BERNIER, C-M, LAWSON, B., STAUFFER, J, TRODD, Z, GATES, JR H L and PIERCE, S, 2015. Picturing Frederick Douglass W. W. Norton and Co.. (In Press.)
BERNIER, C-M, 2013. the houl intir batel feel were hell:” “Suffering”, “Sunset” and Aesthetic Experimentation in Horace Pippin’s World War I Manuscripts and Paintings. In: SWEENY, FIONNGHUALA AND KATE MARSH, ed., Afromodernisms: Paris, Harlem, Haiti and the Vanguard Edinburgh University Press. (In Press.)
BERNIER, C-M, 2013. “A Thought of Home:” Memorialising Slavery and Narrativising War in Horace Pippin’s Domestic Interiors and Exteriors. In: FAGG, JOHN AND MARK RAWLINSON, ed., Art of the Ordinary: The Everyday in Twentieth Century American Visual Culture Liverpool University Press. (In Press.)
2013. Unseeing the Unspeakable:Visualizing Artistry, Authority and the Anti-Slave Narrative in Bill Traylor’s Drawings (1939-42) Slavery and Abolition. (In Press.)
BERNIER, C-M, 2012. “His Complete History?:” Revisioning, Recreating and Reimagining Multiple Lives in Frederick Douglass’s Life and Times (1881, 1892) Slavery and Abolition. (In Press.)
BERNIER, C-M, 2012. A “Typical Negro” or a “Work of Art?” The “inner” via the “outer man” in Frederick Douglass’s Manuscripts and Daguerreotypes Slavery and Abolition. (In Press.)
BERNIER, C-M, 2012. Characters of Blood: Black Heroism in the Transatlantic Imagination University Press of Virginia. (In Press.)
2012. “The Face of a Fugitive Slave:” Representing and Reimagining Frederick Douglass in Popular Illustrations, Fine Art Portraiture and Daguerreotypes. In: BRECHKTEN, MAGNUS, ed., Life Writing and Political Memoir Vandenhoeck and Ruprecht. (In Press.)
BERNIER, C-M, 2011. A "Chattel" and a "Thing:" Remembering, Representing and Reimagining Hidden Histories of Slavery. In: FARQUHARSON, ALEX, ed., Histories of the Present Nottingham Contemporary.
BERNIER, C-M, 2010. “You can’t photograph everything:” The Acts and Arts of Bearing Witness in Joseph Rodriguez’s Still Here: Stories After Hurricane Katrina Journal of American Studies.
BERNIER, C-M, 2009. Remembering and Dismembering: Missing Bodies and Hidden Testimonies in Lost. In: PEARSON, ROBERTA, ed., I. B. Tauris. 241-60
BERNIER, C-M and NEWMAN, J, 2009. Public Art, Memorials and Atlantic Slavery Routledge.
CELESTE-MARIE BERNIER, 2009. Speculation and the Imagination:” History, Storytelling and the Body in Godfried Donkor’s Financial Times. In: Public Art, Memorials and Atlantic Slavery Routledge. 67-81
BERNIER, C-M, 2008. “Speculation and the Imagination:” History, Storytelling and the Body in Godfried Donkor’s Financial Times (2007) Slavery and Abolition. 29(2), 203-17
BERNIER, C-M AND NEWMAN, J, 2008. Introduction to Special Issue: Public Art, Artefacts and Atlantic Slavery 29(2), 135-50
BERNIER, C-M, 2008. African American Visual Arts: From Slavery to the Present University of North Carolina Press.
BERNIER, C-M., 2007. Sometimes it is those outside our world who can best understand us:’ Sympathy and Race in Far From Heaven. In: MORRISON, J, ed., The Cinema of Todd Haynes: All that heaven allows London: Wallflower Press. 122-31
BERNIER, C.-M. and NEWMAN, J., 2005. The Bondswoman's Narrative: Text, Paratext, Intertext and Hypertext Journal of American Studies. VOL 39(NUMB 2), 147-166 BERNIER, C.-M., 2004. In: BEGHAIN, B., CHENETIER, M. and GABILLIET, J-P, eds., The Cultural Shuttle: The United States in/of Europe Amsterdam: VU University Press. 61-70
BERNIER, C-M., 2003. 'Emblems of Barbarism': Black Masculinity and Representations of Toussaint L'Ouverture in Frederick Douglass's Unpublished Manuscripts American Nineteenth Century History. 4(3), 97-120
BERNIER, C-M., 2002. 'Arms Like Polished Iron': The black slave body in narratives of a slave ship revolt.. In: WIEDEMANN, T. and GARDNER, J., eds., Representing the Body of the Slave London: Frank Cass. 91-106
BERNIER, C.-M., 2001. "Transatlantic Slavery: Against Human Dignity"; "`A Respectable Trade?': Bristol and Transatlantic Slavery"; and "Pero and Pinney Exhibit" Journal of American History. VOL 88(PART 3), 1006-1011