ROBERTA PEARSON, 2017. ‘Additionality and Cohesion in Transfictional Worlds’ The Velvet Light Trap. 79(spring), 113-119 ROBERTA PEARSON, 2016. Googling Sherlock Holmes: Popular Memory, Platforms, Protocols and Paratexts’. In: SARA PESCE AND PAOLO NOTA, ed., The Politics of Ephemeral Digital Media: Permanance and Obsolescence in Paratexts Routledge. 77-94
ROBERTA PEARSON, 2015. Sherlock Holmes, a De Facto Franchise?. In: LINCOLN GERAGHTY, ed., Popular Media Cultures: Fans, Audiences and Paratexts Palgrave-MacMillan. 186-205
ROBERTA PEARSON, 2015. ‘I hear of Sherlock Everywhere’?: The Holmes Franchise at the Centre and the Margins. In: JENNIFER ALEXANDER, DANIEL JACKSON, HEATHER SAVIGNY AND EINAR THORSEN, ed., Media, Margins and Popular Culture Palgrave-MacMillan. 188-201
ROBERTA PEARSON, WILLIAM URICCHIO AND WILL BROOKER, ed., 2015. Many More Lives of the Batman BFI/Palgrave.
ROBERTA PEARSON, 2014. Remembering Frank Sinatra: Celebrity Studies Meets Memory Studies’. In: BRONWEN THOMAS and JULIAN ROUND, eds., Real Lives, Celebrity Stories:: Narratives of Ordinary and Extraordinary People Across Media Bloomsbury. 187-209
ROBERTA PEARSON and MAIRE MESSENGER DAVIES, 2014. Star Trek and American Television University of California Press.
ROBERTA PEARSON and ANTHONY N. SMITH, eds., 2014. Storytelling in the Media Convergence Age: Screen Narrative Contexts Palgrave MacMillan.
ROBERTA PEARSON, 2014. A Case of Idenity: Sherlock, Elementary and Their National Broadcasting Systems. In: ROBERTA PEARSON and ANTHONY N. SMITH, eds., Storytelling in the Media Convergence Age: Screen Narrative Contexts Palgrave MacMillan.
2013. Star Trek: Serialized Ideology. In: JASON MITTELL, ed., How to Watch TV New York University Press. 213-222
2013. L'eteroglossia di Star Trek. In: Cult Television Rigel Edizione. 77-90
2012. Review essay of James Bennett, Television Personalities: Stardom and the Small Screen for ‘In Focus on Performance’ Cinema Journal. 51(3), 165-167
PEARSON, R., 2012. "Good Old Index", or, The Mystery of the Infinite Archive. In: STEIN, L.E. and BUSSE, K., eds., Sherlock and Transmedia Fandom: essays on the BBC series McFarland. 150-164
PEARSON, R., 2011. Cult Television as Digital Television’s Cutting Edge. In: BENNETT, J. and STRANGE, N., eds., Television as Digital Media Duke University Press. 105-131
PEARSON, R., 2010. Fandom in the Digital Era Popular Communication: The International Journal of Media and Culture. 8(1), 1-12 PEARSON, ROBERTA, 2010. Observations on Cult Television. In: ABBOTT, STACEY, ed., The Cult TV Book I.B. Tauris. 7-18
EVANS, ELIZABETH and PEARSON, ROBERTA, 2009. Boxed Out: Visually Impaired Audiences and the Cultural Value of the Television Image P@rticipations: The Online Journal of Audience Research.
PEARSON, R., ed., 2009. Reading Lost: perspectives on a hit television show I.B. Tauris.
PEARSON, R.E., 2008. Screening Shakespeare: A Review Essay European Journal of Communication. 23(1), 79-85
PEARSON, R.E., 2007. <i>Lost</i> in Transition: from post-network to post-television. In: MCCABE, J. and AKASS, K., eds., Quality TV: contemporary American television and beyond: . London: I.B. Tauris. 239-256
PEARSON, R.E., 2007. Anatomising Gilbert Grissom: The Structure and Function of the Televisual Character. In: ALLEN, M., ed., Focus on CSI I.B. Tauris.
PEARSON, R.E., 2007. Bachies, Bardies, Trekkies and Sherlockians. In: GRAY, J. and HARRINGTON, C.L AND SANDVOSS, C., eds., Fan Audiences New York: New York University Press. 98-109
PEARSON, R.E., 2007. The Triple Pillar of the World: Patrick Stewart Talks About Mark Antony Shakespeare. 3(2), 256-269
PEARSON, R.E. AND MESSENGER-DAVIES, M, 2007. The Little Program That Could; the Relationship between NBC and Star Trek. In: HILMES, M., ed., NBC: America's Network Berkeley: University of California Press. 209-223
PEARSON, R.E AND SIMPSON, N., 2007. Reverse Flow: European Media in the United States. In: MAZLISH, B; CHANDRA, N; WEISBRODE, K., ed., The Paradox of a Global USA Palo Alto: Stanford University Press. 103-121
PEARSON, R.E. AND URICCHIO. W., 2006. Brushing up Shakespeare: relevance and televisual form in Great Britons and In Search of Shakespeare. In: HENDERSON, D.E., ed., A Concise Companion to Shakespeare on Screen Malden, MA: Blackwells. 197-215
PEARSON, R.E., 2005. The Writer/Producer in American Television. In: HAMMOND, M. and MAZDON, L., eds., The Contemporary Television Series Edinburgh: Edinburgh University Press. 11-26
PEARSON, R.E. AND MESSENGER-DAVIES, M, 2005. Class Acts?: public and private values and the cultural habits of theatre-goers. In: SONIA LIVINGSTONE, ed., Audiences and Publics: When cultural engagement matters for the public sphere Intellect Books, Bristol. 139-162
PEARSON, R.E., 2004. The Menace of the Movies: Cinema's Challenges to the Theater in the Transitional Period. In: KEIL, C. and STAMP, S., eds., American Cinema's Transitional Era: audiences, institutions, practices Berkeley, CA: University of California Press. 315-331
PEARSON, R.E., 2004. Heritage, Humanism, Populism: Representing Shakespeare in Contemporary British Television. In: ECKART, V, ed., Janespotting and Beyond: British heritage retrovisions since the mid-1990s 87-97
PEARSON, R.E., 2004. Bright, Particular Star: Patrick Stewart, Jean-Luc Picard and Cult Television. In: PEARSON, R.E. AND GWENLLIAN-JONES, S., ed., Cult Television Minneapolis: University of Minnesota Press. 61-80 (In Press.)
