Nottingham French Studies - Back Numbers
General Issues - Back Numbers
The general issue normally appears twice a year, usually in the Summer and Autumn, as part of a three part volume of Nottingham French Studies. Articles are on any aspect of French and francophone literature, language, history and culture. Contributions are welcome.
Volume 49.1- Spring 2010
HÉLÈNE DENIS L’Angleterre, paradis des arbres ? Un aspect du voyage outre-manche des Français de la Restauration
RORI BLOOM Monkey-girls of Old Regime France: Babiole and Ourika
GILLES CASTAGNÈS Entre Musset et Beckett, Le Faiseur de Balzac : l’intertextualité en question
ANNE HOLMES The Creation of ‘suspens’ in Mallarmé’s Prose (pour des Esseintes)
SARAH TRIBOUT-JOSEPH Ruskin, Reflection, Self Recognition and Self Creation in Proust
GLENN W. FETZER Emmanuel Hocquard ou la poétique de la grammaire
Volume 48.1 – Spring 2009
THOMAS M KAVANAGH Roulette and the Ancien Régime of Gambling
ALI NEMATOLLAHY Anarchist Dandies, Dilettantes and Aesthetes of the Fin de Siècle
PAUL RYAN Valéry’s Pocket Notebooks: Redefining a Corpus
JEAN-LOUIS CORNILLE Derniers tours
SYLVIE VANBAELEN Moi qui n’ai pas connu les hommes de Jacqueline Harpman : Récit d’une genèse de femme
NJERI GITHIRE The Semiotics of Hunger: Fasting, Anorexia, & Hunger Strike in Ananda Devi's Le voile de Draupaudi)
HELENE JACCOMARD Eclats ou écarts de mémoire ? La guerre d’indépendance algérienne dans l’œuvre écrite de Mehdi Charef
Volume 47.1 – Spring 2008
Peter SHOEMAKER His Master’s Voice: Authorship and Patronage in Théophile de Viau and Charles Sorel
Stephanie SCHECHNER Words as Subjects: The Personification of Language in Three Texts by Nathalie Sarraute
Eamon MAHER Spirituality on the Margins – the Writings of Jean Sulivan
Michel AROUIMI Le Double et sa violence : Le Protocole compassionel d’Hervé Guibert
Françoise GRAUBY De « ceci n’est pas un corps » à « ceci est mon corps » : le body-art de Catherine Millet
Ian McCALL ‘Merry Christmas Amélie-san’: Filmic Intertext in Nothomb’s Stupeur et tremblements
Joanne LANGLEY Pierre Albert-Birot: A New Mimesis, Another Modernism
Volume 46.1 – Spring 2007
ALISON WILLIAMS Courtly lady, starving spouse and partner in crime: the shifting roles of Hermeline in the Roman de Renart
JOSEPH HARRIS Corneille confronts the ridiculous: Mélite
MICHAEL TILBY Tours or Dis? Balzac’s Tale of Two Cities (Le Curé de Tours)
WILLIAM JENNINGS The physical maze and the spiritual labyrinth of Gide’s Les Caves du Vatican
SUSAN PETIT From the “Pierre Oku” to Pierre Abélard: A Back Door to Subtext in Tournier’s Les Météores
MARY JEAN GREEN Echoes of the Casbah: From Pépé le Moko to Bab el-Oued City
OWEN HEATHCOTE The Revolutionary Poetics of Pierre Guyotat
DEBORAH WALKER La Réappropriation de l’hypotexte: Etude de l’adaptation théâtrale dans l’œuvre d’Alain Resnais
Volume 45.2 – Summer 2006
HELENE DENIS Le Rire et les deux royaumes. Les Français de la Restauration face au jeu comique des acteurs anglais
CHARLES O’KEEFE The Odyssey and Signs to the Rescue: Escaping the Labyrinth and Enjoying Gaps in Patrick Modiano’s Rue des boutiques obscures
PHILIP WATTS Sartre’s Republic, 1953
DERVILA COOKE and COLIN NETTELBECK Modiano in the Feminine: A nous deux, Madame la vie
SONIA ASSA Un monde à l’usage des petites filles: La fille du Gobernator ou la magie de l’horreur
JOYCE CARLTON JOHNSTON In Search of an Audience: Madame Ancelot’s Theatre for Women
PASCALE PERRAUDIN Theatrical Violence in Rakotoson’s Un Jour, ma mémoire.
