Browser does not support script.
Browser does not support script.
Browser does not support script.
Browser does not support script.
Browser does not support script.
UK
China
Malaysia
Main Menu
Study
About
Research
Business
News
Visit
A–Z
Search
You are here:
University of Nottingham
School of Cultures, Languages and Area Studies
Departments
Cultural, Media and Visual Studies
About
News and Events
Events
Events Archive
History of Art
Events archive
2013
History of Art event archive 2013
Department of Cultural, Media and Visual Studies
Home
About Us
Departments
American and Canadian Studies
Cultural, Media and Visual Studies
Undergraduate study
Postgraduate study
Studying with us
Research
Our students
People
About
News and Events
Outreach
Modern Languages and Cultures
Language Centre
Language Centre
Study with us
Research
Languages for Business
People
Contact Us
Print
Email this Page
History of Art event archive 2013
The Flâneur Abroad
Date
Friday 6 - Saturday 7 July
Description
International and Historical Perspectives on an Urban Archetype
Seminar - Modernities and Mobilities: Representations of European Travellers in Nineteenth-Century Japan
Date
Wednesday 13 February
Description
Modernities and Mobilities: Representations of European Travellers in Nineteenth-Century Japan
Hell on Earth? William Blake's Illustrations of Dante's Divine Comedy
Date
Wednesday 27 February
Description
Hell on Earth? William Blake's Illustrations of Dante's Divine Comedy
Seminar- From the Nore: JMW Turner at the Mouth of the Thames
Date
Wednesday 13 March
Description
From the Nore: JMW Turner at the Mouth of the Thames
Crop-Up Gallery: Nature Through the Lens
Date
Friday 15 - Saturday 23 March
Description
The latest exhibition from Art History's Crop-Up Gallery
Seminar- Conceptual Frame-works: Exploring the Natural History Paintings of Mark Fairnington through Victorian Invention and Innovation in the Fields of Art and Science
Date
Wednesday 20 March
Description
Conceptual Frame-works: Exploring the Natural History Paintings of Mark Fairnington through Victorian Invention and Innovation in the Fields of Art and Science
Seminar - 'Christ the True Panther: the Apocryphal Gospels and Renaissance Venetian Painting'
Date
Wednesday 1 May
Description
'Christ the True Panther: the Apocryphal Gospels and Renaissance Venetian Painting'
NIRVC seminars
Date
Wednesday 16 October
Description
Autumn Seminar Programme 2013 - Iconoclasm's objects: Curating art under attack: Histories of British Iconoclasm at Tate Britain.
NIRVC seminars
Date
Wednesday 6 November
Description
Autumn Seminar Programme 2013 - History, Narrative and Space in the Modern Museum.
Beyond Bounds
Date
Monday 18 - Wednesday 20 November
Description
BA students Laura Rutty and Charlotte Keeble are helping to curate Beyond Bounds - The Art of Community.
Museum Metaphors - Call for papers
Date
Wednesday 20 November
Description
Museum metaphors, call for papers. We seek proposals that address examples of museum metaphors from a range of historical, geographic, and theoretical perspective. Symposium at The University of Nottingham.
Nottingham Institue of Research in Visual Culture - Museum Metaphors symposium
Date
Wednesday 20 November
Description
Museum Metaphors symposium - This symposium will consider the many metaphors that have been used to describe, define and theorise museums, as well as the ways in which changes in the metaphorical language of the museum might indicate broader discursive shifts.
NIRVC seminars
Date
Wednesday 27 November
Description
Autumn seminar programme 2013 - Coding commerce in postrevolutionary France
NIRVC seminars
Date
Wednesday 4 December
Description
Autumn seminar series 2013 - The Art of Union in the Houses of Parliament Decorative Schemes
Call for papers - The Mobile Spectator: viewing on the move
Date
Friday 4 - Saturday 5 July
Description
The Mobile Spectator: viewing on the move, call for papersProposal deadline: 1 December 2013Conference dates: Friday 4- Saturday 5 July 2014, University of Nottingham, UK In theories of looking at art, spectators are usually assumed to be static, having arrived at a correct viewing position before a given work of art. Yet in our experiences of art, vision and movement are inseparable. Travel is often a prerequisite to putting oneself in a position to be able to see something, or to see it properly; physical effort is required to address the object or image appropriately.
Displaying
1
to
15
of
15
Department of Cultural, Media and Visual Studies
University Park
Nottingham, NG7 2RD
Contact us