I am interested in interactions between literature and the visual arts in the late nineteenth and early twentieth centuries. I focus on how writers have responded to the visual arts through writing (in visual poetry, in art criticism, and in the 'art novel' genre). I am interested in artists and writers affiliated with modernism but also in popular culture and the broader sweep of French cultural history.
I contribute to first-year teaching including French 1, Introduction to French and Francophone Studies, and Introduction to French Literature: Representations of Paris. While part of the purpose of… read more
I am currently engaged in research on two different topics. The first of these examines machine aesthetics in French modernist and avant-garde works, focusing on representations of the female cyborg… read more
SHINGLER, KATHERINE, 2012. Introduction: The Art Novel and Beyond Nottingham French Studies. 51(3), 223-31
I contribute to first-year teaching including French 1, Introduction to French and Francophone Studies, and Introduction to French Literature: Representations of Paris. While part of the purpose of this module is to introduce students to the study of literary and filmic texts in French, it also offers a broad coverage of the cultural history of Paris, including key developments such as Haussmannization in the late nineteenth century, and the German Occupation during WWII.
I also currently offer the following specialized content modules:
MLAC2168 European Silent Cinema
I convene this module and teach on it alongside Polly McMichael (RSS), Rachel Palfreyman (German), and Paul Hegarty (French), contributing content on pre-WWI cinema in France (Méliès and Feuillade), and avant-garde cinema (Jean Epstein and Fernand Léger).
MLAC3179 The French Avant-Garde
This is a year-long final year module which considers a series of avant-garde movements in France, from the late 19th century through to the middle of the 20th century. Students look at each of these movements through a range of texts (including manifestos, theoretical tracts, art criticism, poetry, plays and novels), as well as through film and the visual arts. Topics covered include Symbolism, Cubism, Futurism, Dada and Surrealism. In the final part of the module we consider how post-war avant-gardes responded to WWII and the Holocaust.
I am currently engaged in research on two different topics. The first of these examines machine aesthetics in French modernist and avant-garde works, focusing on representations of the female cyborg in literature, film and the visual arts.
The second looks at commemorations of the life and work of Guillaume Apollinaire, including the 1968 exhibition at the Institute of Contemporary Arts in London, which marked the fiftieth anniversary of his death. I am currently developing this project to look more broadly at the practices and politics of literary commemoration in France and beyond. In connection with this, I recently organised a workshop, 'Commemorating Literature', which brought together academics and literary heritage organisations to discuss key research issues and share ideas.
I am co-director of the Nottingham Interdisciplinary Modernism Research Network. In June 2019 the network organised a major conference on 'Modernist Art Writing/Writing Modernist Art'.
I am also general editor of Nottingham French Studies.
I would be glad to hear from prospective research students interested in text-image relationships, French avant-gardes and modernism, poetry in the period 1850-1930, or any form of art writing in French.
My last major research project was on 'The French Art Novel, 1900-1930'. This research project was funded by the Leverhulme Trust and resulted in a book, published by Legenda in 2016. While there is a clearly established 19th- century 'canon' of art novels, it is often assumed that the genre dies out around 1900. My book aims to show that the genre in fact survives into the 20th century but undergoes a series of modifications, as the new popular art form of the cinema comes to compete with painting as the primary reference point for writers, as the development of avant-garde movements makes questions of aesthetic value and authenticity ever more pressing; and as changing gender roles increasingly put pressure on writers to acknowledge female creativity. The book examines fiction that engages with the visual arts by writers as diverse as Marcel Proust, Paul Bourget, Camille Mauclair, Michel Georges-Michel, Guillaume Apollinaire, Blaise Cendrars, Louis Aragon and André Breton.
In 2011 I organised a conference on the topic of 'Art in French Fiction since 1900'. This gave rise to an edited special issue of Nottingham French Studies, featuring a selection of papers presented at the conference.
My doctoral thesis, entitled 'Visual Poetry in Theory and Practice: Mallarmé, Cendrars, Apollinaire', was completed in 2007. The thesis considered the relationship between the visual and verbal aspects of a range of poetic works produced in the late 19th and early 20th century, and focused particularly on the possibility of 'simultaneity', or integrated reading and viewing.
I have broad interests in the field of word and image studies, and in addition to my work on visual poetry, I have presented papers on topics such as Maurice Denis's work as an illustrator, and on ways in which literary scholars can use research in experimental psychology.