American and Canadian Literature, History and Culture (International Study) BA

Discover the history of North America, from European contact through to the start of the 20th century.

You will explore how the interactions of European colonizers with Native Americans shaped the future of the region, as well as the rise of Atlantic slavery, its development over time and the eventual emergence of distinctive African-American cultures.

We cover a broad chronological period, which includes European colonization, independence and Civil War. You will also examine the influence and development of attitudes towards race, class, gender, democracy and capitalism.

This module is worth 20 credits.

Discover the history of the United States in the 20th century.

You will explore the changes in the lives of American people, focussing on:

• Prosperity
• Depression
• War
• Liberal reform
• Political conservatism
• Minority protests
• Multicultural awareness
• International power

This module is worth 20 credits.

Gain an introduction to major American literature and culture.

You will explore a wide range of 19th and early 20th century American writers of fiction and poetry.

You will also:

• Address questions about the nature of the American ‘canon’, raised by critics
• Explore related developments in visual culture and music

This module is worth 20 credits

This module follows on from ‘American Literature and Culture 1: 1830-1940’.

You will explore a wide range of 20th and 21st century American writers, including Richard Wright, Flannery O’Connor, Shirley Jackson, Thomas Pynchon, Toni Morrison, Cormac McCarthy, and Colson Whitehead.

You will also explore related developments in late 20th and early 21st century American culture, including, for example, the films of Alfred Hitchcock and Robert Altman, abstract expressionist art, and the emergence of digital media.

This module is worth 20 credits

Challenge your assumptions through exploring key aspects of American culture, across a broad historical range.

We introduce a variety of cultural issues and controversies within contemporary US society. You will explore how contemporary cultural forms and phenomena can deepen our understanding of American history and national identity.

Topics include:

• The Business of College sports
• Controversies connected with the confederate flag and civil war statues
• Digital America and the power of ‘Big Tech’
• Policing Contemporary America
• Django Unchained: 21st Century US Cinema and historical representation

You will also consider a variety of forms, which might include:

• Music
• Painting
• Cinema
• Television
• Various genres of writing

This module is worth 10 credits.

This module develops the themes from ‘Approaches to Contemporary American Culture 1’.

You will explore how contemporary American culture has become an arena of fierce political disagreement and polarisation. You'll also analyse the way specific cultural forms engage with social issues and respond to key moments in American history.

Topics include:

• Depicting 9/11 in film and photography
• Representing the past in public art forms, such as murals and monuments
• Re-staging the American Revolution in the Broadway musical Hamilton
• Re-imagining race, gender and sexuality in TV comedy-dramas like Orange Is the New Black
• Transforming political activism through social media in campaigns such as #MeToo and #BlackLivesMatter

You will focus on how art, entertainment and communications technologies intervene in and spark political debates and controversy.

This module is worth 10 credits.

Examine literary, film and visual texts in their historical, political, regional and national contexts.

You will explore debates about cultural definition and the construction and deconstruction of Canada. We mainly focus on the 20th century.

Possible topics include:

• The wilderness
• Migration and multiculturalism
• Indigenous cultures
• Canadian and Québécois nationalisms
• Popular culture
• Canada’s relationship to the US

This module is worth 20 credits.

This module will deploy the concept of "region" and, more broadly, “place” to explore key North American texts— drawn primarily from the spheres of film, television and literature. The notion of the "regional" will be applied expansively as well as conventionally to incorporate everything from the urban to the suburban/exurban; border territories; the transnational. Possible areas of study may include the American West; the Pacific North-West; New York City; the black inner city “ghetto”; "mountain" people and the Appalachians; Hispanic-America; first nations; French-Canada; Texas; Chicago; New Orleans; California; and the transnational impact of extensive US military occupations (post-war Japan; South Vietnam; twenty-first century Iraq). 

American history, from the period of colonisation to the nation's emergence as a global superpower, has always involved intense social and political debate.

This module analyses key texts in the history of American political and social thought, from the settlement period to the present day.

You will be introduced to debates over issues such as:

• religion
• race
• class
• capitalism
• gender
• sexuality
• war

We analyse primary sources by a diverse range of thinkers and writers to interpret these debates, showing how they continue to shape American society and politics in the present.

This module is worth 20 credits.

This module surveys the history of American popular music in the 20th century, focusing on the major genres and exploring the artistic, cultural and political issues they raise. In addition to examining the music’s aesthetic qualities genre by genre, the focus will be on key developments within the music industry, on the ways in which commercial and technological changes have influenced the production and consumption of music, and on the ways in which musicians and audiences use pop music to engage with American culture and society. We’ll spend quite a bit of time listening to and analysing music, but you do not need any specialist musical expertise or knowledge to take the module.

