4.5 Two mythological songs: ‘Prometheus’ (1819) and ‘Ganymed’ (1817)
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
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4.4 ‘Erlkönig’ (‘The Erl-king’, 1815)
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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4.3.1 ‘Gretchen am Spinnrade’ (‘Gretchen at the Spinning-Wheel’, 1814)
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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4.2 Simplicity and complexity
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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4.1.1 ‘Heidenröslein’ (‘Wild Rose’, 1815) and ‘Wandrers Nach
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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2.2 Schubert and Johann Michael Vogl
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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2.1 Introduction
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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1 Schubert: introduction
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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Paul Grabowsky: The complete musician, at ANU
Mr Paul Grabowsky, founder of the Australian Art Orchestra gives this lecture entitled 'the complete musician' at The Australian National Univerisity on the 14 October 2010. Mr Paul Grabowsky challenges tertiary music educators to reflect on their current practice and consider how effective it is in actually preparing students for the careers they will now enter on graduation. Recognised as Australia's pre-eminent jazz pianist with over 26 recordings to his name, Mr Grabowsky is regarded as on
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D-Day to Berlin - The Battle for France (Part 4 of 6)
History Channel Video. 1944, Europe's future hung in the balance. Our 3-part series follows the story of Allied forces--from Normandy to the assault on Germany--and the victories that led to WWII's end in 1945. We begin on the day after D-Day, unfolding over the summer of 1944 as the initial narrow sliver of French coastline gained by the Allies is slowly extended. By the end of August, Allied victory seemed assured. Rommel had been wounded, Hitler was directing the battle, and the German army w
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1.3 Stages of development

As a result of the consultation and decision-making process, it was decided, as a primary objective, to undertake a systematic survey of the site in order to uncover and understand the industrial archaeology of Aberdulais Falls. This involved removing tons of rubbish, infill and vegetation, and examining in detail the archaeological remains discovered.

During this process, no evidence from the sixteenth-century copper smelting works was uncovered, and it is assumed that this lies beneat
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7.2 Asides

An aside is a shorter speech, maybe only a few words, spoken sotto voce to the audience. It is presumed that the other characters on stage cannot hear what is being said, unless the aside is between two characters. Unlike the soliloquy, which largely died out with the decline of poetic drama, the aside is a convention that was widely used until the rise of naturalistic drama early in the twentieth century. Nevertheless, it is still employed in those conventional dramatic genres, pantom
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6.1 Performance and production

The idea that drama is a performed art should, by now, be one with which you feel familiar. What should also be clear from each of the examples discussed so far is that there is a range of factors to consider when approaching a dramatic text, and that to engage with any dramatic work we need to consider more than just the words on the page. Here, I'll be asking you to think about the language of the text, and about what's involved in moving outwards from the page to the stage. I will also be
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1 Approaching plays

Most people's experience of plays will be through seeing them on stage, or on television or video. Or, thinking of drama in a more general sense, we might be avid watchers of TV soaps or films. But, as a student of literature, you are sitting at home with a book open in front of you. It contains the text of a play. What, then, are you to make of the words on the page before you? If the script you were examining was intended for a film or a TV play it would look different from the examples tha
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Lecture with Kristee Rosendahl (Graduate Studies Lecture Series fall 2010)
Filmed at California College of the Arts as part of the Graduate Studies Lecture Series | Timken Lecture Hall | September 28, 2010 In 1985 Kristee Rosendahl pioneered the field of user experience as the cofounder of the Apple Human Interface Group and a principal designer in the Apple Multimedia Lab. In the years since, as a VP, director, creative director, art director, designer, and manager, she has designed and delivered products across multiple media platforms and multiple channels in the s
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Clashes over cuts in Greece
Firefighters and shipworkers stage protests against budget cuts in Greece. Deborah Lutterbeck reports.
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Beethoven (Part 10 of 18)
Beethoven was a German Composer and pianist.  His music fell in a transitional period between Classical and Romantic music. Beethven studies with Haydn.  Even after his hearing began to deteriorate he still composed, conducted and even performed his music.
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National Strategy - Teaching and learning in the Key Stage 3 Strategy
This booklet is a self-study guide for trainee English teachers, providing additional support and guidance for the teaching and learning approaches suggested in the Key Stage 3 Strategy.
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9 Summary

This unit has focused on planning a project. At this stage you may find it useful to recap on the learning objectives introduced at the beginning of the unit and to think about some of the issues associated with them.

  1. You should now be able to develop plans with relevant people to achieve the project's goals. This will involve identifying and finding ways of including the appropriate people in the project.

  2. You should be able
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7.5 Materials costs

There will be many categories of materials, supplies and consumables used in a project. Once again, the materials that are in constant use and easily and ‘freely’ available in an organisation might be overlooked in costing the project. For example, it is easy to assume that stationary will be available in much the same way as it is for day-to-day work. However, a project is a bounded activity, and if you are to understand the full cost of achieving the outcomes, you will need to know
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Licensed under a Creative Commons Attribution - NonCommercial-ShareAlike 2.0 Licence - see http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ - Original copyright The Open University