase-painters. Omnibus 62 (2011) 25-7.
Jebb's Sophocles. To appear in C S Kraus and C A Stray (eds) Classical Commentaries
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Judith Fletcher
Performing Oaths in Classical Greek Drama. Pp. 288. Cambridge: Cambridge University Press, 2011.
Articles:
The virgin choruses of Aeschylus. In J. Fletcher and B. MacLachlan ed. Virginity Revisited: Configurations of the Unpossessed Body (Toronto: University of Toronto Press, 2007) 24-39.
Horkos in the Oresteia. In A.H. Sommerstein and J. Fletcher ed. Horkos: The Oath in Greek Society (Exeter: Bristol Phoenix Press, 2007) 102-112.
Citing the law in Sophocles Antigone. Mosaic 41 (2008) 66-87.
Afterword. In D. Parker, Lysistrata [by] Aristophanes: A Modern Translation (New York: Signet Classics, 2009).
Weaving women’s songs in Euripides’ Ion. In J.R.C. Cousland and J.R. Hume ed. The Play of Texts and Fragments: Essays in Honour of Martin Cropp (Leiden: Brill, 2009) 127-140.
Sophocles’ Antigone and the democratic voice. In S.E. Wilmer and A. Zukauskaite ed. Interrogating Antigone in Postmodern Philosophy and Criticism (Oxford: Oxford University Press, 2010) 168-184.
Religion in Euripides. To appear in R. Mitchell-Boyask ed. The Blackwell Companion to Euripides (Malden, MA: Wiley-Blackwell).
Law and spectacle in Euripides’ Hecuba. To appear in J. Davidson and D. Rosenbloom ed. Greek Drama IV (Oxford: Oxbow Books).
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Gunther Martin
Plautinisches im Aululariaprolog. Museum Helveticum 64 (2008) 99-113.
Three deletions in Euripides’ Ion. Greek, Roman and Byzantine Studies 50 (2010) 29-40.
On the date of Euripides' Ion. Classical Quarterly 60 (2010) 647-651.
Kritik an Demos und Demokratie vor dem Volk. To appear in C. Kuhn ed. Politische Kommunikation und öffentliche Meinung in der Antike (Stuttgart: Franz Steiner).
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Peter Meineck
Sophocles: Four Tragedies – Ajax, Women of Trachis, Electra, Philoctetes [trans. with P. Woodruff]. Indianapolis: Hackett, 2007
Aeschylus, Euripides, Sophocles: The Electra Plays [trans. with C.E. Luschnig, J. Gregory and P. Woodruff]. Pp. 180. Indianapolis: Hackett, 2009.
Articles:
Scotland the Brave: The Bacchae at the Edinburgh International Festival, and Pass the anachronisms: the Greek plays by Ellen McLaughlin. Arion 15.1 (Winter 2007) 163-174.
Talking the talk at Tusculum: Richard Nelson, Conversations at Tusculum. Arion 16.2 (Spring/Summer 2008) 177-186.
These are men whose minds the dead have ravished: Theater of War / The Philoctetes Project. Arion 17.1 (Spring/Summer 2009) 173-191.
The tyranny of the text. Arion 17.2 (Winter 2009) 81-98.
The neuroscience of the tragic mask. The Athens Dialogues e-Journal 2010 (http://athensdialogues.chs.harvard.edu/cgi-bin/WebObjects/athensdialogues.woa)
also in Arion 18 (2010/11) no 4
Page and stage: theater, tradition and culture in America. Classical World 103.2 (Winter 2010) 221-6. Page and stage: theater, tradition and culture in America. Classical World 103.2 (Winter 2010) 221-6.
Under Athena’s Gaze: The topography of opsis in Greek drama. To appear in G.W.M. Harrison and V. Liapis ed. Opsis: The Visual and Greek Drama (Leiden: Brill). Under Athena’s Gaze: The topography of opsis in Greek drama. To appear in G.W.M. Harrison and V. Liapis ed. Opsis: The Visual and Greek Drama (Leiden: Brill).
The thorniest problem and the greatest opportunity: the chorus on the modern stage. To appear in R. Gagné and M. Hopman ed. Choral Mediations (Cambridge: Cambridge University Press).
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Judith Mossman
Euripides: Medea [ed. with introduction, translation and commentary]. Pp. viii + 392. Oxford: Aris & Phillips, 2011.
Articles:
Reading the Euripidean Hypothesis. In M Horster and C Reitz ed. Condensing Texts, Condensed Text (Stuttgart: Franz Steiner) 247-268.
Cressida Ryan
Zero to Hero, Hero to Zero: In Search of the Classical Hero [ed. with L Langerwerf]. Pp. 215. Cambridge: Cambridge Scholars Publishing, 2010.