This module will consider the contexts and development of contemporary fiction and the novel in the United States and Canada since the 1990s. It will do so by positioning literary works within their wider historical, political and cultural context. You will examine the dominant ideas and concerns of a number of fictions and novels by writers from a range of ethno-cultural backgrounds. Our discussions will include the impact of race, ethnicity, gender, class, generation and sexuality on North American fiction and the novel; the bearing of technology on contemporary fiction; and various debates about the nature of the historical novel in the twenty-first century.

This module examines African American history and culture from slavery to the present through a series of case studies that highlight forms of cultural advocacy and resistance and thus indicate how African Americans have sustained themselves individually and collectively within a racist, yet liberal society. These will illustrate the resilience of African American culture via music, literature, art and material culture. Examples may include the persistence of African elements in slave culture, the emergence of new artistic forms in art, religion and music during the segregation era, and the range and complexity of African American engagement with US public culture since the 1960s across art, literature and popular culture. Weekly topics might include material culture in the Gullah region of South Carolina; or the growth of urban black churches in the North during the period of the Great Migration highlighted by the development of Gospel choirs and radio preaching.

American radicals have been dismissed as impractical, wild-eyed, and subversive - even "un-American"- although many of their most visionary aims have been realized. This module will consider these paradoxes, beginning with the American Revolution in the late 18th century. 19th century subjects will include the abolitionists, early feminism, utopian socialism, anarchism, and farmer populism. 20thcentury subjects will include the Socialist Party in the 1910s, the Communist Party and the anti-Stalinist left in the 1930s, opponents of the Cold War, the 1960s New Left, Black Power militancy, and more recent radicalisms, including the gay liberation movement, women's liberation, and resistance to corporate globalisation.

How can we understand the evolution of America's relationship with the wider world? What interests have been behind the execution of American power?

This module offers a critical introduction to understanding America's place in the world. From the war of 1898, to the conflicts of the early 21st century, we examine how America's involvement abroad has changed over time.

Through historical and political analyses of US foreign relations, we will look at the themes that have shaped America's increasing influence in global affairs.

We consider:

• traditional political and diplomatic issues
• the link between foreign and domestic policies
• the role of foreign actors and private organisations, from religious groups, to citizen organisations, to NGOs that have served to shape America's actions abroad

We will also explore contemporary trends in the history of US foreign policy, including race, gender, emotions, and religion.

This module is worth 20 credits.

This module seeks to analyse the patterns and prevalence of violence in the USA. You will consider theories such as its origins in frontier settler societies and this may allow comparative study of Canada. You will understand the relationship between violence and the gun control debate and the related issue of American ideological antipathy to state power. You will also look at the celebration of violence as a source of conflict resolution and examine the US government’s use of violence as an instrument of foreign policy. Possible topics include violence incidental to settler-native people contact or plantation slavery, the right to bear arms in the Constitution, the resort to force within US foreign policy including atomic weaponry, ‘state terrorism’, and the military-industrial complex.

This module examines the history of immigration to the United States from Europe, Asia, and Latin America. We trace the making and remaking of immigrant communities, cultures, and identities from the nineteenth century to the present day. You will analyse models of race, ethnicity, culture, and nation by focusing on the perception and reception of immigrant groups and their adjustment to US society. We will ask questions such as: How have institutions and ideologies shaped the changing place of immigrants within the United States over time? How have immigrants forged new identities within and beyond the framework of the nation state? And how has immigration transformed US society?

This module examines developments in American presidential rhetoric.

It begins with early presidents who set the generic conventions (Washington’s Farewell Address) or became models (Lincoln: Second Inaugural/Gettysburg Address) and established the President as an international leader (Woodrow Wilson).

But the core of the module is the impact of changing media from FDR’s radio “fireside chats” through JFK and Reagan’s use of television to Barack Obama’s and Donald Trump’s use of social media.

Much of the focus will be on speeches and press conferences and the interaction between the White House press corps and the President, his speech writing staff, and press secretary.

This module offers a hemispheric approach to North America by focusing on the history and culture of two significant borderlands regions, the Canada-US border and the Mexico-US border,as well as providing a general introduction to border theory and comparative approaches to the borderlands.

The module adopts a multi- and interdisciplinary approach to the border as a place, culture and concept and moves from the colonial period into the twenty-first century. We will analyse a diverse range of historical, literary and cultural texts (testimony, fiction, poetry,drama, film, television, art, architecture, music and performance) and engage a series of critical debates about the nature of cultural and ethnic encounter, race, nation and empire. 

