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James Helgeson

Lecturer in French and Francophone Studies, Faculty of Arts

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Research Summary

James Helgeson is a member of the Science Technology Research Group.

Recent Publications

  • HELGESON, J., 2014. ‘Lexical Concepts and Historical Reading’ Paragraph: A Journal of Modern Critical Theory. 40(1), (In Press.)
  • HELGESON, J., 2013. ‘La poésie comme imitation, la poésie comme action : Maurice Scève’ Fabula: La recherche en littérature. (In Press.)
  • HELGESON, J., 2013. ‘Qui agit en poésie ?’. In: MURAT, MICHEL; MURESAN, MARIA, ed., Poetry as Event/La poésie comme événement Presses de l'Ecole Normale Supérieure. (In Press.)
  • HELGESON, J., 2012. The Lying Mirror: The First-Person Stance and Sixteenth-Century Writing Geneva: Droz.
  • HELGESON, J., 2014. ‘Lexical Concepts and Historical Reading’ Paragraph: A Journal of Modern Critical Theory. 40(1), (In Press.)
  • HELGESON, J., 2013. ‘La poésie comme imitation, la poésie comme action : Maurice Scève’ Fabula: La recherche en littérature. (In Press.)
  • HELGESON, J., 2013. ‘Qui agit en poésie ?’. In: MURAT, MICHEL; MURESAN, MARIA, ed., Poetry as Event/La poésie comme événement Presses de l'Ecole Normale Supérieure. (In Press.)
  • HELGESON, J., 2012. The Lying Mirror: The First-Person Stance and Sixteenth-Century Writing Geneva: Droz.
  • HELGESON, J and WINSPUR, S., 2011. Poetry of France (medieval to early modern). In: GREENE, R., ed., The Princeton Encyclopedia of Poetry and Poetics Princeton: Princeton UP. 506-517
  • HELGESON, J., ed., 2011. Paragraph: Wittgenstein, theory, literature Edinburgh University Press.
  • HELGESON, J., 2011. Théories de la musique et de ses rapports avec la poésie. In: KUSHNER, E., ed., L'époque de la Renaissance (1400-1600): Tome III: maturations et mutations (1520-1560) John Benjamins Publishing Company.
  • HELGESON, J., 2011. Sixteenth-Century Poetry. In: BURGWINKLE, B, HAMMOND N and WILSON E, eds., The Cambridge History of French Literature
  • HELGESON, J., 2011. ‘What Cannot be Said: Notes on Early French Wittgenstein Reception’ Paragraph: A Journal of Modern Critical Theory. 37(3), 338-357
  • HELGESON, J., 2008. `Alter Ego', Identification, and Histories of the Self NOTTINGHAM FRENCH STUDIES. VOL 47(NUMB 3), 13-23
  • HELGESON, J., 2008. 'Words in the air': Thaumaste, Nazdecabre, and the question of Perspicuous Signs. In: LEUSHUIS, R and ZALLOUA, Z., eds., Esprit généreux, esprit pantagruelicque: Essays by his students in honor of François Rigolot Droz. 177-196
  • HELGESON, J., 2007. Early Modernity without the "Self": notes on anachronism and the First Person Seventeenth-Century French Studies. 29(1), 29-39
  • HELGESON, J., 2005. Harmony, anamorphosis and the "Conceptual Scheme" Romanic Review. 96(2), 127-53
  • HELGESON, J., 2003. "Ce que j’entends par ces symboles Pythagoricques": Rabelais on meaning and intention Etudes rabelaisiennes. 42, 75-100
  • HELGESON, J., 2001. Harmonie divine et subjectivité poétique chez Maurice Scève Geneva: Droz.
  • HELGESON, J., ‘Rabelais, Pantagruelion et le je hybride: l’exemple du Tiers Livre’. In: DESROSIERS-BONIN, DIANE, ed., Les Aventures des gens curieulx: Actes du colloque Rabelais de Montréal Droz. (In Press.)
  • HELGESON, J., Introduction Paragraph: A Journal of Modern Critical Theory. 34(3), 287-300

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