Articles:
An ignoramus about Latin? The importance of Latin literatures to George Ruggle's Ignoramus. To appear in Humanistica Lovaniensia Supplement (2011) ed. A.W. Taylor and P. Ford.
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Alan Sommerstein
THEATRON: Teatro greco (translated and with an appendix by F. De Martino). Pp. 239 (appendix: 225-239). Bari: Levante Editori, 2000. (Published in English as Greek Drama and Dramatists, Routledge, London, 2002; Greek translation by A. Christou and I.N. Papadopoulou, Metaikhmio, Athens, 2008.)
The Comedies of Aristophanes XI: Wealth. Pp. xiv+321 [including 103 pp. of addenda to previous volumes]. Warminster: Aris & Phillips, 2001.
Aristophanes: The Acharnians, The Clouds, Lysistrata [trans.]. 2nd ed., completely revised. London: Penguin Books, 2002.
Shards from Kolonos: Studies in Sophoclean Fragments [ed.] Bari: Levante Editori, 2003.
The Comedies of Aristophanes XII: Indexes. Pp. iv+203. Warminster/Oxford: Aris & Phillips, 2003.
Sophocles: Selected Fragmentary Plays I (with D.G. Fitzpatrick and T.H. Talboy). Pp. xxxix + 317. Oxford: Aris & Phillips, 2006.
Aeschylus (3 vols.) Pp. xlvi+576, xxxvii+494, xii+363. Cambridge, MA: Harvard University Press (Loeb Classical Library), 2008.
Aeschylus: The Persians and Other Plays. Pp. xxxix+250. London: Penguin Books, 2009
Talking about Laughter and Other Studies in Greek Comedy (retrospective collection, including two chapters not previously published). Pp. xiv+343. Oxford: Oxford University Press, 2009.
The Tangled Ways of Zeus and Other Studies in and around Greek Tragedy (retrospective collection, including five chapters not previously published). Pp. x+342. Oxford: Oxford University Press, 2010
Aeschylean Tragedy (2nd ed., revised). Pp. xii+384. London: Duckworth, 2010
Sophocles: Selected Fragmentary Plays II (with T H Talboy) pp vii + 292. Oxford: Aris & Phillips, 2011.
Articles:
Cloudy swearing: when (if ever) is an oath not an oath? In A.H. Sommerstein and J. Fletcher ed. Horkos: The Oath in Greek Society (Exeter: Bristol Phoenix Press, 2007) 125-137.
Lysistrata turns a somersault: comedy, war and Eric Linklater. Classics Ireland 14 (2007) 1-43.
The history of the text of Aristophanes. In G.W. Dobrov ed. Brill’s Companion to the Study of Greek Comedy (Leiden: Brill, 2010) 399-422.
Orestes’ trial and Athenian homicide procedure. In P.J. Rhodes et al. ed. Law and Drama in Classical Athens (London: Duckworth and Coimbra: Imprensa da Universidade, 2010) 25-38.
La tetralogia di Eschilo sulla guerra persiana. Dionysus ex Machina (e-journal) 1 (2010) 4-20 (http://www.dionysusexmachina.it). Also to appear in English (as “The Persian War tetralogy of Aeschylus”) in J. Davidson and D. Rosenbloom ed. Greek Drama IV (London: Institute of Classical Studies).
An overlooked tragic fragment? PMG 960. In F. Cortés Gabaudan and J. Méndez Dosuna ed. Dic mihi, Musa, virum: Homenaje al profesor Antonio López Eire (Salamanca: Ediciones Universidad de Salamanca, 2010) 653-8.
Textual and other notes on Aeschylus. Prometheus 36 (2010) 1-22 and 97-122.
Notes on Aeschylean fragments. Prometheus 36 (2010) 193-212.
The politics of Greek comedy. To appear in M. Revermann ed. The Cambridge Companion to Greek Comedy (Cambridge: Cambridge University Press).
Fragments and lost tragedies. To appear in A. Markantonatos ed. Brill’s Companion to Sophocles (Leiden: Brill).
Ate in Aeschylus. To appear in M. Lurie ed. Tragedy and Archaic Thought (Cambridge: Cambridge University Press).
Problem kids: young males and society from Electra to Bacchae. To appear in B. Zimmermann and A. Markantonatos ed. Crisis on Stage: Tragedy and Comedy in Late Fifth-Century Athens (Berlin: De Gruyter).
Hinc omnis pendet? Old Comedy and Roman satire. To appear in Classical World.
Why Hades was crammed with Persians. To appear in Classical Quarterly 61 (2011).
Once more the end of Sophocles’ Oedipus Tyrannus. To appear in Journal of Hellenic Studies 131 (2011).
Sophocles and the guilt of Oedipus. To appear in Cuadernos de Filología Clásica: estudios griegos e indoeuropeos.
