2.4 Setting We can define the ‘setting’ of a story as the geographical location or locations in which the events of the narrative takes place, as well as the time in which those events are set. Location can refer to wider geographical entities such as countries or cities as well as to smaller entities such as households or domestic interiors. Time can refer to a general historical period or to the chronological boundaries of the story's events. Let's look again at the beginning of Salman R
2.3 Narrative perspectives Two of the most fundamental choices that face the author of a fictional narrative is to decide who is to be the narrator and how the story is to be narrated. Click on ‘View document’ and read 2.2 Narrative events Any narrative is made up of a series of events or incidents, arranged in a particular way. This can be defined as the plot of the story. Consider, as an example, Ernest Hemingway’s appropriately entitled ‘A Very Short Story’ (Hemingway, 1944, pp. 135–6). Different readers will summarise the story in different ways, allocating different levels of significance to various narrative events. If you can access a copy of the story, you might like to try and summarise it yourself and com 2.1 The act of reading The act of reading has been characterised by Robert DiYanni as involving three interrelated processes: experience, interpretation, and evaluation. The first thing we do when we read a novel is to experience it, that is to say, we respond to the development of the narrative and the characters presented to us. The story we read if it does its job effectively affects us on certain levels. We become involved in the events and incidents that befall the characters. The language of the narrative for 1 Why do we read prose fiction? Prose fiction, whether in the form of the novel or the short story, is unarguably the most popular and widely consumed literary genre. One only has to see the proliferation of bookstalls at railway stations and airports, for example, and the predominance of novels over other forms of writing made available in such locations to realise the appeal of fiction. Take a few moments to think about Why we read fiction? What do we hope to gain from reading stories about imag 1.2.4 Checklist of common features Next steps 4.2 Summary: creating music 4.1 What is a composition? 3.6 Conclusion 3.5 Expansion and contraction of the piece: wilet 3.4 Variation 3.3 The musicians at work 3.2 Parts of the gamelan salendro 3.1.1 Background information 3.1 An introduction to gamelan music 2.3 Conclusion 1.4 Models and building blocks 4.1 Initial assessment 3.3 Person–organisation fit
Activity 2
This unit will help you to identify and use information in Arts and History, whether for your work, study or personal purposes. Experiment with some of the key resources in this subject area, and learn about the skills which will enable you to plan searches for information, so you can find what you are looking for more easily. Discover the meaning of information quality, and learn how to evaluate the information you come across. You will also be introduced to the many different ways of organisin
Improvisation and composition are words frequently used in the western world to describe the creation of music. But are they really two distinct processes, or are they aspects of the same phenomenon? In this unit we will explore the relationships between the two using examples of Asian music to help us clarify the concepts.
Improvisation and composition are words frequently used in the western world to describe the creation of music. But are they really two distinct processes, or are they aspects of the same phenomenon? In this unit we will explore the relationships between the two using examples of Asian music to help us clarify the concepts.
Improvisation and composition are words frequently used in the western world to describe the creation of music. But are they really two distinct processes, or are they aspects of the same phenomenon? In this unit we will explore the relationships between the two using examples of Asian music to help us clarify the concepts.
Improvisation and composition are words frequently used in the western world to describe the creation of music. But are they really two distinct processes, or are they aspects of the same phenomenon? In this unit we will explore the relationships between the two using examples of Asian music to help us clarify the concepts.
Improvisation and composition are words frequently used in the western world to describe the creation of music. But are they really two distinct processes, or are they aspects of the same phenomenon? In this unit we will explore the relationships between the two using examples of Asian music to help us clarify the concepts.
Improvisation and composition are words frequently used in the western world to describe the creation of music. But are they really two distinct processes, or are they aspects of the same phenomenon? In this unit we will explore the relationships between the two using examples of Asian music to help us clarify the concepts.
Improvisation and composition are words frequently used in the western world to describe the creation of music. But are they really two distinct processes, or are they aspects of the same phenomenon? In this unit we will explore the relationships between the two using examples of Asian music to help us clarify the concepts.
Improvisation and composition are words frequently used in the western world to describe the creation of music. But are they really two distinct processes, or are they aspects of the same phenomenon? In this unit we will explore the relationships between the two using examples of Asian music to help us clarify the concepts.
Improvisation and composition are words frequently used in the western world to describe the creation of music. But are they really two distinct processes, or are they aspects of the same phenomenon? In this unit we will explore the relationships between the two using examples of Asian music to help us clarify the concepts.
Improvisation and composition are words frequently used in the western world to describe the creation of music. But are they really two distinct processes, or are they aspects of the same phenomenon? In this unit we will explore the relationships between the two using examples of Asian music to help us clarify the concepts.
Improvisation and composition are words frequently used in the western world to describe the creation of music. But are they really two distinct processes, or are they aspects of the same phenomenon? In this unit we will explore the relationships between the two using examples of Asian music to help us clarify the concepts.
Improvisation and composition are words frequently used in the western world to describe the creation of music. But are they really two distinct processes, or are they aspects of the same phenomenon? In this unit we will explore the relationships between the two using examples of Asian music to help us clarify the concepts.
Does the recruitment and selection process fill you with dread? Discrimination and equal opportunities legislation can make this area feel like a minefield. If you are faced with appointing a new employee, then this unit will provide a straight-forward guide to the process: from writing job descriptions to finally assessing who to appoint.
Does the recruitment and selection process fill you with dread? Discrimination and equal opportunities legislation can make this area feel like a minefield. If you are faced with appointing a new employee, then this unit will provide a straight-forward guide to the process: from writing job descriptions to finally assessing who to appoint.
