The book is due out in February 2010 (Oxford University Press).
Book Abstract
Narratives are artefacts of a special kind: they are devices which function to tell stories, and do so by conveying the story-telling intentions of their makers. But narrative itself is too inclusive a category for much more to be said about it than this; we should focus attention instead on the vaguely defined but interesting category of things rich in narrative structure. Such devices offer significant possibilities, not merely for the representation of stories, but for the expression of point of view; they have also played an important role in the evolution of reliable channels of information, an issue pursued in three chapter appendices.
This book argues that much of the pleasure of narrative depends on early developing tendencies in human beings to imitation and to joint attention, and imitation turns out to be the key to understanding such important literary techniques as free indirect discourse and character-focused narration. The book also examines irony in narrative, with an emphasis on the idea of the expression of ironic points of view; a case study of this phenomenon is offered.
Finally, the book examines the idea of Character, as evidenced in robust, situation-independent ways of acting and thinking, and its important role in many narratives. It is asked whether scepticism about the notion of Character should have us reassess the dramatic and literary tradition which places such emphasis on Character.
Book key words:
Narrative, intention, communication, imitation, joint-attention, character, point of view, irony, pretence, story.
More details are available at the OUP page.
Posted on Thursday 15th October 2009