Holocaust in Film and Literature, Lec 17, German 59, UCLA
Course Description: German 59: Holocaust in Film and Literature is a course that provides insight into the History of Holocaust and its present memory through examination of challenges and problems encountered in trying to imagine its horror through media of literature and film. About the Professor: Todd Presner is Associate Professor of Germanic Languages, Comparative Literature, and Jewish Studies. His research focuses on German-Jewish intellectual and cultural history, the history of media,
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Holocaust in Film and Literature, Lec 18, German 59, UCLA [Finished]
Course Description: German 59: Holocaust in Film and Literature is a course that provides insight into the History of Holocaust and its present memory through examination of challenges and problems encountered in trying to imagine its horror through media of literature and film. About the Professor: Todd Presner is Associate Professor of Germanic Languages, Comparative Literature, and Jewish Studies. His research focuses on German-Jewish intellectual and cultural history, the history of media,
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2. History of the English Word Structure (April 7, 2009)
middle old English, linguistic, history, language, philosophy, creative writing, grammar, vocabulary, etymology, structure, evolution, Germanic, Celtic, speak, pronounce, write, migration, aesthetic, prestige, French, Anglo Saxon, German, Norman, Scandina
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Discography
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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5 Conclusion
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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4.5.2 ‘Ganymed’ (‘Ganymede’)
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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4.5.1 ‘Prometheus’
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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4.5 Two mythological songs: ‘Prometheus’ (1819) and ‘Ganymed’ (1817)
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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4.4 ‘Erlkönig’ (‘The Erl-king’, 1815)
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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4.3.1 ‘Gretchen am Spinnrade’ (‘Gretchen at the Spinning-Wheel’, 1814)
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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4.2 Simplicity and complexity
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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4.1.1 ‘Heidenröslein’ (‘Wild Rose’, 1815) and ‘Wandrers Nach
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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2.2 Schubert and Johann Michael Vogl
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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2.1 Introduction
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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1 Schubert: introduction
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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Except for third party materials and otherwise stated (see http://www.open.ac.uk/conditions terms and conditions), this content is made available under a http://creativecommons.org/licenses/by-nc-sa/2

Paul Grabowsky: The complete musician, at ANU
Mr Paul Grabowsky, founder of the Australian Art Orchestra gives this lecture entitled 'the complete musician' at The Australian National Univerisity on the 14 October 2010. Mr Paul Grabowsky challenges tertiary music educators to reflect on their current practice and consider how effective it is in actually preparing students for the careers they will now enter on graduation. Recognised as Australia's pre-eminent jazz pianist with over 26 recordings to his name, Mr Grabowsky is regarded as on
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D-Day to Berlin - The Battle for France (Part 4 of 6)
History Channel Video. 1944, Europe's future hung in the balance. Our 3-part series follows the story of Allied forces--from Normandy to the assault on Germany--and the victories that led to WWII's end in 1945. We begin on the day after D-Day, unfolding over the summer of 1944 as the initial narrow sliver of French coastline gained by the Allies is slowly extended. By the end of August, Allied victory seemed assured. Rommel had been wounded, Hitler was directing the battle, and the German army w
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1.3 Stages of development

As a result of the consultation and decision-making process, it was decided, as a primary objective, to undertake a systematic survey of the site in order to uncover and understand the industrial archaeology of Aberdulais Falls. This involved removing tons of rubbish, infill and vegetation, and examining in detail the archaeological remains discovered.

During this process, no evidence from the sixteenth-century copper smelting works was uncovered, and it is assumed that this lies beneat
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7.2 Asides

An aside is a shorter speech, maybe only a few words, spoken sotto voce to the audience. It is presumed that the other characters on stage cannot hear what is being said, unless the aside is between two characters. Unlike the soliloquy, which largely died out with the decline of poetic drama, the aside is a convention that was widely used until the rise of naturalistic drama early in the twentieth century. Nevertheless, it is still employed in those conventional dramatic genres, pantom
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6.1 Performance and production

The idea that drama is a performed art should, by now, be one with which you feel familiar. What should also be clear from each of the examples discussed so far is that there is a range of factors to consider when approaching a dramatic text, and that to engage with any dramatic work we need to consider more than just the words on the page. Here, I'll be asking you to think about the language of the text, and about what's involved in moving outwards from the page to the stage. I will also be
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Licensed under a Creative Commons Attribution - NonCommercial-ShareAlike 2.0 Licence - see http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ - Original copyright The Open University