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21L.007 World Literatures: Travel Writing (MIT)
This semester, we will read writing about travel and place from Columbus's Diario through the present. Travel writing has some special features that will shape both the content and the work for this subject: reflecting the point of view, narrative choices, and style of individuals, it also responds to the pressures of a real world only marginally under their control. Whether the traveler is a curious tourist, the leader of a national expedition, or a starving, half-naked survivor, the encounter
Author(s): Fuller, Mary

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SP.414 Gender and Media Studies: Women and the Media (MIT)
This course examines representations of race, class, gender, and sexual identity in the media. We will be considering issues of authorship, spectatorship, (audience) and the ways in which various media content (film, television, print journalism, advertising) enables, facilitates, and challenges these social constructions in society. In addition, we will examine how gender and race affects the production of media, and discuss the impact of new media and digital media and how it has transformed a
Author(s): Surkan, Kim

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14.731 Economic History (MIT)
This course is a survey of world economic history, and it introduces economics students to the subject matter and methodology of economic history. It is designed to expand the range of empirical settings in students' research by drawing upon historical material and long-run data. Topics are chosen to show a wide variety of historical experience and illuminate the process of industrialization. The emphasis will be on questions related to labor markets and economic growth.
Author(s): Hornbeck, Richard A.

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SP.269 Passing: Flexibility in Race and Gender (MIT)
This course is primarily a literature seminar. We will use American literature as a lens through which to examine different passing tropes. It will provide an introduction to queer, gender, and critical race theories for science and math majors. We will read such works as Running A Thousand Miles for Freedom, Incognegro, and Focault's A History of Sexuality, to name just a few.
Author(s): Dillon, Rachel Elizabeth

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STS.330J History and Anthropology of Medicine and Biology (MIT)
This course explores recent historical and anthropological approaches to the study of life, in both medicine and biology. After grounding our conversation in accounts of natural history and medicine that predate the rise of biology as a discipline, we explore modes of theorizing historical and contemporary bioscience. Drawing on the work of historian William Coleman, we examine the forms, functions, and transformations of biological and medical objects of study. Along the way we treat the histor
Author(s): Jones, David,Helmreich, Stefan

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24.06J Bioethics (MIT)
This course does not seek to provide answers to ethical questions. Instead, the course hopes to teach students two things. First, how do you recognize ethical or moral problems in science and medicine? When something does not feel right (whether cloning, or failing to clone) — what exactly is the nature of the discomfort? What kind of tensions and conflicts exist within biomedicine? Second, how can you think productively about ethical and moral problems? What processes create them? Why do
Author(s): Hare, Caspar,Jones, David

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17.537 Politics and Policy in Contemporary Japan (MIT)
This subject is designed for upper level undergraduates and graduate students as an introduction to politics and the policy process in modern Japan. The semester is divided into two parts. After a two-week general introduction to Japan and to the dominant approaches to the study of Japanese history, politics and society, we will begin exploring five aspects of Japanese politics: party politics, electoral politics, interest group politics, bureaucratic politics, and policy, which will be broken u
Author(s): Samuels, Richard J.

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21A.226 Ethnic and National Identity (MIT)
An introduction to the cross-cultural study of ethnic and national identity. We examine the concept of social identity, and consider the ways in which gendered, linguistic, religious, and ethno-racial identity components interact. We explore the history of nationalism, including the emergence of the idea of the nation-state, as well as ethnic conflict, globalization, identity politics, and human rights.
Author(s): Jackson, Jean

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21A.348 Photography and Truth (MIT)
Still photography, a practice and form of expression that has worked its way into every facet of social life and every culture in the world, is considered here from the perspectives of history and social science. We will discuss the uses and functions of pictures; how they are to be understood and interpreted; whether they have clear-cut content and meanings; how they shape and are shaped by politics, economics, and social life.
Author(s): Howe, James

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21F.412 Texts, Topics, and Times in German Literature (MIT)
In diesem Kurs erhalten Sie einen Überblick über einige wichtige literarische Texte, Tendenzen und Themen aus der deutschsprachigen Literatur- und Kulturszene. Wir werden literarische Texte, Gedichte, Theaterstücke und Essays untersuchen, sowie andere ästhetische Formen besprechen, wie Film und Architektur. Da alle Texte gleichzeitig in ihrem spezifischen kulturellen Kontext gelesen werden, tragen sie zu einem Verständnis von verschiedenen historischen Aspekten bei. Unter anderen werden fol
Author(s): Jaeger, Dagmar

