Iron Tiger Throwdown
The Iron Tiger Throwdown, the Fristfest Culinary competition featuring ultimate chicken wings, was contested recently at the Frist Campus Center. Six teams of two representing the residential dining halls and the Frist Campus Center dining venues competed for two prestigious awards: the Iron Tiger Culinary Cup and the People's Choice Award. Judging the competition were a trio of Tom's; Tom Myers from Frist and University Scheduling, Tom Parker from Mail Services and Tom Quirk from Development Ev
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Histology, pineal body vs (calf) x4, (direct/above view)
Histology, pineal body vs (calf) x4, (direct/above view). Rat dissection stills taken from FARID (Functional Anatomy of the Rat [Interactive Dissection]). This resource was authored by Megan Quentin-Baxter and David Dewhurst, with Graham Irving and Stephen Mera at Leeds Metropolitan University.
Author(s): Megan Quentin-Baxter, Newcastle University

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Andreas Vesalivs: De Humani Corporis Fabrica
This site presents Andreas Vesalius' anatomical atlas, On the Fabric of the Human Body (1543, 1555) in a new way and explains this effort to translate and annotate it. Never before completely translated into English, Vesalius' account of human anatomy transformed its subject and changed medical education in the West.
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Histology, pituitary vls (rat) x40, (direct/above view)
Histology, pituitary vls (rat) x40, (direct/above view). Rat dissection stills taken from FARID (Functional Anatomy of the Rat [Interactive Dissection]). This resource was authored by Megan Quentin-Baxter and David Dewhurst, with Graham Irving and Stephen Mera at Leeds Metropolitan University.
Author(s): Megan Quentin-Baxter, Newcastle University

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Histology, pacinian corpuscle human skin x4, (direct/above view)
Histology, pacinian corpuscle human skin x4, (direct/above view). Rat dissection stills taken from FARID (Functional Anatomy of the Rat [Interactive Dissection]). This resource was authored by Megan Quentin-Baxter and David Dewhurst, with Graham Irving and Stephen Mera at Leeds Metropolitan University.
Author(s): Megan Quentin-Baxter, Newcastle University

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Histology, medulla oblongata ts x40, (direct/above view)
Histology, medulla oblongata ts x40, (direct/above view). Rat dissection stills taken from FARID (Functional Anatomy of the Rat [Interactive Dissection]). This resource was authored by Megan Quentin-Baxter and David Dewhurst, with Graham Irving and Stephen Mera at Leeds Metropolitan University.
Author(s): Megan Quentin-Baxter, Newcastle University

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Histology, cerebellum vls (better) x40, (direct/above view)
Histology, cerebellum vls (better) x40, (direct/above view). Rat dissection stills taken from FARID (Functional Anatomy of the Rat [Interactive Dissection]). This resource was authored by Megan Quentin-Baxter and David Dewhurst, with Graham Irving and Stephen Mera at Leeds Metropolitan University.
Author(s): Megan Quentin-Baxter, Newcastle University

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Histology, cerebellum vls x40, (direct/above view)
Histology, cerebellum vls x40, (direct/above view). Rat dissection stills taken from FARID (Functional Anatomy of the Rat [Interactive Dissection]). This resource was authored by Megan Quentin-Baxter and David Dewhurst, with Graham Irving and Stephen Mera at Leeds Metropolitan University.
Author(s): Megan Quentin-Baxter, Newcastle University

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Histology, cerebellum (rabbit) x4, (direct/above view)
Histology, cerebellum (rabbit) x4, (direct/above view). Rat dissection stills taken from FARID (Functional Anatomy of the Rat [Interactive Dissection]). This resource was authored by Megan Quentin-Baxter and David Dewhurst, with Graham Irving and Stephen Mera at Leeds Metropolitan University.
Author(s): Megan Quentin-Baxter, Newcastle University

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Histology, cerebrum ts h x10, (direct/above view)
Histology, cerebrum ts h x10, (direct/above view). Rat dissection stills taken from FARID (Functional Anatomy of the Rat [Interactive Dissection]). This resource was authored by Megan Quentin-Baxter and David Dewhurst, with Graham Irving and Stephen Mera at Leeds Metropolitan University.
Author(s): Megan Quentin-Baxter, Newcastle University