WILLIAM SAYERS A Critical Appraisal of Sailing Scenes in New Editions of Le Conte de FloireetBlanchefleur, La Vie de saint Gilles, Le Roman de Tristan and the Folies Tristan
Volume 44.2 - Summer 2005
Stéphane NATAN Les Pensées de Pascal et la force des détours
Benjamin THURSTON Prophecy and Politics: Biblical Rhetoric of the Restoration
Bernard HAEZEWINDT La Parure de Guy de Maupassant ou l'intrusion du réalisme du XIXe siècle dans le conte de Cendrillon
Michael O'SULLIVAN Metaphor's Lost Time: Notes on the new translations of Proust
José SANTOS Au pays du mufle, le borgne est roi: Laurent Tailhade polémiste
Christopher DAWSON Menus propos modernistes: Absurdity in Erik Satie's 'La Journée du musicien'
Jean-Louis CORNILLE Les emprunts d'un bibliothécaire
Joel SWOFFORD Permancency, Coherency and Transparency in Daniel Pennac's Monsieur Malaussène
Volume 43.3 - Autumn 2004
Anne QUINNEY The Cioran Exception
Alistair ROLLS Into or out of the Metro? - Defining a Carrollinian Space in Raymond Queneau and Louis Malle's Zazie dans le métro
Richard-Laurent BARNETT Le postmoderne à la dérive: parcours dubouchettien
Elizabeth RICHARDSON VITI Annie Ernaux's Passion simple and Se perdre: Proust's 'amour-maladie' Revisited and Revised
Ayo Abietou COLY Court Poet and Wild Child: Two Readings of Calixthe Beyala's Les Honneurs perdus
Rosemary ARNOUX Voice and Silence in Savannah Bay and La Musica Deuxième
Nathalie MORELLO Un coupable peut cacher une autre : Lutte 'à mort' avec la mère dans trois rolans de Lorette Nobécourt - La Démangeaison, La Conversation et Horsita
Volume 43.2 - Summer 2004
Giulia PACINI Women and the Sociable Contract in Les Liaisons dangereuses
Sonia WILSON Reading the Details of Dress in Marie Bashkirteff's Journal intime
Julie SOLOMON Feuille à feuille: The Coming of Spring in Colette's La Vagabonde
Peter BROOME Michaux: Music from the Edge
Carole SWEENEY Resisting the Primitive: The Nardal Sisters, La Revue du Monde Noir and La Dépêche Africaine
Marja WAREHIME Hospitality and Violence: Parasites and Hosts in Jean Renoir, Claude Chabrol and Karim Dridi
Olivier HAMBURSIN Quand le détour mène au cnetre: littérature de voyage et excentricité. Le cas des Autonautes de la cosmoroute de Julio Cortázar et Carol Dunlop
Jane HIDDLESTON The Identity of the French Language and the Language of French Identity
Volume 42.2 - Autumn 2003
Mary REILLY 'Infernal Visions: Death and the Afterlife in Racinian Tragedy'
Nicola COTTON 'The Pun, the Pear and the Pursuit of Power in Paris. Caricatures of Louis-Philippe (1830-1835)'
Hannah THOMPSON 'Rewriting the Perverse: Rachilde and the Erotic'
Stephen STEELE 'L'aprés-guerre de Gustave Cohen et les institutions françaises'
Amanda MACDONALD 'Ce qui va de soi: the Agonistics of Motility in Barthes' Mythologies'
Sean HAND 'The Quick and the Dead: Riffaterre's Hypogrammatic Reading of Leiris'
Helen E BEALE 'From Iconic to Protean: The Representation of the Male Body in the Paintings of Edouard Pignon (1905-1993)'
Emma WEBB 'Annie Leclerc's Exercices de mémoire: Writing Inside Otherness'
Françoise MUGNIER 'De l'Impertinence à la subversion dans Célanire cou-coupé de Maryse Condé'
Guy OSSITO MIDIOHOUAN 'Lilyan Kesteloot et l'Histoire de la Littérature Négro-Africaine
Stamos METZIDAKIS 'Postmodern Neutralizing of Nineteenth-Century Imagery'
Luce IRIGARAY Towards a Wisdom of Love. Dialogue between Luce Irigaray and Judith Still around Dialogues and The Way of Love at the ICA 16 December 2002
Volume 41.2 - Autumn 2002
Alex SOKALSKI 'Choose Your Weapon': Duelling French Women in the Seventeenth and Eighteenth Centuries
Jacqueline DUTTON Feeding Utopian Desires: Examples of the Cockaigne Legacy in French Literary Utopias
Owen HEATHCOTE 'Cet être amphibie qui n'est ni homme ni femme': Marginalizing Gender and Gendering the Marginal in Balzac's Camille Maupin
Angela KERSHAW The Body of the Hero in French Political Fiction of the 1930s
Richard J.GOLSAN Alphonse de Châteeaubriant and the Politics of French Literary History.
