Modern Languages with Translation BA

This module tackles myths about translation and interpreting and will also provide an insight into key issues in translation studies by allowing you to reflect on what translation and interpreting activities involve (accuracy, fluency, freedom, machine-translation, ethics). You’ll also be introduced to translation and interpreting issues in relation to different genres/topical matters, such as machine-translation, allowing the introduction of technological tools for translators and careers in translation and interpreting.  The module will involve different collaborative projects as a way of preparing you for work in the translation/interpreting industry.

The purpose of this module is to introduce students to issues which will give them a better understanding of the study of a foreign language and of translating between languages. It provides an introduction to the design features of language, as well as to basic notions of several subfields of Linguistics, including phonetics and phonology, morphology, syntax, language acquisition and psycholinguistics.

This module introduces you to the functional aspects of language. We focus primarily on the relationships between language and society and cover areas such as historical and stylistic change; social and regional diversity; as well as concepts drawn from semantics and linguistic pragmatics.

This is the starting point for your French Studies journey at Nottingham. Having studied French at A level you’ll already have a good command of the language but now it’s time to go deeper. Together we’ll explore a variety of topics to help you develop a fuller understanding of the history and cultures of France and the Francophone world. These topics may include linguistics, politics, history, thought, literature, media, visual culture and cinema.

 

You’ll study a range of different texts, images and film, through which we’ll help you develop the core study skills necessary for studying this subject at degree level, such as close reading, essay writing, commentary writing, bibliographical and referencing skills, and visual analysis.

On this module, you will focus on a selection of themes that explore the distinctive social and political landscape of contemporary France: French political institutions, with particular emphasis on the presidency; political parties in France; and immigration and questions of identity.

A close analysis of these themes will provide you with a general understanding of contemporary French society and institutions. In more specific terms, you will begin to explore the ways in which France is faced with the challenge of adapting its republican traditions to a changing world.

An introduction to French history since the late Middle Ages, you’ll study a series of historical figures, their lives and times, considering how their 'stories' are written and woven into the fabric of 'le roman de la nation'. The module focuses in particular on visual culture and representation. You’ll spend around two hours a week in lectures and workshops for this module. 

This is the core module for first-year students of German. We look at the history of German and introduce you to the linguistic study of the language. We also explore a range of themes and styles in German literature linked to key areas of German and Austrian culture (such as gender relations, migration and race).

Further topics address the study of German film, and German history with a focus on recent history since German reunification in 1990. The module gives you an insight into the different areas we teach and also the skills to explore these areas in more depth in subsequent modules.

 In this module you will learn to analyse short literary and popular texts (including film) which portray life in the metropolis Berlin and represent  key phases in German historical and social development in the 20th Century: the 1920s, the immediate post war-period, post-unification Berlin. Exploring cultural representations of urban life the course will address key questions such as: How do textual perceptions of the ‘big’ city reflect attitudes towards relationships conditioned by class, gender and race? 

In the early sixteenth century, Muscovy was a large but precarious state on the fringes of Europe, characterised by absolute monarchy, an official religion, crude economic and administrative systems, disgruntled ethnic minorities and an impoverished peasantry. Four hundred years later, following rapid expansion, enforced westernisation, industrialisation, a world war and a revolution, everything had changed for Russia … or had it?

This year-long module provides an introduction to the forces that have shaped modern Russia, starting with the first tsar, Ivan the Terrible, through the end of the New Economic Policy. In addition to political and social history, there is a significant focus on culture and the study of primary sources.

This module is an option for those who are studying Russian or East European Cultural Studies.

This year-long module is an introduction to Balkan history and Balkan cultural studies, covering the cultural history of the South Slavs and the legacy of empires in this region since antiquity – the Hellanistic Empire, the Roman Empire, Byzantium, the Ottoman Empire, the Habsburg Empire, Venice, France and Russia.

By focusing on the visual cultures of the three key religious traditions – Eastern Orthodoxy, Roman Catholicism and Islam – the module explores the common features and differences in alphabet, architecture, sculpture and painting across the region. The topics covered include the imperial border, army structure, types of conquest, capital and peripheries, client states and demographic policies.

The module will develop your understanding of how living under empires informed the self-understanding of Serbs, Croats, Bosniaks and other South Slav nations. This module is an option for those studying Russian or East European Cultural Studies.

This module is designed as a foundation for all later modules covering Spanish and Portuguese literatures. The main aims of this module are to give you a general introduction to literature and the study of literature, while providing you with a partial overview of literary writing in the Spanish language. As well as to introduce some of the key theoretical issues of literary study and instil good reading and critical habits. Through this you will be tested on your skills in close reading, textual analysis, seminar participation and the ability to write cogent and convincing commentaries and essays. This module is worth 20 credits.

