Behind the Scenes: Projects 93: Dinh Q. Lê
June 30, 2010--January 24, 2011
For more information please visit http://www.moma.org/projects
Images and video courtesy the artist; P.P.O.W. Gallery, New York; Shoshana Wayne Gallery, Santa Monica; and Elizabeth Leach Gallery
Installation images courtesy Jason Mandela
© 2010 The Museum of Modern Art, New York
AB EX NY: Introduction to the MoMA Exhibition
From the Curator: About the Exhibition Abstract Expressionist New York
Abstract Expressionist New York
The Museum of Modern Art, October 3, 2010--April 11, 2011
http://www.moma.org/abexny
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Images courtesy of Kate Rothko Prizel & Christopher Rothko; The Franz Kline Estate; The Willem de Kooning Foundation; Pollock-Krasner Foundation; Artists Rights Society (ARS), New York; Nina Leen; Fritz Goro; Gjon Mili; Fred W. McDarrah; John Loengard; Arnold Newman; Kate Rothko; Ti
AB EX NY: Franz Kline
From the Curator: Franz Kline
Abstract Expressionist New York
The Museum of Modern Art, October 3, 2010--April 11, 2011
MoMA.org/abexny
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Images courtesy of The Franz Kline Estate; Kate Rothko Prizel & Christopher Rothko; Artists Rights Society (ARS), New York; Fritz Goro; Nina Leen; Fred W. McDarrah; Time & Life Pictures; Getty Images; and The Museum of Modern Art, New York
© 2010 The Museum of Modern Art
AB EX NY: MoMA and Abstract Expressionism
From the Curator: MoMA and Abstract Expressionism
Abstract Expressionist New York
The Museum of Modern Art, October 3, 2010--April 11, 2011
MoMA.org/abexny
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Images courtesy of Kate Rothko Prizel & Christopher Rothko; The Willem de Kooning Foundation; Pollock-Krasner Foundation; Estate of Arshile Gorky; Adolph and Esther Gottlieb Foundation/Licensed by VAGA, New York; Grace Hartigan; Artists Rights Society (ARS), New York; James Burke; Time & Life Pictures; Getty Image
AB EX NY: Barnett Newman
From the Curator: Barnett Newman
Abstract Expressionist New York
The Museum of Modern Art, October 3, 2010--April 11, 2011
MoMA.org/abexny
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Images courtesy of Barnett Newman Foundation; Artists Rights Society (ARS), New York; Fred W. McDarrah; Getty Images; Barney Tobey, The New Yorker; and The Museum of Modern Art, New York
© 2010 The Museum of Modern Art
AB EX NY: Jackson Pollock
From the Curator: Jackson Pollock
Abstract Expressionist New York
The Museum of Modern Art, October 3, 2010--April 11, 2011
MoMA.org/abexny
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Images courtesy of Pollock-Krasner Foundation; Artists Rights Society (ARS), New York; Nina Leen; Time & Life Pictures; Getty Images; and The Museum of Modern Art and The Museum of Modern Art Archives, New York
© 2010 The Museum of Modern Art
AB EX NY: Ad Reinhardt
From the Curator: Ad Reinhardt
Abstract Expressionist New York
The Museum of Modern Art, October 3, 2010--April 11, 2011
MoMA.org/abexny
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Images courtesy of Estate of Ad Reinhardt; Kate Rothko Prizel & Christopher Rothko; Artists Rights Society (ARS), New York; John Loengard; Time & Life Pictures; Getty Images; and The Museum of Modern Art, New York
© 2010 The Museum of Modern Art
AB EX NY: Mark Rothko
From the Curator: Mark Rothko
Abstract Expressionist New York
The Museum of Modern Art, October 3, 2010--April 11, 2011
MoMA.org/abexny
Filmed by Plowshares Media
Images courtesy of Kate Rothko Prizel & Christopher Rothko; Barnett Newman Foundation; The Franz Kline Estate; The Willem de Kooning Foundation; Pollock-Krasner Foundation; Artists Rights Society (ARS), New York; Kate Rothko; Apic; Getty Images; and The Museum of Modern Art, New York
© 2010 The Museum of Modern Art
AB EX NY: The Painting Techniques of Franz Kline: Chief
The Painting Techniques of Franz Kline: Chief
Abstract Expressionist New York
The Museum of Modern Art, October 3, 2010--April 11, 2011
MoMA.org/abexny
Filmed by Plowshares Media
Images courtesy of The Franz Kline Estate; Kate Rothko Prizel & Christopher Rothko; Artists Rights Society (ARS), New York; and The Museum of Modern Art, New York
Music by Chris Parrello
Chris Parrello, Ian Young, Kevin Thomas, Ziv Ravitz
© 2010 The Museum of Modern Art
AB EX NY: The Painting Techniques of Barnett Newman: Vir Heroicus Sublimis
The Painting Techniques of Barnett Newman: Vir Heroicus Sublimis
Abstract Expressionist New York
The Museum of Modern Art, October 3, 2010--April 11, 2011
MoMA.org/abexny
Filmed by Plowshares Media
Images courtesy of Barnett Newman Foundation/Artists Rights Society (ARS), New York; and The Museum of Modern Art, New York
Music by Chris Parrello
Chris Parrello, Ian Young, Kevin Thomas, Ziv Ravitz
© 2010 The Museum of Modern Art
