logo
Department of Music
   
   
  

If you wish to get in touch with our administrative staff, please see the admin staff contact page.

Image of Nanette Nielsen

Nanette Nielsen

Lecturer, Faculty of Arts

Contact

Expertise Summary

I hold a BA in Music and Philosophy from the University of Copenhagen and an MMus and PhD from Royal Holloway, University of London. I joined Nottingham in September 2009, after four years as Lecturer at the University of East Anglia. My research is interdisciplinary, and my principle research interests are music and philosophy (especially music and ethics), and German music, culture, and critical thought during the first half of the twentieth century. Other interests include opera, film music, popular music, melodrama, and music in Scandinavia.

Research Summary

My research has so far focused on German music, culture, and critical thought during the first half of the twentieth century. One of my current projects is a book on Paul Bekker (1882-1937), an… read more

Selected Publications

Current Research

My research has so far focused on German music, culture, and critical thought during the first half of the twentieth century. One of my current projects is a book on Paul Bekker (1882-1937), an influential critic, theorist, and opera producer in Weimar Germany. An earlier article on Bekker was commissioned and published by Opera Quarterly.

I am co-author, with Marcel Cobussen, of a second book, entitled Music and Ethics (under contract with Ashgate), and a contributor to the volume Melodramatic Voices: Understanding Music Drama, Sarah Hibberd, ed. (Ashgate, 2011). Other current and future projects include an article on Ernst Krenek's Jonny spielt auf, and a book on modernism and morality in twentieth-century operas based on the tales of Hans Christian Andersen.

Supervision

I am interested in supervising postgraduate students in the following areas:

Music and philosophy, especially ethics and aesthetics; twentieth-century German opera and music theatre; Paul Bekker; Scandinavian music and culture.

  • NIELSEN, N. AND COBUSSEN, M., 2012. Music and Ethics Surrey: Ashgate.
  • NIELSEN, N., 2011. Opera for the people: melodrama in Hugo Herrmann’s Vasantasena (1930). In: HIBBERD, S., ed., Melodramatic Voices: Understanding Music Drama Surrey: Ashgate.
  • NIELSEN, N., 2007. Sein oder Schein?: Paul Bekker's "Mirror Image" and the Ethical Voice of Humane Opera Opera Quarterly. 23(2-3, Spring-Summer), 295-310
  • NIELSEN, N. (TRANS.) WITH MORGENSTERN, M. AND STEICHEN, J., 2007. 'To the Mirror Image', by Paul Bekker. At: Opera Quarterly, 23 (2-3)
  • NIELSEN, N., 2005. Review of Claire Taylor-Jay, 'The Artist-Operas of Pfitzner, Krenek and Hindemith: Politics and the Ideology of the Artist'. At: Music and Letters, 86/4
  • HIBBERD, S. and NIELSEN, N., 2003. Music in Melodrama: 'The Ineffable Burden of Expression'? Nineteenth-Century Theatre. 31(1), 30-39

Department of Music

The University of Nottingham
Lakeside Arts Centre
University Park
Nottingham, NG7 2RD

Contact details