This module aims to develop your knowledge and understanding of the interfaces between literature and politics through the study of the way in which crucial social and political issues are articulated in contemporary Spanish cultural artefacts. You’ll have a weekly two-hour seminar to cover material in this module.

Explore possible career avenues and gain practical experience in this interesting module which will show you how to apply your language learning to translation.

You'll gain a good understanding of the key concepts of translation theory, including equivalence, text type and skopos alongside linguistic theories such as register and relevance.

With these theories under your belt, you'll be guided through their application to your own translations. We'll work on the translation of a variety of texts to help you strengthen and embed your new skills.

In this module you will be required to build up a portfolio of translations of different text types, including technical/scientific, legal and journalistic texts. Through the practices of translation and editing, you’ll improve your language skills, gain a better understanding of the cultural and linguistic complexities of the translation process, and learn how to research terminology in specialist subject domains. Where possible, one or more of the assignments will be a real-life pro bono assignment or linked to an internship. You will have a 2-hour introductory session for each part of the portfolio and will be supervised individually or in small groups for the remainder of the module.

This module  focuses on the interplay between language and politics in 21st-century French. It addresses issues of ideology, identity, and power in French-speaking countries from a linguistic perspective. Students examine the driving forces behind the invention and the preservation of standard French, the role of norms and variation in identity politics, and the role of language choices in current political debates in France. Students apply the principles and methods of sociolinguistics and cognitive linguistics to a variety of recent textual and audiovisual documents, and digital data (TV programmes, news broadcasts, interviews, radio podcasts, corpora based on social media and online newspapers).

This module explores a range of political and social issues relevant to contemporary sub-Saharan Francophone Africa through literature, film and popular culture. It also offers an overview of the history of the French language in Africa and introduces students to the range of varieties of French spoken there today.

This module explores the socio-cultural politics of equality through the study of three key texts by prominent French and Francophone thinkers. It considers the equality and inequality of class, gender and race through close readings of the texts within the wider context of twentieth-century French and Francophone history and culture as well as in relation to major philosophical and theoretical ideas and traditions such as semiotics, linguistics, Marxism, postcolonialism, existentialism, feminism and psychoanalysis. You’ll have an hour long seminar weekly plus a workshop to aid your understanding of the module content.

The module provides an introduction to literary translation from German into English. We will analyse key issues of cultural difference and historical distance by comparing different translations of the same original text. As part of the assessment for the module you will compose your own translation of a literary text of your choice and summarise your translation strategy. Class discussions and the translation work you undertake for this module will help you to improve your understanding of the linguistic and cultural differences between English and German, develop enhanced translation skills, and gain insights into literary texts.

In this module we will study the role of radio and television in Germany. We will investigate the cultural and economic functions of those media in German society and analyse the relationship between public and commercial broadcasters. We will study a range of programming formats such as news, infotainment, soaps, and quiz shows and discuss a variety of critical approaches to understanding modern media. Intercultural issues will be explored through comparisons with British television.

This module explores key moments in the history of the fairy tale in German culture, from their 19th century appropriation to underpin notions of a national folk culture to critical reworkings of fairy tales. We use a number of different approaches in analysing the tales and investigating their cultural significance, including Marxism, feminism and psychoanalysis.

Primary material includes folk tales, literary fairy tales and fairy tale films such as the Brothers Grimm Kinder- und Hausmärchen collection, East German fairy tale films, Weimar proletarian tales, Lotte Reiniger’s silhouette animations, and Wolfgang Petersen’s film The Neverending Story.

This module examines major literary movements in Serbia and Croatia during the 20th century, from Modernism to the socially engaged literature of the 1930s, socialist realism, literary politics under the Communists in Yugoslavia and the emergence of critical literature in the 1980s and 1990s.

You will undertake a textual analysis of representative works from 20th century literature: for example, works by Miloš Crnjanski, Ivo Andrić, Miroslav Krleža, Danilo Kiš and Slobodan Selenić (all works may be studied in English translation).

The relationship between the state and the intellectual in Russia has traditionally been a problematic one, marked by repression, persecution, forced and voluntary exile and censorship. Political concern and resistance to an authoritarian state are central themes in the Russian cultural and literary tradition as well as a defining feature in the lives and works of numerous Russian writers and intellectuals.

We will explore the cultural tradition and identity of the literary intelligentsia in Russian and Soviet history. We'll also examine different responses to the experience of state persecution in the work of writers and artists.

Covering an extensive period of Russian history we will look at examples of writers and artists who have defied the state.

Wider questions which will be discussed include the role of the artist and the intellectual in Russian culture, the myth of the persecuted writer and the complex relationship between the intellectual and the masses.

You'll gain an understanding of the growth and development of the cult of saints in the Eastern Christian world in the context of the history and culture of late antiquity and the middle ages.

