4.5.2 ‘Ganymed’ (‘Ganymede’)
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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4.5.1 ‘Prometheus’
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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4.5 Two mythological songs: ‘Prometheus’ (1819) and ‘Ganymed’ (1817)
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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4.4 ‘Erlkönig’ (‘The Erl-king’, 1815)
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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4.3.1 ‘Gretchen am Spinnrade’ (‘Gretchen at the Spinning-Wheel’, 1814)
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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4.2 Simplicity and complexity
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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4.1.1 ‘Heidenröslein’ (‘Wild Rose’, 1815) and ‘Wandrers Nach
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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2.2 Schubert and Johann Michael Vogl
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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2.1 Introduction
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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Except for third party materials and otherwise stated (see http://www.open.ac.uk/conditions terms and conditions), this content is made available under a http://creativecommons.org/licenses/by-nc-sa/2

1 Schubert: introduction
This unit looks at the short poems in German that were set to music by Franz Schubert (1797–1828) for a single voice with piano, a genre known as ‘Lieder’ (the German for ‘songs’). Once they became widely known, Schubert's Lieder influenced generations of songwriters up to the present day.This unit then discusses a selection of Schubert's settings of Goethe's poems, and recordings of all of them are provided. You can find the poems, in German with parallel translations into English and
Author(s): The Open University

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Except for third party materials and otherwise stated (see http://www.open.ac.uk/conditions terms and conditions), this content is made available under a http://creativecommons.org/licenses/by-nc-sa/2

D-Day to Berlin - The Battle for France (Part 4 of 6)
History Channel Video. 1944, Europe's future hung in the balance. Our 3-part series follows the story of Allied forces--from Normandy to the assault on Germany--and the victories that led to WWII's end in 1945. We begin on the day after D-Day, unfolding over the summer of 1944 as the initial narrow sliver of French coastline gained by the Allies is slowly extended. By the end of August, Allied victory seemed assured. Rommel had been wounded, Hitler was directing the battle, and the German army w
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Beethoven (Part 10 of 18)
Beethoven was a German Composer and pianist.  His music fell in a transitional period between Classical and Romantic music. Beethven studies with Haydn.  Even after his hearing began to deteriorate he still composed, conducted and even performed his music.
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If Fiber is the Medium, What is the Message? Next-Generation Content for Next-Generation Networks
By investigating price and capacity trends over the past century, Eli Noam shows that it is possible to predict the type, style, and genres of media content of a future ultra-broadband infrastructure, which allows a richer, more bit-intensive content. The nature of content is critical for the economic viability of an ultra-broadband infrastructure. This paper asks what types of media content we will have when we achieve widespread fiber optic networks. In the past, an expansion of transmission c
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Reading text in French that can be adopted and adapted to meet the needs of the class. It is designed to help evaluate the impact of using ICT for learning and teaching.
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Assessment of animation

Project using a digital skills checklist to audit and evaluate the ICT components of work produced.
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George Soros on The New Paradigm for Financial Markets
George Soros extends his “theory of reflexivity” from abstraction to application in the realm of investing. His book, The New Paradigm for Financial Markets, offers a timely look at the credit crisis that reached crescendo in 2008. His views fall between prescience and vindication. Nevertheless, he concedes fallibility
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The Second Law and Cosmology
In spite of its old age, the Second Law of Thermodynamics “is alive and kicking,” says
Max Tegmark
, stimulating research on “really, really big puzzles.” In Tegmark’s case, “big” encompasses the cosmos, and investigating the entropy of the universe offers one path into understanding “how we started out.

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KWR Watercycle Research Institute
KWR (previously Kiwa Water Research) have an extensive history in drinking water research and on current and future water problems, KWR has extended its field of activities to include the entire water cycle. “KWR helps the water sector to identify the challenges it faces, and offers it the means and innovative strategies to meet these challenges successfully.”

Their website contains further details about their research programme as well as the latest industry news and details of publicatio
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Saudis boost haj security measures
Saudi Arabian troops display a show of force ahead of the haj pilgrimage in Mecca next week.
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Learn German - Lesson 7
Lesson 7 is about the forms of the definite article in the dative and accusative.  This video isclearly recorded and begins with phrases in German which are then broken down.You will see all of the words and phrases in both English and German.Good for beginning and intermediate learners.


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