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4.607 Thinking About Architecture: In History and at Present (MIT)
This class will be constructed as a lecture-discussion, the purpose being to engage important theoretical issues while simultaneously studying their continuing historical significance. To enhance discussion, three debates will be held in class. Each student will be required to participate in one of these debates. Each student will also be required to write three short papers. Class participation is essential and will be factored into the final grade.The course will portray the history of theory
Author(s): Jarzombek, Mark

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21M.380 Music and Technology (Contemporary History and Aesthetics) (MIT)
This course is an investigation into the history and aesthetics of music and technology as deployed in experimental and popular musics from the 19th century to the present. Through original research, creative hands-on projects, readings, and lectures, the following topics will be explored. The history of radio, audio recording, and the recording studio, as well as the development of musique concrète and early electronic instruments. The creation and extension of musical interfaces by composers
Author(s): Ariza, Christopher

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Harry S. Stout, Baptized in Blood: "Moral Reflections on the American Civil War" – April 19, 2007
Harry S. Stout, Jonathan Edwards Professor of American Religious History at Yale University revisits the moral issues of the American Civil War. Part of the on-going series, Princeton Lectures in Religion and History. Sponsored by the Center for the Study of Religion.
Author(s): No creator set

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3.A08 Attraction and Repulsion: The Magic of Magnets (MIT)
This Freshman Advising Seminar surveys the many applications of magnets and magnetism. To the Chinese and Greeks of ancient times, the attractive and repulsive forces between magnets must have seemed magical indeed. Through the ages, miraculous curative powers have been attributed to magnets, and magnets have been used by illusionists to produce "magical" effects. Magnets guided ships in the Age of Exploration and generated the electrical industry in the 19th century. Today they store informatio
Author(s): Livingston, James

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CMS.876 History of Media and Technology: Sound, the Minority Report -- Radical Music of the Past 100
This course looks at the history of avant-garde and electronic music from the early twentieth century to the present. The class is organized as a theory and production seminar for which students may either produce audio/multimedia projects or a research paper. It engages music scholarship, cultural criticism, studio production, and multi-media development, such as recent software, sound design for film and games, and sound installation. Sound as a media tool for communication and sound as a form
Author(s): Coleman, Beth

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War Studies Primer - an introductory course on the study of war and military history
War Studies Primer is an introductory course on the study of war and military history. Its purpose is to provide an introduction, or primer, to the study of war. War Studies Primer is presented as a lecture curriculum at the senior high school and university level. It is a free course that consists ...
Author(s): Michael P. D'Alessandro M.D.

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Science Studio vol 019 - Topic: History of Fire - Guest: Stephen Pyne
Course - Group - Science Studio vol 019 - Topic: History of Fire - Guest: Stephen Pyne - Arizona State University > Science Studio > Science Studio vol 019 - Topic: History of Fire - Guest: Stephen Pyne
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Virtual Educational Resource for the Biosciences (VERB) - Eutherians - standalone HTML files
VERB is an online animal diversity resource designed to accompany undergraduate degrees in the Biosciences. In this package, entitled VERB Eutherians, the groups discussed are the living placental mammals. Contained are a series of web pages outlining the diversity of the eutherians from an evolutionary perspective. The topics of focus are phylogeny (evolutionary history) and functional anatomy, but subjects as wide as genetics, ecology, physiology, and developmental biology are discussed where
Author(s): Dr Helen Chatterjee, UCL

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GS-09: Exporting sequences from Adobe Premiere Pro
Learn how to export a sequence, or a part of a sequence, into any of a number of formats. This instruction includes the use of the Export Settings dialog box, and Adobe Media Encoder.
Author(s): No creator set

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Originate and develop the concept
This learning object encompasses the competency required to originate a project in film, television, radio or multimedia and develop the concept to that stage where it becomes the basis of a creative and effective production. It involves clarifying creative ideas, investigating and evaluating possible approaches, then developing the concept.
Author(s): No creator set

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