We focus on the interpretation of original written sources and icons, allowing you to master the basic tools for conducting research in the field.

This module brings together the histories and cultures of key regions of the world in which Portugal establishes varying degrees of colonial rule between the 16th and 20th centuries. In this module you will examine the historical background to the age of Discoveries against which Portugal emerged as a leader in maritime exploration and European Imperialism. You will also examine the historical and political events of Portuguese colonialism and imperialism in Africa and Brazil, with an emphasis on understanding the political and social significance of cultural production in developing countries.

In this module you will explore a cultural period in the Hispanic world characterised by profound social change and the emergence of major world-figures of modern art (eg Pablo Picasso). It is structured around key literary and artistic movements from Spain and Spanish America from the early 19th century to the late 20th century, such as Romanticism, Realism, and Modernism. A large part of your focus will be reading literary and visual texts of the period in relation to the socio-economic and political context of Spain’s and Spanish America’s rapid, but hugely uneven, modernisation.

Individual novels, plays, films, paintings or poems will also be used to exemplify and explore particular movements and historical moments. You will develop skills in close analysis of complex texts, an understanding of some of the major directions of Spanish and Spanish American literature in the 20th century, and the ability to relate texts studied to historico-cultural contexts. This module is worth 20 credits.

This module examines the evolution of Spain, Portugal and their American colonies in the four centuries of Iberian colonialism between 1492 and the movements for independence in Latin America in the 19th century. 

We’ll introduce you to a variety of different techniques and help you start building the key skills required to ​begin your exciting journey of becoming a successful interpreter. You’ll explore simultaneous and consecutive interpretation, putting your findings into practice with your classmates. We’ll also explore some of the obstacles interpreters face and teach you how to navigate around them.

Through lectures, skills-based classes and time spent practising your newly-acquired skills (using the online platform for interpreters and/or in the interpreter’s booth) you ​should see an improvement to your listening, concentration and memory skills.

By the end of the module you’ll have gained a solid ​introductory understanding of interpreting skills and will feel confident and capable when putting them into practice in the easy level interpreting tasks. ​This module could become a first step towards your further training to become a professional interpreter!

This module offers the opportunity to apply the detailed knowledge of different areas of translation theory that you acquired during years one and two. Working independently under expert supervision, you will produce an extended translation into English of an approved text of your choice together with a commentary in English outlining your overall translation strategy and discussing translation difficulties and solutions. Completing this module will help you to demonstrate relevant experience when applying for jobs in the translation sector. 

This module will study the different ways travel has been used and represented in contemporary French and Francophone texts, arts and films. From tourism to exploration, from exile to migration, from pilgrimage to business travel, we will question the tacit ideologies found in contemporary travel discourses. We will study more specifically how contemporary discourses of travel have been, or not, adapting themselves to a post-colonial awareness and how it has enabled travellers to represent travel differently. The importance of this field has been steadily growing in between disciplines that range from literary studies to ethnography. The module will use these cross-cultural influences to create an arena in which to develop connections between key disciplines and different forms of arts (literature, ethnography, films and photography).

You'll examine the range of social, political and philosophical questions raised by mass immigration to France in the post-war period. These questions will be tackled through historical analysis of patterns of migration and changing immigration policies, as well as through the study of relevant films, novels and theoretical texts which engage with questions of citizenship, identity and ethnicity.

This module is designed to introduce you to the study of various forms of artistic work in relation to the political and social background of the French Revolutionary decade (1789 - 1799). A variety of works will be studied (theatre, opera, song, iconography, painting) in order to consider the reflection of contemporary events, the notion of politically engaged arts, and questions of cultural administration (theatrical repertory, representation, censorship and privilege).

This module offers in-depth discussion of grammatical, lexical and idiomatic aspects of German and English as well as issues of translation, register and cultural difference. Regular practical work on translation from and into German in small groups of native speakers of both target languages will not only instigate an intellectual discussion of linguistic and translation issues but will also offer an opportunity to explore each language from at least two cultural perspectives. Nottingham students will work with exchange students from Germany and/or Austria in this module.

The Weimar Republic (1919-1933) was one of the most fascinating and culturally productive periods of German history, but it was equally ridden by crises and violent conflicts. This module aims to introduce central issues in the literary and social developments of Weimar Germany. You will study a wide range of materials (literary texts, film, aesthetic and political programmes) to analyse key features of the period. Topics will include the impact of the Great War, developments in the press and the cinema, political confrontations, cabaret, and unemployment. 

