Modern Languages with Business BA

This module will cover the ways in which marketing and consumption drive business and shape society. It will provide an historical perspective, consider marketing professions and leadership within organisational contexts, and examine contemporary environments for marketing and consumption with particular attention to globalisation, innovation (including the transformative force of new technologies), and ethical and sustainability issues.

This module will introduce you to the basic ideas of organisational behaviour. The content will encourage you to develop an understanding of managing and developing people within business organisations.

The module will draw its primary material from the major theorists and theories of both organisational psychology and organisational behaviour. The module will also develop links with other aspects of the business school curriculum such as general management and international business.

This is the starting point for your French Studies journey at Nottingham. Having studied French at A level you’ll already have a good command of the language but now it’s time to go deeper. Together we’ll explore a variety of topics to help you develop a fuller understanding of the history and cultures of France and the Francophone world. These topics may include linguistics, politics, history, thought, literature, media, visual culture and cinema.

You’ll study a range of different texts, images and film, through which we’ll help you develop the core study skills necessary for studying this subject at degree level, such as close reading, essay writing, commentary writing, bibliographical and referencing skills, and visual analysis.

On this module, you will focus on a selection of themes that explore the distinctive social and political landscape of contemporary France: French political institutions, with particular emphasis on the presidency; political parties in France; and immigration and questions of identity.

A close analysis of these themes will provide you with a general understanding of contemporary French society and institutions. In more specific terms, you will begin to explore the ways in which France is faced with the challenge of adapting its republican traditions to a changing world.

This module aims to introduce you to the comparative study of literature and culture, focusing in particular on how the city of Paris is represented in a range of texts (poetic, narrative and filmic) in the modern period (post-1800). You will learn reading techniques adapted to different genres and media, and representations of the city will be considered within their broader social, historical and political context.

This is the core module for first-year students of German. We look at the history of German and introduce you to the linguistic study of the language. We also explore a range of themes and styles in German literature linked to key areas of German and Austrian culture (such as gender relations, migration and race).

Further topics address the study of German film, and German history with a focus on recent history since German reunification in 1990. The module gives you an insight into the different areas we teach and also the skills to explore these areas in more depth in subsequent modules.

In the early sixteenth century, Muscovy was a large but precarious state on the fringes of Europe, characterised by absolute monarchy, an official religion, crude economic and administrative systems, disgruntled ethnic minorities and an impoverished peasantry. Four hundred years later, following rapid expansion, enforced westernisation, industrialisation, a world war and a revolution, everything had changed for Russia … or had it?

This year-long module provides an introduction to the forces that have shaped modern Russia, starting with the first tsar, Ivan the Terrible, through the end of the New Economic Policy. In addition to political and social history, there is a significant focus on culture and the study of primary sources.

This module is an option for those who are studying Russian or East European Cultural Studies.

This module is designed as a foundation for all later modules covering Spanish and Portuguese literatures. The main aims of this module are to give you a general introduction to literature and the study of literature, while providing you with a partial overview of literary writing in the Spanish language. As well as to introduce some of the key theoretical issues of literary study and instil good reading and critical habits. Through this you will be tested on your skills in close reading, textual analysis, seminar participation and the ability to write cogent and convincing commentaries and essays. This module is worth 20 credits.

This module investigates the sounds of German and how they can be described accurately (“phonetics and phonology”). Students learn to transcribe German using the notation of the International Phonetic Association. We look in particular at aspects of German pronunciation that are hard to master because they are different to English. We will also look at how foreign words (including English words) are integrated into the German sound system, and at regional variation in spoken German. Developing accurate listening and transcription skills will form a major part of the module, as will improving your own pronunciation.

Although the Third Reich is very well researched, it still raises many questions: How could Adolf Hitler gain so much power? How could a whole nation ‘fall’ for the Nazi ideology? Why the Jews? In this module we will discuss and research Nazi politics as well as its society and culture. We will consider propaganda, the press, youth and women’s organisations, as well as the role of films, art and literature. Theoretical writings on fascist ideology will provide us with relevant background knowledge and we will work with original German materials such as documents, newspapers, photos, posters, films and speeches.

This module introduces students to important areas and topics in Russian and Slavonic studies, examining important aspects of the histories and cultures of the region, as well as aspects of the languages, cultures and literary traditions. You will learn to analyse a wide range of cultural phenomena, including pictures, music, film, literary texts and other kinds of written sources.