Jean MALAVIÉ Une Rencontre féconde: Roger Martin du Gard lecteur enthousiaste de Flaubert
Bernadette DEJEAN DE LA BÂTIE Manifestations of Serail Mentality in Driss Chraïbi's Detective Stories: Arab-Muslim Masculinity Portrayed, Displayed and Caricatured
Carolyn STOTT The Image of the Tattoo in Pennac's Belleville: the Search for a Permanent Fixture in a Changing LandscapeJulia WALTERS TheAuthor is Dead, Long Live the Author: Authorship and Mortality in the Last Works of Duras and Robbe-Grillet
Colin NETTELBECK Bazin's Rib? French Women Film-Makers and the Evolution of the Auteur Concept
Volume 40.2 - Autumn 2001
Nina EKSTEIN Uncertainty in Corneille's Héraclius
Rosemary LLOYD Mallarmé and the Bounds of Translation
Valerie HOWELLS 'Une aventure spirituelle': Bernanos's Journal d'un curé de campagne as a self-reflexive text
John ROTHENBERG The Problem of Character in the Theatre of Nathalie Sarraute
Andy LEAK Some Ramifications of the Theme of Laterality in the Work of Georges Perec
Caroline SHEAFFER-JONES The Anonymous Community: A Reading of Maurice Blanchot's 'L'Indestructible' (L'Entretien nfini)
Jennifer FORREST The Moral Legacy of Les Mille et une nuits: Where the Postcolonial East Opens its Portals onto the West in Late Twentieth-Century Literature
Gil ZEHAVA HOCHBERG, 'Colonial Hospitality': False Hosts and Ill-Mannered Guests in Assia Djebar's L'Amour, la fantasia
Volume 39.2 - Autumn 2000
Juliette CHERBULIEZ Before and Beyond Versailles: The Counter-Court of the Duchesse de Montpensier, 1652-1660
Claudine GIACCHETTI La Comtese de Ségur et ses expatriés
Moishe BLACK Félicité and the Imperfect of Repetition in 'Un Cour simple'
Gerald MACKLIN Defamiliarization and Discontinuity: Rimbaud's 'Parade'. 'Angoisse', 'Soir historique'
Rebecca FREE 'In a Regime of Liberty': The Theatrical Coquette in the Belle Époque
Robin MACKENZIE Calembour, Cuir and Corps bon conducteur: Towards a Proustian Poetics of Word-Play
Alistair ROLLS Boris Vian's L'Écume des jours: The Pulls of Froth and Days
Raylene RAMSAY The Nature of Hybridity in Maryse Condé's Traversée de la mangrove
Volume 38.1 - Spring 1999
David SHAW Legal Elements in Le Misanthrope
Mary REILLY Racine's Visions of Violence: the Case of Bajazet, Britannicus and Bérénice
Geert MISSOTTEN L'écriture spéculaire dans les romans donjuanesques de Marcel Jouhandeau, homme sans nom
Martine DANAN Birth of a National-popular Cinema in France
Edward OUSSELIN The Uses of a National Icon: The Eiffel Tower in René Clair's Paris qui dort
Nicholas HARRISON Camus, écriture blanche and the Reader, between Said and Barthes
Mary NOONAN Performing the Voice of Writing in the In-between: Hélène Cixous's La Ville Parjure
Nathalie MORELLO 'Faire pour la mère ce qu'elle [n']avait [pas] fait pour le père'; étude comparative du projet autobiographique dans La Place et Une femme d'Annie Ernaux
Volume 37.2 - Autumn 1998
Renée MOREL Sight Unseen: Fénelon and the Myth of Invisibility
Anne De SOLA Héroïsme et vraisemblance romanesque: Le cas des Illustres Françaises
John PHILLIPS Sade in the Corridor
Robert ZIEGLER From the Flower to the Ruby: Creativity and Object Loss in Rodenbach's Bruges-la-Morte
Jean-Louis CORNILLE Ubu Chassé
Anissa TALAHITE Odalisques et pacotille: Identity and Representation in Leïla Sebbar's Shérazade, 17 ans, brune, frisée, les yeux verts
Bernadette DEJEAN DE LA BÂTIE L'inspecteur Ali enquête sur Driss Chraïbi: Une Place au soleil et L'Inspecteur Ali à Trinity College comme nouvelle version ou subversion du roman policier
Volume 36.2 - Autumn 1997
David CARON Deux récits, deux exigences; Les jours de notre mort de David Rousset et La nuit d'Elie Wiesel
Dr Pat MINES The Role of the Marquis de Sade in the Late Novels of Victor Hugo
Edward JAMES Euripidean and Christian cross-currents in the problematic morality of Racine's Phèdre
Nina HELLERSTEIN Phenomenology and Ekphrasis in Claudel's Connaissance de l'Est
Leslie-Anne BOLDT-IRONS The Fall from and into Grace: Camus and Bataille on Happiness and Guilt
Dr Mary ORR The Cloaks of Power: Custom and Costume in Flaubert's Salammbô
Katya ZISSEMAND and Social Exclusion and Artistic Inclusiveness: the Quest
Colin NETTELBECK for Integrity in Mathieu Kassovitz's La Haine
Victoria KORZENIOWSKA Elementary Ecofeminism or Patriarchal Paradigm?: Giraudoux's Suzanne et le Pacifique and Supplément au Voyage de Cook
Volume 35.2 - Autumn 1996
Linda GOWANS The Grail in the West: Prose, Verse and Geography in the Joseph of Robert De Boron
Véronique WAKERLEY Heloys: André or Andreas? A problem of authorship in MS Royal 16F II in the British Museum Library
Jan HERMAN Abelard en Travesti: Valmont et la Coupure du Sexe
Catherine R. MONTFORT Vigée le Brun: Une Artiste Exemplaire (1755-1842)
Anne-Marie SMITH-DI BIASIO 'Le Texte de la Vie des Femmes': Female Melancholia in Eugénie Grandet
