5.5 Entrepreneur
This unit is for designers, engineers, technologists and anyone interested in designing and inventing. It is also for managers and consumers interested in innovation and technical change. The unit will show you how design and innovation can create a more sustainable future. It will also help you understand how innovation comes about and will encourage thinking about environmental and social challenges for the future.
5.4 Product champion
This unit is for designers, engineers, technologists and anyone interested in designing and inventing. It is also for managers and consumers interested in innovation and technical change. The unit will show you how design and innovation can create a more sustainable future. It will also help you understand how innovation comes about and will encourage thinking about environmental and social challenges for the future.
5.3 Designs
This unit is for designers, engineers, technologists and anyone interested in designing and inventing. It is also for managers and consumers interested in innovation and technical change. The unit will show you how design and innovation can create a more sustainable future. It will also help you understand how innovation comes about and will encourage thinking about environmental and social challenges for the future.
5.2 Inventors and inventions
This unit is for designers, engineers, technologists and anyone interested in designing and inventing. It is also for managers and consumers interested in innovation and technical change. The unit will show you how design and innovation can create a more sustainable future. It will also help you understand how innovation comes about and will encourage thinking about environmental and social challenges for the future.
5.1 Introduction to key concepts
This unit is for designers, engineers, technologists and anyone interested in designing and inventing. It is also for managers and consumers interested in innovation and technical change. The unit will show you how design and innovation can create a more sustainable future. It will also help you understand how innovation comes about and will encourage thinking about environmental and social challenges for the future.
4.10 What has been learnt from the history of the telephone?
This unit is for designers, engineers, technologists and anyone interested in designing and inventing. It is also for managers and consumers interested in innovation and technical change. The unit will show you how design and innovation can create a more sustainable future. It will also help you understand how innovation comes about and will encourage thinking about environmental and social challenges for the future.
1 Approaching philosophy The 1960s show Beyond the Fringe included a sketch satirizing philosophy. In it, Jonathan Miller and Alan Bennett play two Oxbridge philosophers discussing the role of philosophy in everyday life. It concludes like this: Jon: … the burden is fair and square on your shoulders to explain to me the exact relevance philosophy does have to everyday life. Alan: Yes, I can do this quite ea 1.1 Marlowe: the man 1.1 The state as patron 2.2 Notation 2.3 Watching the programme There are two main themes to consider as you watch the programme: (a) Image and identity Note down ex 2.3 Wales In 1282, Edward I conquered Wales and the Statute of Rhuddlan (or Statute of Wales, 1284) established English rule. Rather than involve the assimilation of the Welsh by the English the conquest saw ‘a colonial system … established in those parts of Llywelyn's Principality which were by 1284 in the hands of the king’ (Davies, 1991, p. 166). In 1400, Owain Glyndwr led the most outstanding and successful rising in Wales against the new order and the tyranny of the English border 2.1 England England played a dominant role in the medieval history of Britain, and the history of the UK is undoubtedly the history of the political and cultural domination of the English nation over those of Scotland, Wales and Ireland. In the making of the UK, each component nation played a different role: the English and Scottish kingdoms, the incorporation of Wales into the English Crown, and the subjugation of Ireland. The making of the UK was complex and fraught with violent confrontations, particu 4 Structure of the assessment units This key skill assessment unit does not have specific questions with word limits and no statements indicating you include, say, an essay or a report. Instead, as you tackle the unit you need to ask yourself ‘Which pieces of work show my skills and capabilities to best advantage?’ When you have identified and selected evidence of your skills, you must then relate this evidence directly to the criteria. This method of building a portfolio is based not on providing right or wrong 8 Part B: Evidencing your number skills This Part requires you to present a portfolio of your work to demonstrate that you have used and integrated your number skills within your study or work activities to achieve the standard required. For example, you might include learning about new mathematical techniques to tackle a particular task; using graphs, diagrams, tables or charts more effectively in presenting, analysing and comparing results; setting up and using mathematical models to predict and explain behaviour; using equations 6 What you should present This assessment unit has two parts. Part A requires you to plan, monitor, evaluate and reflect upon your skills, and present evidence of that process. Part B requires you to select concise examples of your work that demonstrate what you have done to improve and apply your skills. Together the two parts form a portfolio of your achievements. You can use the guidance, Bookmarks and Skills Sheets included in the OpenLearn unit U529_1 Key skills – making a difference to help you 5 Effective use of number skills The purpose of this assessment unit is for you to create a portfolio of your work that shows you can improve your number skills and apply them within your study or work activities. The portfolio should represent you as an effective user of number skills, and show that you can select examples of your work that satisfy a set of criteria. However, the unit offers more than just an opportunity to have your work assessed. A central aim is for you to use the process to support your learning and imp 4 Structure of the assessment units This key skill assessment unit does not have specific questions with word limits and no statements indicating you include, say, an essay or a report. Instead, as you tackle the unit you need to ask yourself ‘Which pieces of work show my skills and capabilities to best advantage?’ When you have identified and selected evidence of your skills, you must then relate this evidence directly to the criteria. This method of building a portfolio is based not on providing right or wrong 3 Key skills assessment units This section gives advice and guidance to help you compile and present a portfolio of selected work. You are strongly advised to read through this section so that you have an idea of what is expected. The key skills assessment units provide an opportunity for you to integrate your development of key skills with your work or study. You may choose to concentrate on skills that you need to develop and improve for your job, for a new course, or personally to help you keep abreast of new dev 2 Sources of help This assessment unit is designed to be self-contained. However you might like to access the following sources for support and guidance if you need it. These sources include:
U529_1 Key skills – making a difference: This OpenLearn unit is designed to complement the assessment units. It provides detailed guidance and activities to help you work on your key skills, gives examples of key skills work from students, and helps you prepare and selec
What does Christopher Marlowe's Doctor Faustus tell us about the author and the time at which the play was written? This unit will help you to discover the intricacies of the play and recognise how a knowledge of the historical and political background of the time can lead to a very different understanding of the author's intended meaning.
In this unit we will examine a range of Napoleonic imagery by David, Gros and a number of other artists, beginning with comparatively simple single-figure portraits and moving on to elaborate narrative compositions such as Jaffa and Eylau. In so doing, we will have three main aims: to develop your skills of visual analysis, to examine the relationship between art and politics and to introduce you to some of the complex issues involved in interpreting works of art.
Improvisation and composition are words frequently used in the western world to describe the creation of music. But are they really two distinct processes, or are they aspects of the same phenomenon? In this unit we will explore the relationships between the two using examples of Asian music to help us clarify the concepts.
Activity 1: Watching the programme