This module aims to develop your knowledge and understanding of the interfaces between literature and politics through the study of the way in which crucial social and political issues are articulated in contemporary Spanish cultural artefacts. You’ll have a weekly two-hour seminar to cover material in this module.

This module aims to develop your knowledge and understanding of the interfaces between literature and politics through the study of the way in which crucial social and political issues are articulated in contemporary Spanish cultural artefacts. You’ll have a weekly two-hour seminar to cover material in this module.

This module is designed to focus on the strategic and operational aspects of marketing management. It will examine:

• understanding the marketing concept
• the role of marketing within business and its contribution to business performance and enhancing value
• developing marketing strategy
• segmentation, targeting and positioning
• managing the marketing mix
• planning and implementation

Topic covered include:

• environment
• theory of multinational enterprises
• entry strategies
• international leadership
• operating in international markets

This module considers several of the transformations that have arisen in contemporary organisations as a result of the use of information systems. Topics include different ways to understand the relationship between technology and organisation and implications of technology for knowledge management and other management areas. 

The module looks at theories of HRM, recruitment and selection, reward, training and development, performance appraisal and broader contextual issues.

This module explores the socio-cultural politics of equality through the study of three key texts by prominent French and Francophone thinkers. It considers the equality and inequality of class, gender and race through close readings of the texts within the wider context of twentieth-century French and Francophone history and culture as well as in relation to major philosophical and theoretical ideas and traditions such as semiotics, linguistics, Marxism, postcolonialism, existentialism, feminism and psychoanalysis. You’ll have an hour long seminar weekly plus a workshop to aid your understanding of the module content.

In this module we will study the role of radio and television in Germany. We will investigate the cultural and economic functions of those media in German society and analyse the relationship between public and commercial broadcasters. We will study a range of programming formats such as news, infotainment, soaps, and quiz shows and discuss a variety of critical approaches to understanding modern media. Intercultural issues will be explored through comparisons with British television.

Building on the introductions to literary study in year 1, this second-year module combines the detailed discussion of stories (Novellen) from the 19th century with a closer look at the ways in which German literature engages with European and world history between 1789 and 1914. Historical themes include the French Revolution, the memory of Napoleon, and the impact of industrialisation and colonial globalisation in the 19th century. Authors include Joseph von Eichendorff (the quintessential German Romantic poet), Wilhelm Hauff (one of the first modern professional writers), and Wilhelm Raabe (a leading representative of German Realism).

This module will introduce students to the history of the Germanic languages, from the earliest linguistic evidence up to the present day. We will investigate the major sound changes that distinguish Dutch, German and other Germanic languages like English from the rest of the Indo-European language family, which includes French, Greek, and many other European languages, as well as Sanskrit. You'll look at the process by which Dutch and German went their separate ways , ultimately emerging as two standardised languages in the 17th century. You'll spend two hours per week in lectures and seminars.

You'll gain an understanding of the growth and development of the cult of saints in the Eastern Christian world in the context of the history and culture of late antiquity and the middle ages.

We focus on the interpretation of original written sources and icons, allowing you to master the basic tools for conducting research in the field.

 If you are studying Russian or East European Cultural Studies, this is an optional year-long module. It examines Russian society and culture as reflected in popular and influential films from 1900 to the present day, covering a variety of genres (including melodramas, biopics, youth films and musical comedies).

Lectures and seminars examine Russian and Soviet cinema’s historical contexts and reception, as well as how films are constructed technically. You develop skills in analysing cinema in its historical and social contexts, from the products of the burgeoning industry of late imperial Russia to post-Soviet arthouse films and blockbusters – via the extraordinary legacy of Soviet cinema. All the films covered are available with subtitles, and this module does not require any prior study of film.

The relationship between the state and the intellectual in Russia has traditionally been a problematic one, marked by repression, persecution, forced and voluntary exile and censorship. Political concern and resistance to an authoritarian state are central themes in the Russian cultural and literary tradition as well as a defining feature in the lives and works of numerous Russian writers and intellectuals.

We will explore the cultural tradition and identity of the literary intelligentsia in Russian and Soviet history. We'll also examine different responses to the experience of state persecution in the work of writers and artists.

Covering an extensive period of Russian history we will look at examples of writers and artists who have defied the state.