G M MACKLIN The Reinvention of Time and Space in Rimbaud's Illuminations
Glenn W. FETZER André du Bouchet: Imaging the Real, Seeing the Unseeable
Alison SMITH Strategies of Representation in Sans Toit Ni Loi
Volume 34.2 - Autumn 1995
M J MURATORE Theatrical conversion in Molière's Dom Juan
Monica NURNBERG Art, irony and nature in 'Le Premier Parnasse contemporain'
John ROTHENBERG The hunter hunted: social strategies in Sarraute's theatre
Johnnie GRATTON Autobiography and fragmentation: the case or Nathalie Sarraute's Enfance
John PHILLIPS The mathematics of meaning: Marguerite Duras's Moderato Cantabile
Wendy EVERETT Slipping in and out of focus: words and images in the filmic discourse of Marguerite Duras
S D MÉNAGER Traces: Leïla Sebbar atteint au silence des rives
Volume 33.2 - Autumn 1994
Gerry McCARTHY Jouvet and the playing of Molière
Michael GLENCROSS Le débat romantique et le littérature française du moyen age dans la critique littéraire de la Restauration
Raylene RAMSAY George Sand vue du XXe siècle
Nichola Anne HAXELL Baudelaire, Barbey d'Aurevilly and the art of translating poetry: a possible source for 'Un Hémisphere dans une chevelure'
E Nicole MEYER Facts into fiction in Flaubert's Bouvard et Pécuchet
Michael HAWCROFT Gide's Corydon, 'mise en abyme', and autobiographical fiction
Jean-Louis CORNILLE Le parlant (feu Cendrars)
Jean DUFFY Claude Simon's Photographies: a formal and thematic analysis
Claire OBOUSSIER Barthes and femininity: a synaesthetic writing
Volume 32.2 - Autumn 1993
Penny SIMONS Pattern and process of education in Le Conte du Graal
John PHILLIPS Racine's Andromaque: a semiotic approach
John CAMPBELL Playing for time in Bérénice
Joy CHARNLEY 'On n'est point en sûreté quand on dort proche d'un serpent: il peut arriver qu'il ne morde pas, et il peut arriver qu'il morde': Pierre Bayle et les femmes
David WILLIAMS The Desfontaines translation of Voltaire's Essay upon the Epick Poetry
Geoffrey EDWARDSand Ryan EDWARDS Carmen's transfiguration from Mérimée to Bizet:beyond the image of the femme fatale
Robert ZIEGLER The story as commodity in Lorrain's Hélie, garçon d'hôtel
Patricia O'FLAHERTY Mythopoeic process in Montherlant's Thrasylle
Owen HEATHCOTE Masochism, sadism, and women's writing: The examples of Marguerite Duras and Monique Wittig
Volume 31.1 - Autumn 1992
Leigh WHALEY A radical journalist of the French Revolution: Jacques-Pierre Brissot and the Patriote Français, 1789-1791
E. GREAVES The consular correspondence- the novelist's workshop
G. M. MACKLIN Patterns of elemental imagery in Rimbaud's Illuminations
Russell S. KING Gide's La Porte étroite: unclosed gaps and competing discourses
Andrew ROTHWELL The 'Querelle du poème en prose': Pierre Reverdy's polemical portraits of Max Jacob, 1915-1925
S. D. MÉNAGER Disparaître! De l'invisibilité comme technique de survie chez Jean Genet
John C STOUT Reorientating lyric: Philippe Jaccottet's and Guillevic's transformations of haiku aesthetics in Airs and Du Domaine
Volume 30.1 - Spring 1991
David SHAW Theatrical self-consciousness in Molière
Mireille MELARA Money matters: identity and its values in Stendhal's definition of self
L H GINN 'Il a vu les choses de trop haut': Henri Chambige and his literary destiny
S D MENAGER Horticouture proustienne
Joy NEWTON Camille Mauclair and Auguste Rodin
Christopher SHORLEY 'L'irruption de l'histoire': 6 February 1934 in the French novel
Bill MARSHALL From Guevara to Mitterrand: the masks of Régis Debray
Volume 29.1 - Spring 1990
Mary J BAKER Contest and conflict in the Nouvelles Récréations et Joyeux Devis
Noël PEACOCK Lessons unheeded. the dénouement of stories in Le Misanthrope
Peter HAMBLY Mallarmé et la musique: réflexions sur 'Sainte', 'Feuillet d'album' et 'Une Dentelle s'abolit'.
Dorothy BRYSON Lucifer as Oedipus: the fate of Ferral in La Condition humaine
J ROTHENBERG Jean Anouilh and his directors
J McCANN The verdict on Meursault
Volume 28.1 - Spring 1989
Marc S RIVIÈRE Voltaire, Hénault and Le Siècle de Louis XIV
Ceri CROSSLEY Flowers, fragrance and woman: the vegetarian vision of Jean-Antoine Gleizes (1773-1843)
Richard D E BURTON Baudelaire and Lyon: a reading of 'Paysage'
Moishe BLACK Camus's 'L'Hôte' as a ritual of hospitality
Barbara MASON Language and ideology in Michel Butor's Improvisations sur Flaubert
Volume 27.2 - November 1988
P.W.M COGMAN The narrators of Mérimée's Carmen
Joy NEWTON Zola and Théodore Duret: portrait of an art critic - 11
Claude DEBLAUWE L'espace circulaire, symbole de l'obsession dans Pierre et Jean
Ben FISHER Jarry and Florian: Ubu's debt to Harlequin
R. ZIEGLER Mending dolls and stealing souls; the identity quest in Julien Green from Mont-Cinère to Si j'étais vous
Peter G. CHRISTENSEN The anti-manichean vision in André Malraux's L'Espoir and Miguel de Unamuno's Peace in War
Volume 27.1 - May 1988
