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8 Stress and rhythm

All words are comprised of stressed and unstressed syllables. Any line of poetry (or, indeed, any text) can be marked to show which syllables are stressed and which are unstressed. The act of mapping out stress patterns, usually by placing the appropriate symbols over the syllables, is known as scansion.

To scan a line of poetry, say it out loud, without thinking about it unduly. Listen for which syllables you naturally emphasise. The stressed syllables can be indi
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Module team


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References

Attree, H.R. (1809) Topography of Brighton: and, Picture of the Roads, from Thence to the Metropolis, Brighton and London.
Austen, J. (1967) Pride and Prejudice, in The Novels of Jane Austen, ed. R.W. Chapman, vol.2, Oxford, Oxford University Press (this series first published 1923).
Batey, M. (1995) Regency Gardens, Princes Risborough, Shire Publ
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4.3 The easy problems and the hard problem

What implications do naturalism and strong naturalism have for the study of the mind? There are two. First, naturalists will deny the existence of souls, spirits and other psychic phenomena and maintain that the mind is part of the natural world, subject to natural laws. This view is shared by most modern philosophers of mind. Secondly, strong naturalists will hold that mental phenomena can be reductively explained in terms of processes in the brain, which can themselves be explained i
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1.2 Representation and language

Consider some of the many different things we can do with language: express ourselves in metaphor, issue commands, ask questions, fill in crosswords, write shopping lists and diary entries, repeat nursery rhymes by rote, solve logical or arithmetical problems, make promises, tell stories, sign our names, etc. Impressive though it is, this variety in the uses of language is a potential distraction from our main interest, which is in the use of language to represent. It will therefore help if w
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Acknowledgements

This unit was written by Dr Anita Pacheco

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3.6 Health education

The poor were not the only targets of health education. Campaigns against tuberculosis and venereal disease were aimed at all classes. Advice was dispensed through exhibitions, lectures, classes, posters, radio talks and films. Tuberculosis, the public was told, was best combated by a generally healthy lifestyle – fresh air, exercise and hygiene. The 1939 film Stand Up and Breathe, made by the National Association for the Prevention of Tuberculosis (NAPT), promoted all sorts of outdo
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Introduction

This unit examines the roles of Scots who contributed to the comprehensive transformation of medicine in the nineteenth century. It begins by observing how laboratory practices led to improved techniques of medical diagnosis. This is followed by assessing how Scots contributed to the emerging collective identity of medical practitioners, as well as the improvements in licensing that led to reform of the medical professions. Many new developments in medical education also enabled women to qual
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4.2 Apprenticeship in retailing c.1782–c.1789

Owen's apprenticeship coincided roughly with the initial development of New Lanark. Leaving home when he was ten or eleven years old, by his late teens he had already gained extensive experience in textile retailing. He started work at Stamford apprenticed to James McGuffog, a successful draper. McGuffog, a canny Scot, dealt in fine garments for well-to-do customers, to whom Owen no doubt learned to defer, and possibly also to emulate them when he was older. After completing his apprenticeshi
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2.8 References and further reading

Ascherson, N. (2002) Stone Voices: The Search for Scotland (revised edn), London, Granta.

Basu, P. (2007) Highland Homecomings: Genealogy and Heritage Tourism in the Scottish Diaspora, London, Routledge.

Carman, J. and Carman, P. (2006) Bloody Meadows: Investigating Landscapes of Battle, Thrupp, Sutton.

Culloden (1964) DVD, Peter Watkins (director), BBC British Film Institute
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7 Conclusion

We have studied James Hutton and Joseph Black separately, but they can be properly understood only if they are considered as part of the close-knit community of philosophers and scientists which also included Adam Smith, David Hume, William Cullen and Dugald Stewart. For nearly seventy years of the eighteenth century, this group produced an intellectual ferment which placed Scotland at the forefront of the European Enlightenment.

By the end of the eighteenth century, Scotland had a mat
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Acknowledgements

This unit was written by Dr Phil Perkins

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2.4.6 Documents

Various texts survive from the ancient world that don't fit into any of the categories above. Most of them are categorised as ‘documentary’. These can be parts of archives, or public commemorations such as tombstones, or inventories, or even shopping lists. Unsurprisingly, the vast majority of such material is now lost (after all, even today, a shopping list and many company and government records have a lower hope of long-term survival than a novel). Nonetheless, some of them have surviv
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1.1 Using life experiences in your fiction

Creative writing courses and manuals often offer the advice ‘write what you know’. This is undoubtedly good advice, yet what exactly does it mean? Many writers testify to using their life experiences – their memories and their everyday perceptions – as a source for their fiction or poetry, as well as for their autobiographies and memoirs. Yet these experiences aren't necessarily extraordinary in themselves. You don't have to have led an unusual or exotic life in order to write. You do
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2.2 Sardanapalus – subject and composition

The following explanatory text was published in the booklet accompanying the paintings at the 1827–8 Salon, where Delacroix’s canvas was exhibited:

Death of Sardanapalus. The rebels besieged him in his palace … Lying on a superb bed, atop an immense pyre, Sardanapalus orders his eunuchs and palace officers to slit the throats of his women, his pages, and even his horses and favourite dogs; none of the
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Introduction

What influenced Goya? Did Napoleon's invasion of Spain alter the course of Goya's career? This unit will guide you through the works of Goya and the influences of the times in which he lived. Anyone with a desire to look for the influences behind the work of art will benefit from studying this unit.

This unit is an adapted extract from the Open University course From Enlightenment to Roma
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2.4 The First Consul

Click on 'View document' to see plate 11 Antoine-Jean Gros, Bonaparte as First Consul, 1802, oil on canvas, 205 x 127 cm, Musée Nationale de la Légion d’Honneur, Paris. Photo: Bridgeman Art Library

6.2 Street photography

Many portraits were taken outside the home and in the garden or, in the case of urban dwellers, in the street or back yard. Local studio proprietors could be commissioned to attend at the customer's house, in which case they would impose an additional charge to cover the extra time and effort involved. Itinerant operators regularly patrolled suburban streets and villages in search of speculative work. Their prices undercut those on offer in local studios. Weekdays would find women, children a
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5.5.3 Birthdays

Image 49 Photographer/Painter: Warwick Brookes, Manchester. Subject: Portrait of Max Witte.
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4.9.3 Limited characterisation

The other function of lighting was, inevitably, to assist characterization. Since Robinson advised portrait photographers to show sitters as moderately calm ladies and gentlemen, the lighting in commercial work is usually quiet and uniform, without dramatic contrasts of light and shade. This was intended to suggest tranquillity, harmony and self-control, in keeping with the limited stereotypical characterization discussed previously.

The use of lighting to convey dramatic characterizati
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