Wider questions which will be discussed include the role of the artist and the intellectual in Russian culture, the myth of the persecuted writer and the complex relationship between the intellectual and the masses.

This module will provide a general introduction to cinema in the Hispanic and Lusophone worlds. The first semester will examine contemporary cinema from Spain and Latin America and the second semester will examine cinema from Portugal, Brazil and Lusophone Africa. The module will address questions of style, form, socio-historical context and narrative content. The films will be available with English subtitles.

This module brings together the histories and cultures of key regions of the world in which Portugal establishes varying degrees of colonial rule between the 16th and 20th centuries. In this module you will examine the historical background to the age of Discoveries against which Portugal emerged as a leader in maritime exploration and European Imperialism. You will also examine the historical and political events of Portuguese colonialism and imperialism in Africa and Brazil, with an emphasis on understanding the political and social significance of cultural production in developing countries.

If you are studying Portuguese, this modules gives you an introduction to some of the major texts of the Portuguese-speaking world. The commonality of language derives from the colonial experiences of the Portuguese Empire, which resonate through the cultures from the sixteenth century to the twentieth century.

We will examine the ways in which ideas of nationhood and national identity have been expressed and constructed through the cultures of the Lusophone world. The texts studied explore the ways in which cultural production (through the arts) is embedded in the formation of nationhood and ideas about national identity. Culture is therefore examined through and in its political and historical context. The module will address questions of nationalism and identity as expressed through language, race and place, as well as issues relating to globalisation.

In this module you will explore the nature of brands and the advertising techniques which create strong brands. The module will cover branding theory and communication theory and will provide you with an understanding of managerial, psychological and sociological perspectives on branding and advertising. 

The module covers examination of key forms of social theory, both classical, and more contemporary versions and consideration of the applicability of these theories in relation to organisations and work.

This module provides you with a theoretical and applied overview of strategic management in today's operational environment. It introduces and analyses the key concepts, frameworks and techniques of strategic management, which allow them to diagnose complex situations related to real-world business development.

This module introduces you to key contemporary debates and practices, giving you a chance to engage with these debates and practices. You will gain an understanding of the human resource management approaches managers take as you grapple with the challenges of the global economy and a demanding and diverse workforce within an international context.

This module focuses on the theory and practice of two modes of audio-visual translation: subtitling and dubbing.

The linguistic, technical, and cultural theoretical underpinnings of subtitling and dubbing from French into English will be examined in detail, and students will be able to put the theory into practice using professional dedicated software.

This module aims to introduce you to key aspects of French documentary cinema by considering a range of documentary cinematic techniques, and by looking at the ways in which documentary form has developed over time. The module examines the work of a range of filmmakers and explores the theoretical, socio-cultural and ethical questions raised by documentary cinema.

You will develop analytical tools that can be used to understand the different ways in which documentaries attempt to engage audiences and deal in sophisticated and often challenging ways with a range of issues.

You'll examine the range of social, political and philosophical questions raised by mass immigration to France in the post-war period. These questions will be tackled through historical analysis of patterns of migration and changing immigration policies, as well as through the study of relevant films, novels and theoretical texts which engage with questions of citizenship, identity and ethnicity.

This module offers in-depth discussion of grammatical, lexical and idiomatic aspects of German and English as well as issues of translation, register and cultural difference. Regular practical work on translation from and into German in small groups of native speakers of both target languages will not only instigate an intellectual discussion of linguistic and translation issues but will also offer an opportunity to explore each language from at least two cultural perspectives. Nottingham students will work with exchange students from Germany and/or Austria in this module.

The Weimar Republic (1919-1933) was one of the most fascinating and culturally productive periods of German history, but it was equally ridden by crises and violent conflicts. This module aims to introduce central issues in the literary and social developments of Weimar Germany. You will study a wide range of materials (literary texts, film, aesthetic and political programmes) to analyse key features of the period. Topics will include the impact of the Great War, developments in the press and the cinema, political confrontations, cabaret, and unemployment. 

Heimat, a political and psychological concept of rural rootedness, is at the core of German identity, and the Heimat genre has been ever-present in the German cinema since the days of the silent cinema. This module will explore the cultural and historical contexts of the concept of Heimat through the study of Heimat films from different historical moments. We will explore the artistically ambitious and politically controversial 1920s/30s mountain films; the immensely popular Heimat films of the 1950s; the aesthetically challenging and critical anti-Heimat films of the 1960s/70s; Edgar Reitz’s landmark historical saga of the 1980s; and post-1990s reinventions of the genre. We shall ask why film-makers in Germany and Austria keep returning to this genre. In addition we shall consider the question of the alien within the Heimat, the gendering of Heimat and the representation of nature and modernity in these films.