Roger MIDDLETON Le Grand d'Aussy and the Bibliothèque universelle des romans
Joy NEWTON Zola and Théodore Duret: portrait of an art critic I
Michael J. TAYLOR Martin du Gard's Jean Barois: a study in irony
Cathy LINSTRUM L'Asile des femmes: subjectivity and femininity in Breton's Nadja and Wittig's Le Corps lesbien
Michael CARDY Some contextual approaches to Hervé Bazin's L'Eglise verte
Volume 26.2 - October 1987
Nicholas HAMMOND The Theme of Ennui in Pascal's Pensées
Monica NURNBERG The Play and the Book: some reflections on the function of Gringoire in Notre-Dame de Paris
T. PRATT Léopoldine revisited: a reading of Victor Hugo's 'Demain, dès l'aube'
Ian PICKUP Elements of BaIzacian Portraiture in the early novels of Eugène Sue
Marie WEGIMONT Description du Jardin de Fongueusemare dans La Porte étroite: structure, signification et distanciation
Bernard McGUIRK On misreading Mallarmé: Rubén Darfo and The Anxiety of Influence
Volume 26.1 - June 1987
M.S. RIVIERE Voltaire and the Fronde
Roger MIDDLETON Le Grand d'Aussy's unpublished Extraits
C.H. MANN The Moon and the Sun in A la recherche du temps perdu
Françoise UGOCHUKWU Blancheline - la littérature pour enfants à l'assaut du racisme
J.P. SZARKA The Farce of consciousness: a study of Pinget's Passacaille and Fable
Volume 25.2 - October 1986
John HOLYOAKE Is ignorance desirable? A new approach to a persistent puzzle in Montaigne's Essais
Roger MIDDLETON Le Grand d'Aussy's Erec et Enide
Joy NEWTON Emile Zola and Octave Mirbeau, with extracts from their unpublished letters
Gillian HORROCKS A semiotic study of Carmen
Alec HARGREAVES Caught in the middle: the liberal dilemma in the Algerian War
Volume 25.2 - May 1986
N.A. HAXELL The image of the Republic in 1848: an exercise in "imagery ekphrasis"
Peter HAMBLY Lecture d'un sonnet de Mallarmé: "Une dentelle s'abolit"
Charles P. MARIE La haine d'Electre - un regard essentiel sur Jean Giraudoux
Malcolm OFFORD Imagery in Colette's Le Blé en Herbe
Volume 24.2 - October 1985
Peter WAGSTAFF Utopia under siege: the first phase of Rétifs reforming vision
David KINLOCH The art of the missing postscript: some unpublished manuscripts of Joseph Joubert
Ceri CROSSLEY Emile Souvestre's anti-utopia - Le Monde tel qu'il sera
Elisabeth A. HOWE Repeated forms in Laforgue
Joy NEWTON Zola and Gide, a reflection: La Faute de l'Abbé Mouret and l'Immoraliste
Volume 24.1 - May 1985
Judith STILL The Disfigured Savage: Rousseau and de Man
Denise Bourassa KNIGHT Diderot's La Religieuse: Suzanne Simonin and the 'Youthful' Men who See Her
Robin WILLIAMS "Deux vieux amateurs du beau sexe": Balzac and Hulot
Harold WATSON Cosmic Continuity in L'Annonce faite à Marie
Jeanne-Andrée NELSON Récit et discours dans La Chambre secrète
Volume 23.2 - October 1984
Michael O'DEA The Double Narrative of the Stolen Ribbon in Rousseau's Confessions
Russell KING De-marginalizing a Throw-away Line: Baudelaire's Heroic Soldier
Francis HECK Baudelaire and Proust: Chance Encounters of the Same Kind
Gabriel JACOBS Aveline's Le Temps mort: a Question of Survival
Helen WATSON-WILLIAMS Hadrian's Story Recalled
Volume 23.1 - May 1984
David SHAW Harpagon's Monologue
R.A. FRANCIS Prévost's Cleveland and its Anonymous Continuation
Marshall LINDSAY Gide's Ethic of the Moment: L'Immoraliste
Nicholas HEWITT Victor Margueritte and the Reception of La Garçonne: Naturalism, the Family and the 'Ordre moral'
Felicia GORDON A Parodic Strategy - Sartre's Les Mots
Volume 22.2 - October 1983
Ian PICKUP Balzac and the Dynamics of Passion: the Case of Véronique Graslin
Matthew MACNAMARA Description, Rhetoric and Realism in Bouvard et Pécuchet
Christopher SHORLEY On the Way to the Summit: Narrative Modes in La Porte étroite
Malcolm OFFORD Colours in Colette's Le Blé en herbe
Alan WAITE Ponge's Oyster - Poetry and Reading Cues
Volume 22.1 - May 1983
Pierre HAN "Adieu: Raison d'état as Dramatic Motivation in Bérénice
Philippe DESAN L'Autorité orientaliste de Flaubert
Barbara MASON Mathematics and the Love of Freedom in Michel Butor's La Rose des vents
David WHITTON Arrabal's Guerrilla "Politics"
Mick MARTIN Theatre of Cruelty: Artaud's Impossible Double
Volume 21.2 - October 1982
Pauline McLYNN The Franco-Prussian War in La Débâcle - an Examination of Zola's Method
Timothy UNWIN Flaubert's Early Philosophical Development: the Writing of Smarh
Ceri CROSSLEY La Création d'Edgar Quinet: le témoignage et le temps
Joy NEWTON and La Thématique assommer dans le cycle Gervaise des
Claude SCHUMACHER Rougon-Macquart
Trevor FIELD The Critical Purgatory of Maurice Barrès
Philippe JOLIVET Réflexions sur la poésie au XXème siècle
Volume 21.1 - May 1982
Howard DAVIES Waiting for Gonzo: Irony in La Chartreuse de Parme
Joy NEWTON La Chauve-Souris et le Papillon: II
Nicole THATCHER Plot, time and space in Jules Renard's Novels
Sheila PERRY La Vie d'Artiste by Albert Camus: the Artist - innocent or guilty?