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23 - Paradise XXX, XXXI, XXXII, XXXIII
Professor Mazzotta lectures on the final cantos of Paradiso (30-33). The pilgrim's journey through the physical world comes to an end with his ascent into the Empyrean, a heaven of pure light beyond time and space. Beatrice welcomes Dante into the Heavenly Jerusalem, where the elect are assembled in a celestial rose. By describing the Empyrean as both a garden and a city, Dante recalls the poles of his own pilgrimage while dissolving the classical divide between urbs and rus, between civic li
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Histology, female reproduction tract uterus ts x10, (direct/above view)
Histology, female reproduction tract uterus ts x10, (direct/above view). Rat dissection stills taken from FARID (Functional Anatomy of the Rat [Interactive Dissection]). This resource was authored by Megan Quentin-Baxter and David Dewhurst, with Graham Irving and Stephen Mera at Leeds Metropolitan University.
Author(s): Megan Quentin-Baxter, Newcastle University

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Histology, ovary mammal (487,488 lost) x100, (direct/above view)
Histology, ovary mammal (487,488 lost) x100, (direct/above view). Rat dissection stills taken from FARID (Functional Anatomy of the Rat [Interactive Dissection]). This resource was authored by Megan Quentin-Baxter and David Dewhurst, with Graham Irving and Stephen Mera at Leeds Metropolitan University.
Author(s): Megan Quentin-Baxter, Newcastle University

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16 - Paradise I, II
Professor Mazzotta introduces students to Paradiso. The Ptolemaic structure of Dante’s cosmos is described together with the arts and sciences associated with its spheres. Beatrice’s role as teacher in Dante’s cosmological journey is distinguished from that of her successor, St. Bernard of Clairvaux. An introduction to Dante’s third and final guide to the Beatific Vision helps situate the poetics of Paradiso vis-à-vis the mystical tradition. Professor Mazzotta’s introduction to th
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Histology, ovary mammal x4, (direct/above view)
Histology, ovary mammal x4, (direct/above view). Rat dissection stills taken from FARID (Functional Anatomy of the Rat [Interactive Dissection]). This resource was authored by Megan Quentin-Baxter and David Dewhurst, with Graham Irving and Stephen Mera at Leeds Metropolitan University.
Author(s): Megan Quentin-Baxter, Newcastle University

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Histology, ovary (RAT) x40, (direct/above view)
Histology, ovary (RAT) x40, (direct/above view). Rat dissection stills taken from FARID (Functional Anatomy of the Rat [Interactive Dissection]). This resource was authored by Megan Quentin-Baxter and David Dewhurst, with Graham Irving and Stephen Mera at Leeds Metropolitan University.
Author(s): Megan Quentin-Baxter, Newcastle University

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Histology, testis (rat) spermatogenesis x100, (direct/above view)
Histology, testis (rat) spermatogenesis x100, (direct/above view). Rat dissection stills taken from FARID (Functional Anatomy of the Rat [Interactive Dissection]). This resource was authored by Megan Quentin-Baxter and David Dewhurst, with Graham Irving and Stephen Mera at Leeds Metropolitan University.
Author(s): Megan Quentin-Baxter, Newcastle University

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05 - Inferno IX, X, XI
In this lecture, Professor Mazzotta discusses Inferno 9-11. An impasse at the entrance to the City of Dis marks Virgil’s first failure in his role as guide (Inferno 9). The invocation of Medusa by the harpies that descend while they wait for divine aid elicits Dante’s first address to the reader. The question of literary mediation, posed in the previous lecture in the context of Inferno 5, is explored further, and the distinction Dante draws between the “allegory of poets” and the “
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Histology, testis mammalial x10, (direct/above view)
Histology, testis mammalial x10, (direct/above view). Rat dissection stills taken from FARID (Functional Anatomy of the Rat [Interactive Dissection]). This resource was authored by Megan Quentin-Baxter and David Dewhurst, with Graham Irving and Stephen Mera at Leeds Metropolitan University.
Author(s): Megan Quentin-Baxter, Newcastle University

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03 - Inferno I, II, III, IV
Professor Mazzotta introduces students to the Divine Comedy, focusing on the first four cantos of Inferno. Stylistic, thematic and formal features of the poem are discussed in the context of its original title, Comedy. The first canto is read to establish the double voice of the poet-pilgrim and to contrast the immanent journey with those described by Dante’s literary precursors. Among these is the pilgrim’s guide, Virgil. The following cantos are read with special attention to the ways
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