This module introduces students to the conflicting views about business that can be heard echoing through American literature and culture in the last two centuries. These views are evident when literature and culture directly represent the business culture-its executives, managers and employees, or the physical and mental conditions of employment and entrepreneurship; they are also evident in the narrative unconscious of works appreciated for qualities other than their treatment of business. This module aims to try and understand not only what drives American culture's preoccupation with business, but also to study the various strategies used as literature and culture represents what the module calls the discourses of business: the way that business as a theme is written and talked about in the United States by presidents, by social critics, by journalists, and by writers and other cultural producers; the way that the historical accumulation of this collective input has fashioned a set of rules that govern the way successive generations can think about business; the way that specialised and professionalised languages of business become tropes and metaphors to be used outside of a strictly business environment. The module examines these discourses in a variety of representational forms from the mid-nineteenth century through to the present day: shorts stories and novels; newspapers, magazines and illustrations; speeches, autobiographies and memoirs; film and television.

This module involves in-depth independent study of a subject in American and Canadian Studies. It encourages both student-centred and student-initiated learning. The topic you choose must be appropriate for your course and must be approved by the module convenor. You are assigned a supervisor with expertise in your chosen area of study.

The completed dissertation should be 5,000-7,000 words in length for the 20 credit module and 10,000-12,000 words in length for the 40 credit module. The 20 credit dissertation is for one semester only and the 40 credit version is year-long.

Recent dissertation titles include:

• To Ban or Not to Ban: Changing Motivations Behind Efforts to Censor African American Literature in America’s Public Schools, 1976-2018
• The Development of Television in the Canadian North and its Role in the Preservation of Inuit Culture
• The Feminist Justification for the Afghanistan War: The Cooperation Between the Bush Administration and the Feminist Majority Foundation
• "The Teeth of the World are Sharp”: James Baldwin’s Protest Novels
• Towards Humane Borders: Activist and NGO Responses to the Militarisation of the US-Mexico Boundary
• “A Blended World … A Safe Space for Everybody”: A Case Study of Underground Ballroom Culture
• “Wild Women Don’t Have the Blues”: The Empowerment of Black Female Blues Singers - Romance or Reality?
• “Older Arts and Newer Technology”: Cultural Recoding in Bharati Mukherjee’s Desirable Daughters

Why did National Prohibition officially begin in the United States in 1920?

What were the goals and intentions of the powerful women's reform movements and religious pressure groups calling for dramatic restrictions on alcohol?

Why was there so much political support for state and national restrictions, particularly during the First World War? Why was prohibition so hard to police during the 1920s?

The restrictions on what and how you could drink reshaped American society, politics, and culture during the 1920s and 1930s. Prohibition transformed alcohol consumption, opened up new leisure activities, and increased bootlegging, smuggling, and other criminal activities. However, popular histories and media representations of the prohibition years are full of myths and stereotypes. On this module, you will challenge these to build a better understanding of an important period in the 20th century United States.

This module is worth 20 credits.

This module examines the role played by American popular music in countercultural movements. We focus on the ways in which marginalised, subordinate or dissenting social groups have used popular music as a vehicle for self-definition and for re-negotiating their relationship to the social, economic and cultural mainstream. We explore how the mainstream has responded to music countercultures in ways that range from repression to co-optation and analyse how the music and the movements have been represented and reflected on in fiction, film, poetry, journalism and theory.  Among the key moments examined are the folk revival and the 1930s Popular Front, rock 'n' roll and desegregation in the 1950s, rock music and the 1960s counterculture, and postmodernism and identity politics in the music of the MTV age.

This module explores lesbian, gay, transgender and queer writing, focusing especially on the search for agency and the representation of gender and sexuality in selected contemporary texts. The majority of writers studied will be Canadian, although some American examples will also be included. The module is multi-generic, engaging with forms including novels, short fiction, life writing, poetry, drama and graphic narratives. Topics for discussion will include: 

• LGBTQ sexuality;
• constructions of masculinity and femininity;
• the politics of representation: the extent to which writing can enable agency as subjects or citizens;
• intersections between race, ethnicity, class, nationality, religion, and the construction of gender and sexual identites
• writing for LGBTQ youth
• literature studies will be contextualized in relation to relevant debates in feminist, queer, post-colonial and transnational theories

Representative authors for study may include James Baldwin, Jane Rule, Dionne Brand, Dorothy Allison, Shyam Selvadurai, Tomson Highway, Leslie Feinberg, and Ivan Coyote.

This module examines a range of documents and scholarly controversies pertaining to the Civil Rights Movement between 1940 and 1970. Documents will include public and organisational records, photo-journalism, speeches, memoir and personal papers.

Controversies will include those relating to the chronological limits, spatial dynamics, and gender politics of the movement, as well as those relating to the movement’s goals and achievements.