Derek W. ALLAN The Psychology of a Terrorist: Tchen in La Condition Humaine
Volume 20.2 - October 1981
Francis S. HECK The evolution in Baudelaire's later poetry from Eternal Beauty to the Goût de L'Infini
Lily Ann LILLEY La Tentation de Saint Antoine de Flaubert: Hilarion, La Clef du Mystère
Pauline MCLYNN The Franco-Prussian War in La Débâcle: An examination of Zola's method
Kathleen M. McKILLIGAN The trials and tribulations of a symbolist editor: Edouard Dujardin and the Revue Indépendante
Volume 20.1 - May 1981
Alegria BENDELAC Ombre et Lumière dans le Théatre Cornélien: Nicomède L'Epiphané
John JEREMY Samuel Cramer - eclectic or individualist?
Michael WEATHERILT Champfleury: a little-known precursor of Zola
Joy NEWTON La chauve-souris et le papillon: correspondance Montesquiou - Whistler: 1
F. D. ASTI Failures in communication in "La Nouvelle Histoire de Mouchette" by Georges Bernanos
Volume 19.2 - October 1980
Timothy M. SCANLAN Silence in "La Princesse de Cleves"
A. GREAVES A Question of Life or Death: A Comparison of "Le Reve" and "La Faute de l'Abbe Mouret"
Patrick POLLARD Incest and "Sin" in Gide's "Oedipe" and "Les Faux-Monnayeurs": A Thematic Structure
Redmond O'HANLON The Life-Death Nexus in 'L'Etranger"
Volume 19.1 -May 1980
David SHAW The Ambiguity of Phèdre
Thomas M. CARR, Jr. Voltaire's Concept of Enlightened Eloquence
Michael EVANS Two Uses of Intertextuality : Reference to Impressionist Painting and Madame Bovary in Claud Simon's Leçon de choses
Tony CHAFER Antonin Artaud and the Critique of Language
Volume 18.2 - October 1979
L. W. RIGGS The Optics of Power and the Hazards of judgment in Molière's "Le Misanthrope"
J. HALL "Cérémonies et coutumes qui s'observent aujourd'hui parmi les juifs": an important but little-known work by Richard Simon
L. D. MATHIEU-KERNS "Le Télémaque". une utopie dynamique
J. NEWTON and A PRESCOTT Religious Imagery in Mallarmé's "Las de l'mer repos"
J. AUSTEN-SMITH A Zola Short Story: the origins of a political mythology
Volume 18.1 - May 1979
J. A. NELSON La Fonction de la Connaissance dans Esther
M. J. POLLOCK Montesquieu on the Patriarchal Family: a Discussion and Critique
P. E. J. ROBINSON Awaking to music: two autobiographical passages of Rousseau
E. ZANTS Trois Contes: a New Dimension in Flaubert
R. E. BATCHELOR André Malraux's Les Conquérants and the Art of Focussing
Volume 17.2 - October 1978
R. L. BARNETT Le Conflit du non Conflit: Egocentrisme et Disjonction Multilatérale dans Britannicus
G. M. MACKLIN The Dialectic of "Force" and "Faiblesse" in Rimbaud's Illuminations
M. DONALDSON-EVANS The Archetypal Mother: Aquatic Imagery in Maupassant's Pierre et Jean
M. KILBORN The Theme of Suffering in the works of Louis Guilloux
C. P. MARIE A re-examination of 'form and meaning' in Camus' Le Malentendu
R. L. SIMS Myth and Historical-Primordial Memory in Claude Simon's La Route des Flandres
Volume 17.1 - May 1978
Patrick BYRNE Dizain 299 of Scèves Délie
Malcolm OFFORD Oratorical Devices in Etienne de La Boétie's Discours de la servitude volontaire
Robert LETHBRIDGE Zola: Decadence and Autobiography in the Genesis of a Fictional Character
Joy NEWTON and Zola et l'expression du temps: horlogerie obsessionnelle
Basil JACKSON dans L'Assomoir
Brian NELSON Zola and the Bourgeoisie: a Reading of Pot-Bouille
Michael WORTON Obsessional Theatre? the Role of the Father-Figure in Arthur Adamov's early Plays
Volume 16.2 - November 1977
Lionel P. HONORÉ Quelques idées de Corneille sur la femme - La déchéance du généreux dans le théatre cornélien
Malcolm CARROLL Method and Intention in Rousseau's Profession de foi du vicaire savoyard
R.BUTLER Balzac's Jean Louis: Some links between a "Roman de jeunesse" and the Comédie humaine
Howard DAVIES The Relationship of Language and Desire in Le Lys dans la vallée
Owen N. HEATHCOTE Balzac and the Personal Pronoun: Aspects of Narrative Technique in Le Lys dans la vallée
Volume 16.1 - May 1977
SAUNDERS The influence of Ovid on a Sixteenth-century emblem book: Barthelemy Aneau's Imagination Poétique
W. S. BROOKS Boffrand, Boscheron, and Biographies of Quinault
M. J. NURNBERG Tactile Imagery in the Poetry of André Chenier
D.G.BURNETT The Thematic Function of Sexual Identity in Théophile Gautier's Comédie De La Mort
P.POLLARD Le Traite du Narcisse: A Point of Contact between Gide and Schopenhauer