Menander’s Samia and the Phaedra theme. To appear in W. Haase ed. Ancient Comedy and Reception (Piscataway, NJ: Transaction Publishers).
La tetralogia di Eschilo sulla guerra persiana. Dionysus ex Machina (e-jounal) 1 (2010) 4-20 (http://www.dionysusexmachina.it). Also to appear in English (as "The Persian War tetralogy of Aeschylus") in J Davidson and D Rosembloom ed Greek Drama IV (Oxford: Oxbow Books).
Hinc omnis pendet? Old Comedy and Roman satire. To appear in Classical World 105 (2012).
Why Hades was crammed with Persians. To appear in Classical Quarterly 62 (2012).
Sophocles and the guilt of Oedipus. Cuadernos de Filogaí Clásica: estudios griegos e indoeuropeos 21 (2011) 93-107
Notes on Aristophanes' Frogs. To appear in C W Marshall andG A Kovacs ed. No Laughing Matter: New Studies of Old Comedy (London: Duckworth/Bristol Classical Press).
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Isabelle Torrance
Aeschylus: Seven Against Thebes. Pp. 174. London: Duckworth, 2007
Articles:
The princess’s gruesome death and Medea 1079. Classical Quarterly 57 (2007) 286-9.
Religion and gender in Goethe’s Iphigenie auf Tauris . Helios 34 (2007) 177-206
Brothers at war: Aeschylus in Cuba. In J. Hilton and A. Gosling ed. Alma parens originalis? The Receptions of Classical Literature and Thought in Africa, Europe, the United States and Cuba (Bern: Peter Lang, 2007) 291-315
Euripides’ IT 72-5 and a skene of slaughter’. Hermes 137 (2009) 21-27.
On your head be it sworn: oath and virtue in Euripides’ Helen. Classical Quarterly 59 (2009) 1-7.
Writing and self-conscious mythopoiesis in Euripides. Cambridge Classical Journal 56 (2010): 213-258.
Antigone and her brother: what sort of special relationship? In S. Wilmer and A.Zukauskaite ed. Interrogating Antigone in Postmodern Philosophy and Criticism (Oxford: Oxford University Press, 2010) 240-53.
Retrospectively Medea: the infanticidal mother in Alejandro Amenábar’s film The Others. In H. Bartel and A. Simon ed. Unbinding Medea. Interdisciplinary Approaches to a Myth (Oxford: Legenda, 2010) 124-34.
In the footprints of Aeschylus: recognition, allusion and literary self-consciousness in Euripides. To appear in American Journal of Philology 132 (2011).
Iphigenia in Aulis. To appear in R. Mitchell-Boyask ed. Euripides (Oxford: Blackwell).
In the footprints of Aeschylus: recognition, allusion and literary self-consciousness in Euripides. Americal Journal of Philology 132 (2011) 177-204.
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Betine van Zyl Smit
Articles:
medEia: a South African Medea at the start of the 21st century. Akroterion 52 (2007) 1-10.
Multicultural reception: Greek drama in South Africa in the late twentieth and early twenty-first centuries. In L. Hardwick and C.A. Stray ed. A Companion to Classical Receptions (Oxford: Blackwell, 2007) 373-385.
Freeing Aristophanes in South Africa: from high culture to contemporary satire. In E.M. Hall and A. Wrigley ed. Aristophanes in Performance 421 BC – AD 2007: Peace , Birds, and Frogs (Oxford: Legenda, 2007) 232-246.
Medea in Afrikaans. In J. Hilton and A. Gosling ed. Alma parens originalis? The Receptions of Classical Literature and Thought in Africa, Europe, the United States and Cuba (Bern: Peter Lang, 2007) 73-91.
Seneca’s representation of Andromache and its reception in French drama. Acta Classica 51 (2008) 163-185.
Orestes and the Truth and Reconciliation Commission. Classical Receptions Journal 2 (2010) 114-135.
Oedipus and Afrikaans theatre. Comparative Drama 44/45 (2010/11) 477-493.
The amorous queen and the country bumpkin - Clytaemestra and Egistus in Dracontius' Orestis Tragoedia. Akroterion 55 (2010) 25-36
Rosie Wyles
The Pronomos Vase and its Context [ed. with O.P. Taplin]. Pp. 304Oxford: Oxford University Press, 2010.
Costume in Greek Tragedy. London: Bristol Classical Press 2011.
Articles:
Towards theorising the place of costume in performance reception. In E.M. Hall and S. Harrop ed. Theorising Performance: Greek Drama, Cultural History, and Critical Practice (London: Duckworth, 2010) 171-180.
The tragic costumes. In The Pronomos Vase and its Context (above) 231-254.
Heracles’ costume from tragic première to pantomime performance. To appear in G.W.M. Harrison and V. Liapis ed. Performance in Greek and Roman Theatre (Leiden: Brill).
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