AB EX NY: The Painting Techniques of Jackson Pollock: One: Number 31, 1950
The Painting Techniques of Jackson Pollock: One: Number 31, 1950
Abstract Expressionist New York
The Museum of Modern Art, October 3, 2010--April 11, 2011
MoMA.org/abexny
Filmed by Plowshares Media
Images courtesy of Pollock-Krasner Foundation/Artists Rights Society (ARS), New York; and The Museum of Modern Art, New York
Music by Chris Parrello
Chris Parrello, Ian Young, Kevin Thomas, Ziv Ravitz
© 2010 The Museum of Modern Art
AB EX NY: The Painting Techniques of Ad Reinhardt: Abstract Painting
The Painting Techniques of Ad Reinhardt: Abstract Painting
Abstract Expressionist New York
The Museum of Modern Art, October 3, 2010--April 11, 2011
MoMA.org/abexny
Filmed by Plowshares Media
Images courtesy of the Estate of Ad Reinhardt/Artists Rights Society (ARS), New York; and The Museum of Modern Art, New York
Photos by John Loengard/Time & Life Pictures/Getty Images
Music by Chris Parrello
Chris Parrello, Ian Young, Kevin Thomas, Ziv Ravitz
© 2010 The Museum of Modern Art
AB EX NY: The Painting Techniques of Mark Rothko: No. 16 (Red, Brown, and Black)
The Painting Techniques of Mark Rothko: No. 16 (Red, Brown, and Black)
Abstract Expressionist New York
The Museum of Modern Art, October 3, 2010--April 11, 2011
MoMA.org/abexny
Filmed by Plowshares Media
Images courtesy of Kate Rothko Prizel & Christopher Rothko/Artists Rights Society (ARS), New York; and The Museum of Modern Art, New York
Music by Chris Parrello
Chris Parrello, Ian Young, Kevin Thomas, Ziv Ravitz
© 2010 The Museum of Modern Art
AB EX NY: Art Terms in Action: Emulsion
An emulsion is a combination of two or more liquids that do not blend easily on their own, such as oil and water. A common example of an emulsion is a vinaigrette salad dressing, in which you might use egg yolk to keep the vinegar and olive oil from separating. Similarly, painters can use egg yolk to emulsify oil paint and water.
Abstract Expressionist New York
The Museum of Modern Art, October 3, 2010--April 11, 2011
MoMA.org/abexny
Filmed by Plowshares Media
© 2010 The Museum of Modern Art
AB EX NY: Art Terms in Action: Enamel
Enamel paints are household and automobile paints that are formulated to be very fluid. They are typically opaque and rich in pigment, since they are designed to cover a surface in a single coat of paint. Enamels can use an array of different binders that include alkyd (a modified linseed oil), acrylic, latex, and oil. Abstract Expressionist artists such as Jackson Pollock and Willem de Kooning were among the first to regularly use enamel paints in making works of art.
Abstract Expressionist Ne
AB EX NY: Art Terms in Action: Paint
Paint is most often a combination of pigment, binder, and solvent. Pigment is the colored portion of the paint. It is often a finely ground material that is either found in nature or artificially produced. Binder holds the individual grains of pigment together. In oil paint, the most common binder is linseed oil, which typically dries to the touch in about one week. The binder in most acrylic paint is an acrylic resin; the binder in watercolor paint is a natural resin called gum arabic. Solvent
AB EX NY: Art Terms in Action: Palette Knife
A palette knife is a type of spatula typically used to mix paint on the palette. It can also be used to apply paint directly on the canvas and to remove it from the canvas.
Abstract Expressionist New York
The Museum of Modern Art, October 3, 2010--April 11, 2011
MoMA.org/abexny
Filmed by Plowshares Media
© 2010 The Museum of Modern Art
AB EX NY: Art Terms in Action: Stain
A stain is a thinned paint made with a considerable amount of solvent. Stains are absorbed into the canvas, rather than remaining on its surface.
Abstract Expressionist New York
The Museum of Modern Art, October 3, 2010--April 11, 2011
MoMA.org/abexny
Filmed by Plowshares Media
© 2010 The Museum of Modern Art
AB EX NY: Art Terms in Action: Turpentine Burn
A turpentine burn is made by soaking a rag in solvent and scrubbing the canvas directly. This technique removes paint and leaves a stain on the canvas.
Abstract Expressionist New York
The Museum of Modern Art, October 3, 2010--April 11, 2011
MoMA.org/abexny
Filmed by Plowshares Media
© 2010 The Museum of Modern Art
AB EX NY: Art Terms in Action: Viscosity
Viscosity is the thickness of a liquid. Low-viscosity liquids are very fluid (such as water) while high-viscosity liquids are quite thick (such as molasses). The viscosity of oil paints is usually reduced by adding binder (such as linseed oil) and/or solvent (such as turpentine). At a lower viscosity, paint can be brushed onto the canvas more freely and quickly.
Abstract Expressionist New York
The Museum of Modern Art, October 3, 2010--April 11, 2011
MoMA.org/abexny
Filmed by Plowshares Media