M.CAGNOL Marguerite Duras: Willed Imagination as Release and Obstacle
Volume 15.2 - November 1976
R. S. KING Jules Laforgue's Symbolist Language: stylistic anarchy and aesthetic coherence
D. PARMÉE "Cric? Crac!": Fables of La Fontaine in Haitian Creole: a literary ethno-socio-linguistic curiosity
R. JONES Modes of discourse in "La Chute"
R. J. PARISH Ionesco's "Tueur sans Gages": a Pascalian reading
R. F. E. DE RÔME Du nouveau sur Proust?
Volume 15.1 - May 1976
G. PADGET Senancour, Napoleon and Louis XVIII (1814-1815)
Joy NEWTON and Monique FOL Robert de Montesquiou et Gustave Moreau
R. F. E. DE RÔME Du Nouveau sur Proust?
Volume 14.2 - October 1975
G. PADGETT Senancour, Napolean and Louis XVIII (1814-1815). Part I
Jennifer BIRKETT The Theme of Love in the Work of Léon Bloy
Peter ROSS Emile Zola, the Teachers and the Dreyfus Affair
Susan E. BEYNON Life, Time and Art in Proust's "Le Temps Retrouvé"
Volume 14.1 - May 1975
Jennifer BIRKETT Barbey D'Aurevilly and Léon Bloy: Love and Morality in the Catholic Novel
C.A. BURNS Henry Céard (1851-1924): Two Unpublished Diaries of 1878
David BEVAN C.F. Ramuz: The Path of the Antipoet
J.K. NEWBERRY The Evolution of the Dramatic Technique of Eugène Ionesco
Volume 13.2 - October 1974
R.A. FRANCIS Bernardin de Saint-Pierre's "Paul et Virginie" and the Failure of the Ideal State in the Eighteenth-Century French Novel
Michael G. LERNER Pierre Loti as Dramatist: "Judith Renaudin"
G.M.W. ROE Paul Valéry as a Literary Critic: Theory and Practice, Part II
Dennis H. DRYSDALE Simenon and Social Justice
Volume 13.1 - May 1974
F.K. DAWSON Cosroes
Timothy M. SCANLAN The Notion of "Paradis sur la Terre" in Rousseau's "La Nouvelle Héloise"
G.M.W. ROE Paul Valéry as a Literary Critic: Theory and Practice
P.A. JOLIVET Reflexions sur le Théâtre du Vingtième Siècle
Volume 12.2 - October 1973
David BURNS Malraux's Renunciation of the Novel
Howard D. LEWIS The Dramatic Theory of Jean Giraudoux: The Primacy of Style
J.B. HOWITT Michel Butor and Manchester
Peter BROOME A New Mode of Reading: Pinget's "Passacaille"
Volume 12.1 - May 1973
F.K. DAWSON Rotrou's Tragic Characters
R.E. MATTHEWS Political Allusions in Voltaire's "Les Lois de Minos"
Russell S. KING Syntactic Compensation in Two Versions of Baudelaire's "L'Invitation au Voyage"
R.E. BATCHELOR Art and Theology in Mauriac's "Le Noud de Vipères"
Volume 11.2 - October 1972
John CHRISTIE "An Interview with Emile Zola": an Unpublished Manuscript by Saint-Georges de Bouhelier
William S. SHIVER L'Ecole de Toulouse
G.T. HARRIS Malraux et les "Ecrits Farfelus"
Colin RADFORD Theatre within the Theatre
Volume 11.1 - May 1972
Russell S. KING Romanticism and Musset's "Confession d'un Enfant du Siècle"
Alexandre MAVROCORDATO El Desdichado Revisited
Michael G. LERNER A Literary Age in Evolution: "Les Idées Morales du Temps Présent" of Edouard Rod
Volume 10.2 - October 1971
Lewis THORPE The Chamier Manuscripts
Michael G. LERNER Edouard Rod and the Naturistes
R.A. FRANCIS Romain Rolland and Science, Part II
Volume 10.1 - May 1971
F.K. DAWSON Rotrou and Tragedy
David WESTGATE The Augustinian Concept of Amour-Propre and Pascal's "Pensées"
R.A. FRANCIS Romain Rolland and Science, Part I
John F. DAVIS "La Nausée": Imagery and Use of the Diary Form
Volume 9.2 - October 1970 (out of print)
Janis L. PALLISTER Béroalde De Verville's "Stances De La Mort" and "Soupirs Amoureux": Specimens of Baroque Poetry
Michael G. LERNER Edouard Rod's Last Novel: "La Vie"
Lionel CARLEY Jelka Rosen Delius: Admirer and Friend of Rodin. The Correspondence 1900-1914 (Concluded)
Volume 9.1 - May 1970
Jasmine DAWKINS The Sea in Sixteenth-Century French Poetry
Lionel CARLEY Jelka Rosen Delius: Admirer and Friend of Rodin. The Correspondence 1900-1914
Michael G. LERNER Edouard Rod and the Russian Novelists in France
R.E. BATCHELOR Gide et Unamuno: Sotie ou Nivola?