Experiences of and ideas about madness, insanity, and mental illness have varied and changed radically within American history and culture. This module will survey and analyse these changes from the mid-19thcentury to the present. We will consider how and why medical authority, gender, and class have all impacted the way in which mental illness is understood, and consider the significance of changing approaches to treatment. Sources used on this interdisciplinary module range from medical accounts and psychiatric theory to memoir, fiction and film. The aim is to place representations of mental illness in their historical context, and to ask what they reveal about related ideas about identity, conformity, social care and responsibility.

From the Puritans to Playboy, sexuality has been a focal point in the culture, politics, and society of the United States. This module will examine Americans' differing attitudes over time toward sexuality. Representative topics covered may include marriage and adultery, homosexuality and heterosexuality, nudity, abortion, birth control, prostitution, free love, and rape.

Reassess the Anglo-American relationship, during an era of major upheaval in both nations.

Spanning from the American Revolution through to the end of the Reconstruction era, you will be challenged to examine how events and ideas forced Britons and Americans to reconceptualize their relationship.

You will engage with concepts that are crucial in the formation of the modern world, including:

• race
• ethnicity
• liberty
• republicanism
• class
• gender
• manners
• reform

This module is worth 20 credits.

This module will challenge students to critically engage with the period that Henry Luce referred to as the “American Century”. It will cover a range of case studies between Luce’s injunction and the subsequent US entry into World War Two in 1941 and the recent twin-crises marked by the 2008 Great Recession and the Covid-19 global pandemic. In doing so, it will prompt students to consider both the projection of American power on a global scale after 1941 and the considerable challenges that this project faced. Incorporating a series of focused case studies and reflections on the wider contexts relating to them, it will give students first-hand experience of weighing up the practical challenges US policymakers faced and the way that historians have subsequently assessed their efforts and understood their actions. 

Many films share common traits. Together they might be classed as “action”, “made for television” or “low budget”. But how does as film get assigned a genre? Who does the assigning? And what impact does this assigning have?

During the module we’ll delve deep into a particular genre. We’ll examine it’s:

• key concepts and texts
• development
• influence and influences

Building on what you’ve learnt in years one and two you’ll also look at the genre in the context of production and consumption.

As well as knowledge of a specific genre you’ll also develop the skills to apply your learning to other genres.

This module is worth 20 credits.

Explore US foreign policy in the post-Cold War period.

You will examine the historical narratives of American international relations, considering the drivers behind the foreign policies of Presidents George H W Bush, Bill Clinton, George W Bush, Barack Obama and Donald Trump.

More specifically, we will consider:

• Whether the post-1989 period constituted a break from previous traditions in US foreign policy, or whether there has been an essential continuity through the war on terror and beyond
• The impact of economics, geopolitics, ideology and security issues on post-1989 strategy in different regions of the world
• The impact of a new international environment, marked by the demise of bipolarity and the rise of globalisation

You'll spend around three hours per week in lectures and seminars on this module.

This module is worth 20 credits.

This module will consider the development of ‘ethnic’ and new immigrant literature in the United States from the late 19th century to the contemporary era.  You will examine a range of texts from life-writing to short fiction and the novel by writers from a range of ethno-cultural backgrounds, including Irish, Jewish, Caribbean and Asian American. Issues for discussion will include the claiming of the United States by new immigrant and ‘ethnic’ writers; race and ethnicity; gender, class and sexuality; labour and economic status; the uses and re-writing of American history and ‘master narratives’; the impact of US regionalism; how writers engage with the American canon; multiculturalism and the ‘culture wars’; and the growth of ‘ethnic’ American writing and Ethnic Studies as academic fields.

What is a film, television or literary classic? How has this term come under pressure and fractured over the past half century or so? In this module you will consider the concept of the mid and late twentieth century American “classic” in a variety of contrasting and overlapping contexts. These contexts will be elaborated on the basis of their formal, generic, period and/or cultural designations that will cover university and exam curricula reading lists, popular opinion and widespread critical consensus (such as the currently prevalent view, for instance, that the early twenty-first century constitutes a ‘golden age’ of US television).

This module examines the development of photography in America from roughly 1945 onwards. The module breaks the period down into themes and considers:

1. the transformation of ‘documentary’ photograph;

2. the emergence and importance of colour photography;

3. experimental, conceptual and post-conceptual photography;

4. issues of serialism and seriality;

5. landscape photography;

6. the photobook

7. analogue/digital

The module will draw on the work of a diverse range of photographers, including Walker Evans, Robert Frank, Harry Callahan, Aaron Siskind, Ed Ruscha, Lewis Baltz, Robert Adams, Robert Heinecken, Stephen Shore, Todd Hido, William Eggleston and Doug Rickard.