Classical to early modern: Aristotle to Sidney
Classical to early modern: Aristotle to Sidney
Internationalising the Curriculum: an annotated bibliography
This annotated bibliography comprises a selection of books, journal articles, conference papers and other resources on the subject of the internationalised curriculum. It has been compiled initially from a library of global sources originally brought together as part of the review of literature in the field, commissioned by the Higher Education Academy in 2006 (Caruana, V. and Spurling, N., 2007). This has been up-dated to include more recent work. The central criterion for selection of material
Harry and his friend make a wager on a game of chess in this video segment from Cyberchase.
Introducció a la literatura anglesa
This subject: Introduction to English Literature, covers the period from the Renaissance (16th century) until the present time. It is, therefore, an introduction to modern English Literature.
6.912 Introduction to Copyright Law (MIT)
This course is an introduction to copyright law and American law in general. Topics covered include: structure of federal law; basics of legal research; legal citations; how to use LexisNexis®; the 1976 Copyright Act; copyright as applied to music, computers, broadcasting, and education; fair use; Napster®, Grokster®, and Peer-to-Peer file-sharing; Library Access to Music Project; The 1998 Digital Millennium Copyright Act; DVDs and encryption; software licensing; the GNU® General
21A.340J Technology and Culture (MIT)
This course examines relationships among technology, culture, and politics in a variety of social and historical settings ranging from 19th century factories to 21st century techno dance floors, from colonial Melanesia to capitalist Massachusetts. We will be interested in whether technology has produced a better world, and for whom.
21M.262 Modern Music: 1900-1960 (MIT)
This subject covers a specific branch of music history: Western concert music of first sixty years of the twentieth century. Although we will be listening to and studying many pieces (most of the highest caliber) the goal of the course is not solely to build up a repertory of works in our memory (though that is indeed a goal). We will be most concerned with larger questions of continuity and change in music. We will also consider questions of reception, or historiography - that is, the creation
21F.010 Introduction to European and Latin American Fiction (MIT)
This subject serves as a broad introduction to the field of European and Latin American fiction. It is taught in an historical mannerbeginning with the first picaresque novel, Lazarillo de Tormes, and ending with contemporary European fiction. It is designed to help students acquire a general understanding of major fictional modes-from 18th century epistolary fiction, Liaisons dangereuses, to 20th century avant-garde fiction: Cosmicomicsi and Aura. Attention is paid not only to the literar
STS.038 Energy and Environment in American History: 1705-2005 (MIT)
A survey of how America has become the world's largest consumer of energy. Explores American history from the perspective of energy and its relationship to politics, diplomacy, the economy, science and technology, labor, culture, and the environment. Topics include muscle and water power in early America, coal and the Industrial Revolution, electrification, energy consumption in the home, oil and U.S. foreign policy, automobiles and suburbanization, nuclear power, OPEC and the 70's energy crisis
Eat healthy in a healthy world: Activity book. Eating healthy is fun
Activity book of the series "Healthy Eating" which proposes activities for a healthy diet.
Small guide who explains what is the ecological aquaculture, how to identify it, how it is put into practice and how it is regulated.
21F.043J Introduction to Asian American Studies: Literature, Culture, and Historical Experience (MIT
An interdisciplinary subject that draws on literature, history, anthropology, film, and cultural studies to examine the experiences of Asian Americans in U.S. society. Covers the first wave of Asian immigration in the 19th century, the rise of anti-Asian movements, the experiences of Asian Americans during WWII, the emergence of the Asian American movement in the 1960s, and the new wave of "post-1965" Asian immigration. Examines the role these historical experiences played in the formation of As
17.20 Introduction to the American Political Process (MIT)
This course provides students with an introduction to the basic institutions of American government, especially as established in the constitution, and with an introduction to currents of thought among social scientists about the workings of U.S. politics. This is a communication intensive course. As such you are required to write at least 20 pages - that's the C.I. requirement - and participate in class discussions.
8.952 Particle Physics of the Early Universe (MIT)
This course covers the basics of general relativity, standard big bang cosmology, thermodynamics of the early universe, cosmic background radiation, primordial nucleosynthesis, basics of the standard model of particle physics, electroweak and QCD phase transition, basics of group theory, grand unified theories, baryon asymmetry, monopoles, cosmic strings, domain walls, axions, inflationary universe, and structure formation.
3.986 The Human Past: Introduction to Archaeology (MIT)
This class introduces the multidisciplinary nature of archaeology, both in theory and practice. Lectures provide a comparative examination of the origins of agriculture and the rise of early civilizations in the ancient Near East and Mesoamerica. The laboratory sessions provide practical experience in aspects of archaeological field methods and analytical techniques including the examination of stone, ceramic, and metal artifacts and bone materials. Lab sessions have occasional problem sets whic
21L.423J Introduction to Anglo-American Folk Music (MIT)
This course examines the production, transmission, preservation and qualities of folk music in the British Isles and North America from the 18th century to the folk revival of the 1960s and the present. There is a special emphasis on balladry, fiddle styles, and African-American influences. The class sings ballads and folk songs from the Child and Lomax collections as well as other sources as we examine them from literary, historical, and musical points of view. Readings supply critical and back
17.908 Reading Seminar in Social Science: Race, Crime, and Citizenship in American Law (MIT)
This course surveys the relationship between race and crime in the United States, with a special emphasis on the role this relationship has played in the development of American ideas about citizenship and nationhood.
University of Hawaii : College of Tropical Agriculture and Human Resources 21L.501 The American Novel (MIT) 21L.504J Race and Identity in American Literature: Keepin' it Real Fake (MIT)
The website of the College of Tropical Agriculture and Human Resources at the University of Hawaii at Manoa provides information on its range of traditional and tropical focused courses on food science, agriculture, human resources, pla
This course explores the metaphorical, historical, social, and psychological value of ghosts in the American novel. Using the theme of "haunting" as a flashpoint for class discussion and a thematic center for our readerly attention, this course examines the American novel in the context of the various histories which might be said to haunt fictional characters in the American novel, to haunt the American novel itself, and ultimately to haunt us: America's colonial past, its slave past, and other
This course explores the ways in which various American artists view race and class as performed or performable identities. Discussions will focus on some of the following questions: What does it mean to act black, white, privileged, or underprivileged? What do these artists suggest are the implications of performing (indeed playing at or with) racial identity, ethnicity, gender, and class status? How and why are race and class status often conflated in these performances?
21L.501 The American Novel (MIT)
21L.504J Race and Identity in American Literature: Keepin' it Real Fake (MIT)