Volume 8.2 - October 1969
Russell S. KING Indecision in Musset's "Contes d'Espagne et d'Italie"
Réné DÉMORIS Hierarchie et Dualisme dans la Critique Picturale chez Baudelaire
John CHRISTIE Zola and Bouhelier: Their Times and Relationship, based on the Unpublished Correspondence of Saint-Georges de Bouhelier
Volume 8.1 - May 1969
Jasmine DAWKINS Provincial Entertainment in the Renaissance: "Le Triomphe de Diane" by Pierre de Brach
Russell KING Alfred de Musset: Some Problems of Literary Creativity
Michael G. LERNER Edouard Rod and Emile Zola, II: from "La Course à La Mort" to Dreyfus
R.A. FRANCIS Romain Rolland and Jean-Jacques Rousseau
Volume 7.2 - October 1968
F.K. DAWSON The Notion of Necessity in Mairet's "Sophonisbe"
David WESTGATE The concept of Amour-Propre in the "Maximes" of La Roche-Foucauld
A.A. GREAVES Some contradictions in the Work of Guy de Maupassant
Michael G. LERNER Edouard Rod and Henry Brewster: An Unpublished Tribute
Volume 7.1 - May 1968
Jasmine DAWKINS Pierre de Brach (1547-?1605): A Poet Honoured in his own Century
Colin BURNS Le Réel Quotidien dans le Roman Naturaliste Française
R. POSEN Aspects of the Work of Henri-René Lenormand, Part II
C.B. RADFORD Simone de Beauvoir: Feminism's Friend or Foe? Part II
Volume 6.2 - October 1967
Malcolm SCOTT The Romanticism of "Adolphe"
Russell KING Prosper Mérimée: Attempts at Romantic Drama
D. BAGULEY Maupassant avant la Lettre? A Study of a Zola short story: "Les Coquillages de M. Chabre"
C.B. RADFORD Simone de Beauvoir: Feminism's Friend or Foe? Part I
Volume 6.1 - May 1967
G. PADGETT Senancour's Ennui and its Relation to his Ideas
O.R. MORGAN The Plays of Léon Hennique, Part II
R. POSEN Aspects of the Work of Henri-René Lenormand, Part I
R.E. BATCHELOR François Mauriac et la Technique du Flash-Back
Volume 5.2 - October 1966
G. PADGETT The Idea of Nature in Senancour's "Sur les Generations Actuelles"
Colin BURNS "Architecture Secrète": Notes on the Second Edition of "Les Fleurs du Mal"
A.A. GREAVES Paul Bonnetain: His Attitudes to Naturalism
O.R. MORGAN The Plays of Léon Hennique
Volume 5.1 - May 1966
A.A. GREAVES Paul Bonnetain (1858-96): An Introduction Story
John CHRISTIE The Enigma of Zola's Madame Sourdis
Russell KING André Gide: Pour et Contre la Littérature Engagée
R.E. BATCHELOR L'Art de l'Allusion dans Moïra
Volume 4.2 - October 1965
F.K. DAWSON The Ideal Hero: A Seventeenth-Century Choice
J.F. FALVEY The Individualism of La Mettrie, Part II
P.A. JOLIVET Leon Bloy et J.K. Huysmans
C.B. RADFORD The Authenticity of Simone de Beauvoir
Volume 4.1 - May 1965
D. WESTGATE La Mariane and the Formation of the Classical Tragedy
J.F. FALVEY The Individualism of La Mettrie, Part I
John MOORE Poetry Betrayed? Approaches to commitment in French Poetry between 1930 and 1942
John FLETCHER Becckett's Debt to Dante
Volume 3.2 - October 1964
Colin BURNS Emile Zola: Pages d'Exil (suite et fin)
Graham E. RODMELL Laclos' Other Novel
John CHRISTIE Saint-Georges de Bouhélier (1876-1947)
R. BATCHELOR Unamuno devant la Littérature Française (suite et fin)
Volume 3.1 - May 1964
Colin BURNS Emile Zola: Pages d'Exil
Volume 2.2 - November 1963
F. K. DAWSON An idea of tragedy: Tristan l'Hermite's Mariane and La mort de Sénèque
John CHRISTIE Naturalisme et naturisme: les relations d'Emile Zola avec Saint-Georges de Bouhélier et Maurice Leblond
P. A. JOLIVET À Rebours, tournant dans l'ouvre de J. K. Huysmans
R. BATCHELOR Unamuno devant la Littérature Française
Volume 2.1 - May 1963
Lewis THORPE The letters of Louis Philippe to Lord William Bentinck (continued)
C. A. BURNS Notes on the first edition of Les Fleurs du Mal
Pat G. HASTINGS Symbolism in the adaptations of Greek Myth by Modern French Dramatists
C. MICHAEL-TITUS Aspects et Orientation de la Pensée Bourgeoise Laïque en France
Volume 1.2 - October 1962
F. K. DAWSON An important aspect of Théophile de Viau's "Pyrame et Thisbé"
Lewis THORPE The letters of Louis Philippe to Lord William Bentinck. Part I
R. MORGAN Léon Hennique and the disintegration of naturalism
Peter BROOME The introversion of Henri Michaux: his aims, techniques and shortcomings
Volume 1.1 - May 1962
James PANTER Aspects of the development of French Drama in the beginning of the Seventeenth Century, with special reference to Schelandre's "Tyr et Sidon"
Eva BIRD The French Epicurean poets of the second half of the Seventeenth Century
John CHRISTIE Zola, Labori and Frédéric Passy, an unpublished correspondence concerning Zola's "Travail" (1901)
Philippe JOLIVET "Les hommes de bonne volonté," technique et style