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Introduction

What influenced Goya? Did Napoleon's invasion of Spain alter the course of Goya's career? This unit will guide you through the works of Goya and the influences of the times in which he lived. Anyone with a desire to look for the influences behind the work of art will benefit from studying this unit.

This unit is an adapted extract from the Open University course From Enlightenment to Roma
Author(s): The Open University

2.4 The First Consul

Click on 'View document' to see plate 11 Antoine-Jean Gros, Bonaparte as First Consul, 1802, oil on canvas, 205 x 127 cm, Musée Nationale de la Légion d’Honneur, Paris. Photo: Bridgeman Art Library

6.2 Street photography

Many portraits were taken outside the home and in the garden or, in the case of urban dwellers, in the street or back yard. Local studio proprietors could be commissioned to attend at the customer's house, in which case they would impose an additional charge to cover the extra time and effort involved. Itinerant operators regularly patrolled suburban streets and villages in search of speculative work. Their prices undercut those on offer in local studios. Weekdays would find women, children a
Author(s): The Open University

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5.5.3 Birthdays

Image 49 Photographer/Painter: Warwick Brookes, Manchester. Subject: Portrait of Max Witte.
Author(s): The Open University

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4.9.3 Limited characterisation

The other function of lighting was, inevitably, to assist characterization. Since Robinson advised portrait photographers to show sitters as moderately calm ladies and gentlemen, the lighting in commercial work is usually quiet and uniform, without dramatic contrasts of light and shade. This was intended to suggest tranquillity, harmony and self-control, in keeping with the limited stereotypical characterization discussed previously.

The use of lighting to convey dramatic characterizati
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Activity 1

Click on 'View document' below to open and read part of Audrey Linkman's article on 'Photography and art theory', then answer the questions.

2.1.2 Postcards c. 1902–1950s

Figure 5
Image 5 Photographer/Painter: Anon. Subject: Unknown male in kilt.
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References

Aristotle, Horace, Loginus (1984) Classical Literary Criticism, translated with an introduction by T.S. Dorsch, Penguin.
Baldick, R., Radice, B. and Jones, C.A. (eds) (1964) Aristophanes: The Wasps, The Poet and the Woman, and The Frogs, Penguin.
Barthes, R. (1977) ‘The death of the author’, in Image-Music-Text, edited and translated by Stephen Heath
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3.2 Understanding James's account

James's thesis is striking, but there are some issues that need to be clarified. Before going on to assess James's argument for his thesis, I will explore his position by raising three questions about his account.

First, what kinds of bodily changes are required for an emotion to take place? James mentions three kinds of change:

  • (a) internal changes (increase in heart rate)

  • (b) involuntary expressive behaviour (weeping)

  • <
    Author(s): The Open University

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Introduction

This unit is from our archive.and it is an adapted extract from the course Culture, identity and power in the Roman empire (AA309) which is no longer in presentation. If you wish to study formally at The Open University, you may wish to explore the courses we offer in this curriculum area.

This unit focuses on a detailed investigation into the archaelogy and history
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1.9 Community and identity

In an Italian exhibition of cartoons on the theme of globalization (reported in the Financial Times (Lloyd, 2000)), one depicted two women sitting on a couch. The first woman explains enthusiastically ‘Thanks to globalisation, we know immediately what's happening all over the planet!’; the other, crying, says ‘I just want the gossip from next door!’ This was interpreted as a longing for a previous era of emotionally and physically closer communities. The reality of such ‘good
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4.2 Summary: creating music

Both of these performances clearly belong to traditions where the ‘composer’ and the composer's identified works are rather less important than they are in Western art music. Every performance of Indian or Sundanese music is unique, and yet every performance draws on repertoire and techniques which have been learned. The total repertoire exists not as a set of written works, but in the minds of performing musicians – the music only really exists in performance, and each performance is a
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4.19 Technologies and explicit knowledge continued

The following examples give a taste of what is now making the transition from research laboratories into commercial products. Large hierarchical information structures are extremely common, whether in libraries, organisational charts or websites. Displaying such large structures is a challenge, and since the user soon runs out of screen space, navigating them can be tedious. Screen 7 shows a system that uses animation and carefully designed graphical effects to give the impression of manipula
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3.1 A knowledge management technology framework

In the introduction to a book on knowledge management technologies, Borghoff and Pareschi (1998) described a framework for organisational memory that has been developed within Xerox to promote understanding of the roles and interplay between different technologies (Figure 4).

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1 Knowledge technologies in context

There are many non-technological dimensions to understanding what it might mean to ‘manage knowledge’. However, technology is a thread weaving throughout, and seems now to be a fixture in knowledge management conferences and publications. ‘Knowledge’ can be managed as an objectified asset is a core idea in knowledge management. This unit will encourage you to question what this means in different contexts. ‘Context’ allows us to considere what value is added by viewing management
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1.3 The perils of partnership: policy as an adaptive system

Here the focus is on an organic way of understanding the relationship between policy and action. From this perspective, government, public service organisations, contractors, staff and, more recently, the public themselves are viewed not as cogs in a machine but as mutually interacting elements of an adaptive policy system. As in other organic entities – populations, species, even the human body itself – change takes place around an equilibrium point at which the entity is in balan
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4.2.1 Three sources of authority

According to Weber, there were three major bases to authority.

  1. Charismatic authority means that deference and obedience will be given because of the extraordinary attractiveness and power of the person. The person is owed homage because of their capacity to project personal magnetism, grace and bearing. For instance, management gurus such as Jack Welch, politicians such as Nelson Mandela, or popular characters such as Princess Diana are charis
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Learning outcomes

After studying this unit you should be capable of thinking critically about and be able to comment on:

  • processes by which local practices are situated within their wider contexts;

  • dimensions of globalisation;

  • the nature and significance of institutional rules of practice;

  • some differences between managing knowledge-generating practices in Anglo-American, Japanese and Chinese contexts;

  • implications of managing through mu
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5.4 Activity 8

Activity 8

The M & S case study illustrates the importance of managing relationships. Having read it, try to answer the following questions.

  • On which value discipline has the company chosen to f
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5.1 Managing relationships

You should now understand that markets and the customers within them are the responsibility of all managers within an organisation. An organisation needs to identify what will create extra value for its customers, and design a value-driven operating system that will concentrate all its efforts on producing it. This process of going to market involves the organisation in managing the relationships between itself and its customers and competitors, and also in the co-ordination of the organisati
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