Heimat, a political and psychological concept of rural rootedness, is at the core of German identity, and the Heimat genre has been ever-present in the German cinema since the days of the silent cinema. This module will explore the cultural and historical contexts of the concept of Heimat through the study of Heimat films from different historical moments. We will explore the artistically ambitious and politically controversial 1920s/30s mountain films; the immensely popular Heimat films of the 1950s; the aesthetically challenging and critical anti-Heimat films of the 1960s/70s; Edgar Reitz’s landmark historical saga of the 1980s; and post-1990s reinventions of the genre. We shall ask why film-makers in Germany and Austria keep returning to this genre. In addition we shall consider the question of the alien within the Heimat, the gendering of Heimat and the representation of nature and modernity in these films.

Literature uses ancient mythology as a rich source to describe powerful emotions, cunning politics or psychological drama. This module will explore how selected German writers engage with the myth of Medea, the powerful wife of Jason, who - according to the Classical myth - kills the sons she loves to hurt Jason.

We will look at how the myth is used, changed and reinvented in texts written between 1926 and 1998. We will consider theoretical writings on mythology and also look at the the Medea myth in paintings, film, theatre and music.

This module will introduce you to different forms, modes, and models of interpreting as well as the issues that are often encountered by professional interpreters.  It offers opportunities to explore the different techniques/skills required for both simultaneous and consecutive interpretation. The main difficulties of interpreting will be examined, along with strategies to deal with them. The module is seminar-led in order to maximise practice in class.

This module introduces the construction of national and collective memory of the Second World War in Soviet and Russian culture and society. The lectures and seminars focus on contemporary and subsequent artistic and social responses to the experience of war, but also examine individual acts of remembering (diaries, reports, letters) in the context of a wider cultural memory.

The module equips you with the skills to analyse, evaluate and discuss Russian and Soviet commemorations of the Second World War and the construction of a collective memory; to identify and contrast different strands of narratives of war experiences which unite individual and collective responses to the Second World War; to analyse and apply relevant theories of memory to Russian and Soviet strategies of commemorating the war; to discuss some of the central problems related to Russian and Soviet memories of the Second World War, including the relationship between memory and forgetting, narratives of suffering and sacrifice and the relationship between acts and rituals of commemoration and the construction of national identity/identities.

This module covers popular music in Russia during the late tsarist, Soviet and post-Soviet eras as an area of culture that affects ordinary people in many different ways – in Russia, songs have often brought people together, sometimes in celebration, sometimes to challenge authority, and they have also offered individuals fun or solace.

In the module you learn how to examine all this, applying concepts such as authorship, performance, technology and ideology, and learning how to evaluate the relationship Russian music has to popular music in the UK, USA and elsewhere. The examples studied include pre-revolutionary popular songs and gramophone culture, the assimilation of jazz, patriotic and propaganda songs, rock and pop-rock.

With guidance you will develop your own essay question focusing on a topic within Russian popular musical culture of their choice. No prior study of music is required for this module but you must also be taking Russian 3, or to be at an equivalent level in Russian, in order to choose this module.

The figure of the monster is always a transgression: a moral, aesthetic or physical scandal. In a metaphorical way, the monster embodies ancient human fears while also capturing the most modern ones.

This module introduces you to the study of monstrosity (teratology) in relation to short stories written in Spain during the second half of the 20th century. The module also seeks to develop your understanding of the Spanish short story in the 20th century.

The topics covered include postwar monsters, revisions of the double (doppelgänger), the city as monster, contemporary retellings of fairy tales and monsters and parody. There will be an element of creative writing in Spanish as you will have the opportunity to analyse and create flash-fiction.

This module uses readings of film, poetry, fiction, and popular music to trace the modern cultural and social history of Portuguese-speaking communities, from Europe and Brazil to Africa and India. While consolidating the knowledge and skills developed on modules in year one and two, and your Year Abroad experience, it offers a more in-depth engagement with key twentieth-century cultural and political trends, and, particularly, with changing conceptions of being human, and the growth of ‘identity politics’.

Guided reading and research introduces you to key streams of contemporary critical theory - from psychoanalysis and feminism to post-colonial theory and memory studies – which are applied, in class discussions, presentations, and written assignments, both to texts ranging from ‘combat poetry’ to film musicals, and to the political and social struggles and transformations that those texts were shaped by and helped shape.

In this module, you will be introduced to the major currents in the 20th Century in the context of finisecular and early 20th century European and American literature and culture in order to situate the latter common preoccupations and formal experiments of writers of poetry and short fiction of various nationalities, languages and cultures. This module consists of two case studies. In the autumn semester, you will focus on the comparative analysis of works by poets such as Rubén Darío and Mallarmé, Apollinaire and Alberti, and Fernando Pessoa. In the spring semester you will you focus on the parallel developments in the evolution of the short story across a similar range of languages and cultures and include an analysis of short fictions from authors such as Jorge Luis Borges, João Guimarães Rosa and and Carlos Fuentes.