1.10 Other considerations While visitors to Aberdulais Falls seem genuinely to enjoy the experience, there is a possibility that only when they arrive at the site do they realise it is primarily an industrial site, with an attractive waterfall. There is no mention in the Aberdulais Falls title of it being an industrial site. Even the National Trust Handbook and website are a little ambiguous, using the phrase ‘Famous waterfalls and fascinating industrial site’ in its literature. Clearly not all visitors are m
1.7 Evaluation The preceding description of the history and development of this particular heritage site possibly gives the impression of some inevitability of development, and of a smooth, conflict-free transition from a derelict industrial site to a successful visitor attraction. However, alternative approaches could have been undertaken. Some that strike me include the following: The site could have simply been surveyed, made safe and provided with one or tw
1.6 Visitor numbers The National Trust has actively sought to encourage visitors with a wide range of interests to the site, and to broaden the appeal of the site as much as possible: displays include interpretation panels devoted to the geology, flora and fauna of the site computer interactive displays have been used to expand the information base guided tours are run, and information sheets and visitor packs have been produced
1.4 The economics of maintaining a heritage site The National Trust operates within a complex web of funding. This comes from annual membership fees and from visitor receipts at individual sites. Each National Trust property is responsible for raising the income necessary to fund its own conservation activities and further development (although a large minority of sites cannot cover their costs). Properties raise this income through visitors charges and from catering, shop sales, etc. Failure to raise sufficient income can lead to job losse
1.3 Stages of development As a result of the consultation and decision-making process, it was decided, as a primary objective, to undertake a systematic survey of the site in order to uncover and understand the industrial archaeology of
Aberdulais Falls. This involved removing tons of rubbish, infill and vegetation, and examining in detail the archaeological remains discovered. During this process, no evidence from the sixteenth-century copper smelting works was uncovered, and it is assumed that this lies beneat
1.1 Background Aberdulais Falls is under the control of the National Trust. It is set in an area of outstanding natural beauty that has attracted artists for centuries (Turner visited the ten-metre high waterfall in 1796). Aberdulais Falls also has a four-hundred-year history of industrial use, due to the opportunities it provides for water power. The industrial history of Aberdulais Falls goes back to 1584, when the availability of water power and fuel led to copper ore from Cornwall being smelted there. C
9 Metre As we have seen, scansion is the act of mapping out stress patterns in order to ascertain the metre (rhythm). In the accentual-syllabic system, the dominant tradition in English, both accents (stresses) and syllables are measured and counted. In accentual metre, the stresses are counted and the syllables can vary. In syllabic metre, the syllables are counted, while the stresses can vary. Here is pentameter, the line of f 5.6 Other stanza lengths Other stanza lengths include the sestet, and the octave. We've looked at how poems utilise line-breaks and stanzas to evoke a landscape, develop ideas and to present different elements, the juxtaposition of which suggests an argument. We've looked at poems which are about themselves – about line-breaks or poetry itself – and found that they are also about something else. Poetry doesn't always move in a linear fashion, following a single idea or event. It can jum BLAST! podcast Closing the gap between strategy and execution: making hard choices 7.2 Asides An aside is a shorter speech, maybe only a few words, spoken sotto voce to the audience. It is presumed that the other characters on stage cannot hear what is being said, unless the aside is between two characters. Unlike the soliloquy, which largely died out with the decline of poetic drama, the aside is a convention that was widely used until the rise of naturalistic drama early in the twentieth century. Nevertheless, it is still employed in those conventional dramatic genres, pantom 2.3 Is religion a museum piece? We have used the video sequence below to highlight the emic/etic problem and we would like you to carry out a short exercise using it to consolidate your understanding of these terms. The video introduces St Mungo Museum of Religious Life and Art in Glasgow, which has been described as the first public museum of religion in the world. Do note, however, that the Museum of Religions at the University of Marburg, Germany was founded in 1927 by Rudolf Otto. It contains a considerable number 1.6 Sources of authority A very useful way of gaining insight into a religion and seeing how it works is to examine its sources of authority: for example, whether authority is vested in scriptures, in religious specialists, in tradition, in personal experience or a combination of these. Even in traditions where there is some agreement on what counts as an authoritative text, there are still contested issues of how that text is to be interpreted, by whom, with what degree of literalness and in what context. Similarly, 1.1 What are the issues? Some themes recur when we start to think about religion. These include issues of continuity and change, representation, differing perspectives, authority, community and identity. In this unit we start to consider some of them in detail. The full list of themes and issues considered in this section are: Continuity and change Representation The Victoria and Albert Museum 'Sacred Spaces' exhibition of 2000 Learning outcomes By the end of this unit you should be able to: have an awareness of key themes and debates in the field of religious studies; have an understanding that religions have different, and sometimes contrasting, ways to present their beliefs and practices, and that the beliefs and practices of one religion are represented differently by others; have an awareness that different media are used to represent and present religions. 3.4 Transformation processes A transformation process is any activity or group of activities that takes one or more inputs, transforms and adds value to them, and provides outputs for customers or clients. Where the inputs are raw materials, it is relatively easy to identify the transformation involved, as when milk is transformed into cheese and butter. Where the inputs are information or people, the nature of the transformation may be less obvious. For example, a hospital transforms ill patients (the input) into health 3.2 Inputs Some inputs are used up in the process of creating goods or services; others play a part in the creation process but are not used up. To distinguish between these, input resources are usually classified as: transformed resources – those that are transformed in some way by the operation to produce the goods or services that are its outputs transforming resources – those that are used to perform the transformation process. 3 Unit summary This unit should have given you some idea of the issues surrounding the concept of innovation, in particular the key concepts of invention and innovation, and the negative as well as the positive effects that innovations can bring. Although the business functions have been recognised in passing, you should be able to see how the functioning of an organisation can be affected by innovation. Remember that although innovation can take place within any one function of the organisation, this can Improve Your Research Capabilities: UGA Libraries - Books and So Much More Creating Teaching Portfolios: The Who, What, When, Why, and How
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In the second of a three part podcast series Donald Sull, Associate Professor of Management Practice, proposes that we should replace the liner view with an iterative approach that sees strategy always and everywhere as unfolding in a repeated cycle.
Are you new to UGA or a returning veteran? Do you sometimes feel as if the Libraries were a giant maze? Would you like to spend more time FINDING materials than SEARCHING for them? September 22nd all will be made clear.
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A teaching portfolio is a collection of teaching materials, including a teaching philosophy statement, that is helpful for improving teaching skills as well as for getting academic jobs. Regardless of whether you plan to apply for academic jobs at research institutions, primarily teaching institutions, or any kind of institution in between, having a teaching portfolio as a graduate student or post-doc can make a difference in whether or not you get a request for information or an interview. This













