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Vin et consommateur : qui doit s'adapter?

9e matinée des Œnologues - Bordeaux

>> Goût du vin : la pratique

Patricia Taillandier, Impact des phases fermentaires sur le goût du vin

Nathalie Pouzalgues, L’expression aromatique des rosés : lien avec la couleur

Jean Lhéritier, Philippe Chabert, Jean-Claude Berrouet, Vin et consommateur : qui doit s’adapter ?

Les atten
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CIDMEF Libreville 2011 - Session CADMEF : Evaluation des enseignements et des stages.

XVIIIème Journées Universitaires Francophones de Pédagogie des Sciences de la Santé de la CIDMEF.
3ème Congrès International Francophone de Pédagogie des Sciences de la Santé 16 – 19 avril 2011
Faculté de Médecine de Libreville (Gabon). Université des Sciences de la Santé
Titre : CIDMEF Libreville 2011 - Session CADMEF : Evaluation des enseignements et des stages.
Intervenant : Abdelhaq ALAOUI YAZIDI (Marrakech, Maroc)
Résumé : Session de la
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Digitaal technieklokaal
Schermafbeelding_2011-06-23_om_18.12.35.png

In dit digitaal technieklokaal vind je allerlei opdrachten terug. Van een ballonauto bouwen tot een stroomkring.

Je vindt hier ook testen terug om je technische kennis te toetsen.

 


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Computational Environments with Multimodal Representations of Architectural Design Knowledge
This article discusses interaction between multimodal representations of architectural design knowledge, particularly focusing on relating explicit and implicit types of information. The aim of the presented research is to develop a computational environment that combines several modes of representation, including and integrating different forms of architectural design knowledge. Development of an interactive digital-models library and ontological model of architectural design factors are discus
Author(s): Aksamija, Ajla; Ivanka Iordanova

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Great Zoom out of Los Angeles, CA: The Hollywood Sign
Using data from different spacecraft and some powerful computer technology, visualizers at the Goddard Space Flight Center present you with a collection of American cities in a way you have never seen them before. Starting with our camera high above the Earth, we rush in towards the surface at what would be an impossible speed for any known vehicle. Passing though layers of atmosphere, the colors of our destinations shimmer with their own unique characteristics, and suddenly we find ourselves fl
Author(s): Darrel Williams,Greg Shirah,Horace Mitchell

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Michelle Obama plays soccer with kids in Cape Town
June 23 - U.S. First Lady Michelle Obama kicks around a ball with retired Archbishop Desmond Tutu and children in Cape Town, South Africa. Rough Cut (no reporter narration).
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ART 265-01, Pompeii: Toman Culture in Microcosm, Fall 2005
This course will examine the archaeological remains of the city of Pompeii and its environs, which were buried by the eruption of Mt. Vesuvius in 79 C.E. The preservation of this area allows for an unparalleled opportunity to explore how the ancient Romans really lived and, most importantly, how Roman art and architecture was experienced and understood by its contemporary viewers. Students will be evaluated on their understanding of course content as well as their ability to make close observati
Author(s): Swan, Glenda

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ART 231-01, History of Western Art I, Fall 2005
The objectives of the course are as follows: (1) to provide students with a comprehensive overview of major images, artists, and movements in Western art from Prehistory through the Middle Ages; (2) to integrate these images with the broader cultural history of the period; and (3) to develop visual and analytical skills appropriate to further study in Art History. This course is the first half of a year-long survey of Western Art and students are encouraged to continue with Art 232. Students are
Author(s): Coonin, Victor

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ART 105-01, Beginning Painting, Fall 2005
This class is an opportunity to explore the possibilities of paint. You can expect to be immersed in certain fundamentals of material and technique including application, color, texture, scale and composition. But mostly you will be encouraged to experiment and have accidents. As Bacon implied, happy accidents can be a great source of strength and a catalyst for evolution in painting. You will find that the best way to create these conditions is to paint a lot. Here’s your opportunity to learn
Author(s): Harmon, Erin

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ART 101-02, Drawing, Fall 2005
The class will provide the student with a working knowledge of traditional drawing materials and approaches. Additionally the instructor will use a variety of open-ended projects to expand the students’ drawing ability (vocabulary) and their ability to solve problems. Hopefully, through the class the student can understand better the role drawing can play in their life.,This syllabus was submitted to the Rhodes College Office of Academic Affairs by the course instructor.
Author(s): Dobbins, Hamlett

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ART 305-01, Intermediate & Advanced Painting, Fall 2005
This class is an opportunity to customize your influences. It’s a chance to ilk out paths and options but also to experiment with making a body of work that stands on your own ideas (an experiment that helps you step outside of your boundaries is the most valuable one.) You’ll have many opportunities for such experiments this semester. I want to see you take risks and dare to make substantive changes in both paintings in progress and in your attitudes, ideas and explorations surrounding the
Author(s): Harmon, Erin

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ART 323-01, Italian Renaissance Art, Fall 2005
Students will be introduced to the major artists, movements, and critical issues in Italian Renaissance Art. We will investigate the techniques, styles, contexts, imagery and the ways in which art was produced, displayed, and critically received. Other topics covered will include the role of the artist and patron in Renaissance Italy. Students will be exposed to current debates, controversies, and methodologies pertinent to art historical study. An important component of the course involves crit
Author(s): Coonin, Victor

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ART 318-01, Greek Art and Architecture, Fall 2005
This course will survey the main periods and works of Greek art and architecture, employing a variety of interpretative strategies to the works. The goal of this study is to gain a better understanding of what motivated Greek artistic production and how the ancient Greeks interpreted and used those works.,This syllabus was submitted to the Rhodes College Office of Academic Affairs by the course instructor.
Author(s): Swan, Glenda

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See why Parker chose to attend the University of Memphis.
See why Parker chose to attend the University of Memphis.
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21L.430 Popular Culture and Narrative: Literature, Comics, and Culture (MIT)
In this course, we will investigate popular culture and narrative by focusing on the relationship between literary texts and comics. Several questions shape the syllabus and provide a framework for approaching the course materials: How do familiar aspects of comics trace their origins to literary texts and broader cultural concerns? How have classic comics gone on to influence literary fiction? In what ways do contemporary graphic narratives bring a new kind of seriousness of purpose to comics,
Author(s): Picker, John

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Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative C

Simultaneous Equations Concepts -- Elimination
This module teaches elimination as a means to solve simultaneous equations.
Author(s): Kenny Felder

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Learning & Education in the Google Cloud

Not really much to say here except for this is pretty much everything you need to know about Learning in the Google Cloud.  Take a look

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What Does "Class Action" Mean?

The news of the Supreme Court decision on Walmart — declining to approve a massive lawsuit against an amazing company — was reported as if it amounted to some devastating blow to American life. Nonsense: the decision actually permits normalcy in economic development to proceed without a new round of destruction of wealth. Some lawyers might be sad, but it is great for the rest of us.


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