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Fiona Ford

Honorary Research Fellow,

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Recent Publications

  • FIONA FORD, 2017. With Meisel and Montagu in London: in pursuit of a bull and three stone lions Critical Quarterly. 59(1), 29–46
  • COOKE, M.J. and FORD, FIONA, eds., 2016. The Cambridge Companion to Film Music Cambridge University Press.
  • FIONA FORD, 2016. Parental Guidance Advised? Mash-ups and Mating Penguins in Happy Feet. In: MERVYN COOKE and FIONA FORD, eds., The Cambridge Companion to Film Music Cambridge University Press. 138–56 (In Press.)
  • FIONA FORD, 2016. The Early Film Music of Dmitry Shostakovich. By Joan Titus Music & Letters. 97(4), 663–5
  • FIONA FORD, 2015. Edmund Meisel's Potemkin Score - A Close Reading Maske und Kothurn: Internationale Beiträge zur Theater-, Film- und Medienwissenschaft: Potemkin – Meisel: Edmund Meisel und die "Wiener Fassung" des Panzerkreuzer Potemkin von Sergej M. Eisenstein. Herausgegeben von Martin Reinhart und Thomas Tode. 61(1), 29–53
  • FIONA FORD, 2015. Edmund Meisel – A Bibliographical Survey Maske und Kothurn: Internationale Beiträge zur Theater-, Film- und Medienwissenschaft: Potemkin – Meisel: Edmund Meisel und die "Wiener Fassung" des Panzerkreuzer Potemkin von Sergej M. Eisenstein. Herausgegeben von Martin Reinhart und Thomas Tode. 61(1), 79–94
  • FIONA FORD, 2012. Edmund Meisel's "visual sound" in The Crimson Circle (1929): The Case of the Vanishing Part-Talkie. In: JULIE BROWN and ANNETTE DAVISON, eds., The Sounds of the Silents in Britain Oxford University Press. 283–300
  • FIONA FORD, 2011. Be it [N]ever so Humble? The Narrating Voice in the Underscore to The Wizard of Oz (MGM, 1939). In: SARAH HIBBERD, ed., Melodramatic Voices: Understanding Music Drama Ashgate. 197–214
  • FIONA FORD, 2011. The Film Music of Edmund Meisel (1894–1930) University of Nottingham.
  • FIONA FORD, 2007. The Role of Ophelia's Unaccompanied Songs in Kozintsev's Hamlet DSCH Journal. 26 (January), 24–32

Department of Music

The University of Nottingham
Lakeside Arts Centre
University Park
Nottingham, NG7 2RD

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