PEARSON, R.E., 2004. Television: Teacher, Mother, Secret Lover! FRAMEWORK. VOL 45(NUMB 2), 62-67
PEARSON, R.E. AND MESSENGER-DAVIES, M, 2004. To Boldly Bestride the Narrow World: Shakespeare, Star Trek and the British Television Market. In: BONDEJBERG, I. AND GOLDING, P., ed., European Culture and the Media Bristol, Intellect Books. 65-90
PEARSON, R.E., 2004. The Histrionic and Verisimilar Codes in the Biograph Films. In: WOJCKI, P.R., ed., Movie Acting: The Film Reader London and New York, Routledge. 59-68
PEARSON, R.E. AND GWENLLIAN-JONES, S., ed., 2004. Cult Television Minneapolis, MN, US, University of Minnesota Press.
PEARSON, R.E. AND URICCHIO. W., 2004. How Many Times Shall Caesar Bleed in Sport? Shakespeare and the Cultural Debate about Moving Pictures. In: GRIEVESON, L. AND KRAMER, P., ed., The Silent Cinema Reader London: Routledge. 155-168
PEARSON, R.E., 2003. A White Man's Country: Native Americans in Yale's Chronicles of America Photoplays. In: GRAINGE, P., ed., Film and Popular Memory Manchester, UK, Manchester University Press. 23-41
PEARSON, R.E., 2003. Kings of Infinite Space: Cult Television Characters Scope: An Online Journal of Film Studies. (In Press.)
PEARSON, R.E. AND MESSENGER-DAVIES, M, 2003. Stardom and Distinction: Patrick Stewart as an Agent of Cultural Mobility A Study of Theatre and Film Audiences in New York City. In: AUSTIN, T. AND BARKER, M., ed., Contemporary Hollywood Stardom London, Edward Arnold. 167-186
PEARSON, R.E. AND MESSENGER-DAVIES, M, 2003. You're not going to see that on tv: Star Trek: the Next Generation in film and television. In: JANCOVICH, M. AND LYONS, J., ed., Quality Popular Television: Cult TV, the Industry and Fans London: British Film Institute. 103-117
PEARSON, R.E., 2002. Shakespeare's Country: The National Poet, English Identity and the Silent Cinema. In: HIGSON, A., ed., Young and innocent?: the cinema in Britain, 1896-1930 Exeter: University of Exeter Press. 176-190
PEARSON, R.E., 2002. Pleasing the Million: Shakespearean Cinema in the Nineties. In: NEALE, S., ed., Genre and Contemporary Hollywood: Formulas, Cycles and Trends Since the Late 1970s London, British Film Institute. 146-159
PEARSON, R.E. AND URICCHIO. W., 2002. Corruption, Criminality and the Nickelodeon. In: JENKINS, H. and MACPHERSON, T. AND SHATTUCK, J., eds., Hop on Pop: The Politics and Pleasures of Popular Culture Durham: Duke University Press. 376-388
PEARSON, R.E. AND URICCHIO. W., 2002. Coming to Terms with New York City's Moving Picture Operators, 1906-1913 The Moving Image. 2(2), 73-93
PEARSON, R.E., 2002. Actor-Persona and Actor-Character. In: VICHI, L., ed., The Visible Man: Film Actor from Early Cinema to the Eve of Modern Cinema Udine, Italy, Udine Forum Press. 69-83
PEARSON, R.E. AND MESSENGER-DAVIES, M, 2002. A Brave New World A Week: Star Trek, cult television, master narratives and postmodernism. In: LE GUERN, P., ed., Les cultes mediatiques: Culture fan et oeuvers cultes Presses Universitaires de Rennes II, Rennes, France. 263-280
PEARSON, R.E., 2002. Corruption, Criminality and the Nickelodeon. In: Hop on Pop: The Politics and Pleasures of Popular Culture Durham, NC, US, Duke University Press. 376-388
PEARSON, R.E., 2001. Indianism?: Classical Hollywoods Representation of Native Americans. In: BERNARDI, D., ed., Classic Whiteness: Race and the Hollywood Studio System Minneapolis, MN, US, University of Minnesota Press. 245-262
PEARSON, R.E. AND URICCHIO. W., 2001. Celluloid Shakespeare and the Complexities of Popular Meaning. In: GRIPSRUD, J., ed., The Aesthetics of Popular Art Kristiansand, Norway, Norwegian Academic Press. 91-113
PEARSON, R.E. AND SIMPSON, P., ed., 2001. Critical Dictionary of Film and Television Theory London and New York, Routledge.