This module will introduce you to different forms, modes, and models of interpreting as well as the issues that are often encountered by professional interpreters.  It offers opportunities to explore the different techniques/skills required for both simultaneous and consecutive interpretation. The main difficulties of interpreting will be examined, along with strategies to deal with them. The module is seminar-led in order to maximise practice in class.

This module covers popular music in Russia during the late tsarist, Soviet and post-Soviet eras as an area of culture that affects ordinary people in many different ways – in Russia, songs have often brought people together, sometimes in celebration, sometimes to challenge authority, and they have also offered individuals fun or solace.

In the module you learn how to examine all this, applying concepts such as authorship, performance, technology and ideology, and learning how to evaluate the relationship Russian music has to popular music in the UK, USA and elsewhere. The examples studied include pre-revolutionary popular songs and gramophone culture, the assimilation of jazz, patriotic and propaganda songs, rock and pop-rock.

With guidance you will develop your own essay question focusing on a topic within Russian popular musical culture of their choice. No prior study of music is required for this module but you must also be taking Russian 3, or to be at an equivalent level in Russian, in order to choose this module.

This module examines the life and work of Vladimir Nabokov, one of the most important writers of twentieth-century Russian literature. The main focus is on Nabokov’s works from his Russian-language period (1919-40), but examples of his later work written in English (1940-77) are also studied.

Taught in Spanish, this module has been designed to give you a thorough insight into Spanish business including the contexts that have influenced its development and the ways it interacts with wider society.

We'll investigate a range of factors that have shaped the Spanish business landscape since the transition to democracy, such as:

• changes within the global and European regulatory environment
• ideological factors
• entrepreneurship
• government action to attract foreign investors, promote Spanish FDI and boost trade with regions such as Latin America, Europe and China.

You'll not only gain a historical understanding, but a contemporary perspective too by looking at case studies of both companies like Inditex (the owners of Zara and other important fashion brands) and important Spanish industries such as tourism. The module also explores some of the less positive impacts and criticisms of Spanish business practices relating to the environment, debt and corruption.

You may believe that politics and literature are two distinct fields of study, but this module will help you understand the complex but integral relationship between the two.

We’ll explore the representation of key social and political issues within contemporary Spanish literature. You’ll discover how literature in late capitalism, and contemporary ‘Hispanic’ authors in particular, dealt with issues of language, identity, culture, society, nationhood, gender, class, memory, time and writing.

We also explore debates regarding the consistency of the categories of ‘Spain’ and ‘Spanishness’ when analysing cultural production in contemporary Iberia. This shall lead us to assess the competing discursive practices involved in remapping the notion of Spanish canonical literature at the beginning of the new millennium.

This module uses readings of film, poetry, fiction, and popular music to trace the modern cultural and social history of Portuguese-speaking communities, from Europe and Brazil to Africa and India. While consolidating the knowledge and skills developed on modules in year one and two, and your Year Abroad experience, it offers a more in-depth engagement with key twentieth-century cultural and political trends, and, particularly, with changing conceptions of being human, and the growth of ‘identity politics’.

Guided reading and research introduces you to key streams of contemporary critical theory - from psychoanalysis and feminism to post-colonial theory and memory studies – which are applied, in class discussions, presentations, and written assignments, both to texts ranging from ‘combat poetry’ to film musicals, and to the political and social struggles and transformations that those texts were shaped by and helped shape.

In this module, you will be introduced to the major currents in the 20th Century in the context of finisecular and early 20th century European and American literature and culture in order to situate the latter common preoccupations and formal experiments of writers of poetry and short fiction of various nationalities, languages and cultures. This module consists of two case studies. In the autumn semester, you will focus on the comparative analysis of works by poets such as Rubén Darío and Mallarmé, Apollinaire and Alberti, and Fernando Pessoa. In the spring semester you will you focus on the parallel developments in the evolution of the short story across a similar range of languages and cultures and include an analysis of short fictions from authors such as Jorge Luis Borges, João Guimarães Rosa and and Carlos Fuentes.