3.4 The role of the Edinburgh Town Council

This route incidentally leads us to another important feature of the movement, namely the role of the Edinburgh Town Council and its provosts. (The English equivalent would be a lord mayor.) Throughout the eighteenth century, the Town Council, with a policy of enlightened self-interest, promoted the city by sponsoring or patronising its academic, medical and scientific life. The Council regarded the city's university, infirmary and medical school as institutions which, if given enough prestig
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2.4.3 Literature

This doesn't have the kind of physical presence that material evidence does, but it has a different strength: it gives us, more literally, voices from the past. We can, as it were, hear the ancient Greeks and Romans speak, about what happened, about how they felt, about what they thought, and experience how they expressed themselves. This gives us a rather different access to their world, complementary to the one we get from material culture.

Like the word ‘arts’, literature can sug
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Death

The final rite of passage, death itself, permeates the Victorian family album. Throughout the 19th century it was common practice, following the death of a relative, to commission memorial photographs. The overwhelming majority of these memorial photographs feature the person as living, not dead.

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2.4 National variation

Relatively little research has been undertaken by photohistorians in the field of domestic photography. However, we should be aware that photography developed in different ways in different countries. So, for example, in Britain the daguerreotype remained a luxury article, as high prices restricted sales to the comfortable classes, whereas in America, because of early mass production techniques, studios could offer 4 daguerreotypes for 1 dollar.

Photography was, however, a European inve
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2.3 Photographs as artefacts

Bear in mind that photographs are artefacts. This means that they are more than just images. The photographer, the process and the packaging all add something to our understanding of the role of the photograph. So, for example, the mount can indicate its purpose (exhibition wall, domestic display, album and so on) and the significance attached to the article in its time. The physical properties of a mount, such as the quality of the card or style of printing, can distinguish top-of-the-range
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3 Conclusion

In this unit you have been introduced to the main components of prose fiction and have been given the opportunity to develop and practise your critical and analytical skills. These are essential skills you will need to continue your stufdies in this area.


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Learning outcomes

By the end of this unit you should be able to:

  • recognise and discuss selected library texts from the Renaissance to the present;

  • know how to approach literary texts in terms of genre, gender and the canon;

  • understand and be able to apply technical analytical terms;

  • engage in close analysis of narrative and poetic language;

  • recognise performance is an interpretation of dramatic texts;

  • engage in comparative
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2.2 Insider/outsider perspectives

Social historians have long argued that we must study history ‘from the underside’, if we want to thoroughly understand a society. In other words, it is not sufficient to have a top-down knowledge of a society's institutions and politics. We need also to examine how ordinary, ‘unimportant’ people operate within a culture: what influences them and what they can (and cannot) influence; how they see their role in society and how others see it. The outsider view is the view from the outsi
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1.6 Sources of authority

A very useful way of gaining insight into a religion and seeing how it works is to examine its sources of authority: for example, whether authority is vested in scriptures, in religious specialists, in tradition, in personal experience or a combination of these. Even in traditions where there is some agreement on what counts as an authoritative text, there are still contested issues of how that text is to be interpreted, by whom, with what degree of literalness and in what context. Similarly,
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1.1 What are the issues?

Some themes recur when we start to think about religion. These include issues of continuity and change, representation, differing perspectives, authority, community and identity. In this unit we start to consider some of them in detail.

The full list of themes and issues considered in this section are:

  • Continuity and change

  • Representation

  • The Victoria and Albert Museum 'Sacred Spaces' exhibition of 2000


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References

Bhatkhande, V.N. (1987) Hindustani Sangit Paddhati: kramik pustak malika, 6 vols, Sangeet Karyalaya, Hathras.
Cook, S. (1992) Guide to Sundanese music: a practical introduction to gamelan salendro/pelog, gamelan degung, panambih tembang Sunda, Bandung.
Apel, W. (ed.) (1944) The Harvard Dictionary of music, Heinemann, London.
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4.1 What is a composition?

We are used, in Western art music, to being able to identify a piece of music and its composer. The ‘piece’ is represented by the written notation; it can be realised in somewhat different ways in different performances. One of the problems we have in applying our concepts of composition to the music of other cultures is that it is not always easy the identify a ‘piece’ of music (an item of repertoire), as distinct from a particular performance.

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3.6 Conclusion

I asked the question at the beginning of this section on Sundanese gamelan music: how is it possible for a group of musicians to play highly complex music, in a cohesive manner, without the use of notation and without having to memorise impossibly large amounts of music? My answer came in a number of stages.

  1. Rather than reading, or memorising vast amounts of music, the musicians memorise the simple frameworks of pieces (the Javanese term for this, bal
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4.3.1 Mapping what we know

Knowledge maps are often one of the first knowledge management representations to emerge, in an effort to add value over the simple corporate intranet search which returns lists of ‘hits’ that are undifferentiated beyond a ranking in terms of keyword matches. Knowledge maps, like other forms of cartography, should communicate a ‘big picture’ by overlaying meaningful structure on to raw resources.


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3 The Efficient Markets Hypothesis (EMH)

The classic statements of the Efficient Markets Hypothesis (or EMH for short) are to be found in Roberts (1967) and Fama (1970).

An ‘efficient’ market is defined as a market where there are large numbers of rational, profit ‘maximisers’ actively competing, with each trying to predict future market values of individual securities, and where important current information is almost freely available to all particip
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5.9 Plagiarism

Referencing is not only useful as a way of sharing information, but also as a means of ensuring that due credit is given to other people’s work. In the electronic information age, it is easy to copy and paste from journal articles and web pages into your own work. But if you do use someone else’s work, you should acknowledge the source by giving a correct reference.

Taking someone's work and not indicating where you took it from is termed plagiarism and is regarded as an infringemen
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1 What does ‘life sciences’ mean?

During the twentieth century, particularly in its second half, the provision of human healthcare changed significantly because of scientific and technological developments. Before then, medical practice was limited and scarcely differentiated from other trades; in fact, barbers often acted as surgeons or dentists. Throughout the 1900s, there were major advances in most countries in sanitation, nutrition, vaccination, surgery, medicines and medical devices. At the same time, there was an incre
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7.4 Avoiding decision traps

While it is not possible to change our human natures, it is possible to immunise ourselves to some extent against common decision traps. Useful strategies include:

  • Get in the habit of reframing problems. For example, if you are considering strategies for avoiding a loss of €10,000 try asking yourself if you would feel differently if you consider them as strategies for making a gain of €10,000.

  • Think about the information you have
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6.2 A rational-economic perspective on risk

A rational-economic perspective generally represents risk as a combination of the expected magnitude of a gain or loss, combined with some probability distribution of anticipated outcomes. Economic ideas of risk behaviour are founded largely on expected utility theory. Expected utility theory predicts that investors will always be risk averse. The shape of the utility curve (utility plotted against increasing wealth) is such that utility increases with wealth, but at a declining rate. This is
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