This year is your opportunity to develop the language skills you built up on the Year Abroad. Beginners can reach the same degree standard as non-beginners. In addition, you can take specialist modules based on the research we are currently doing both in History and in Hispanic Studies. In American studies, you will also write a dissertation which give you provides a valuable opportunity for multidisciplinary and comparative study. For example, you might use the dissertation to examine US-Latin American foreign relations, or patterns of migration, labour and activism across different regions of the Americas.
You must pass year 4 which is weighted at 67% of your final degree classification.
Dissertation in American and Canadian Studies
This module involves in-depth independent study of a subject in American and Canadian Studies. It encourages both student-centred and student-initiated learning. The topic you choose must be appropriate for your course and must be approved by the module convenor. You are assigned a supervisor with expertise in your chosen area of study. The completed dissertation should be 6,500 words in length for the 20 credit module and 10,000-12,000 words in length for the 40 credit module.The 20 credit dissertation is for one semester only and the 40 credit version is year-long.
Dissertation in Hispanic Studies
This module aims to provide you with the training necessary to be able to engage independently, under the guidance of a supervisor, in self-directed research on a topic that the student selects on the basis of an aspect of your Year Abroad experience.
Through a series of one-on-one tutorials, and the submission of a proposal, a literary review, and chapter draft, the student is advised on how to sustain an argument over up to 7,000 words, and how to underpin this argument with appropriate and innovative research.
Spanish American Narrative and Film
This module looks at key 20th-century Spanish American novels and short stories and considers issues such as race, gender, sexuality and the conflict of cultures. You will be trained in using a broad range of tools of narrative and rhetorical analysis so as to engage in debates about literary representation and aesthetics, and will hone their use of these through a programme of research tasks, seminar presentations, group discussions, and written assignments.
Brazilian Slave Society
This module aims to provide you with an understanding of the centrality of the history of slavery in the study of Brazil, and of the significance of Brazilian slavery in both the transatlantic slave systems, and slave societies across the Americas.
In the process, you will learn to recognise and use the different historical approaches, tools and skills employed in the historiography of slavery studies, and in social history in general, and to incorporate them into their own analyses of aspects of Brazilian slave society.
Literature and Films, Conflict and Post-Conflicts
We will address the way in which film and literature have reflected, resisted, interrogated, and remembered the socio-political violence and conflicts that have shaped the 20th and 21st centuries so far in Europe (emphasis on the Iberian Peninsula) and Latin America (including Brazil).
The module adopts a comparative approach which focuses on the formal experiments and common preoccupations of filmmakers and writers across different national cultures and historical contexts (translations and subtitles will be provided when required). It will discuss questions on authoritarianism, confronting colonial and neo-colonial practices, racial and class inequality and social injustice, gender and sexuality, living on with the legacies of past traumas.
You may expect to discuss works by writers such as Roberto Bolaño, Ruben Fonseca, Alejandro Zambra, Mariana Enríquez, Clarice Lispector and Fernando Pessoa. Feature films and documentaries by Alfonso Cuarón, Pedro Almodóvar, Kleber Mendonça Filho, Claudia Llosa, Patricio Guzmán and Susana de Sousa Dias will also be discussed.
Politics and Literature in Contemporary Spain
The module aims to impart understanding of the interfaces between literature and politics, by studying the articulation of key social and political issues and aesthetics in contemporary Spanish cultural artefacts.
We discuss the status of literary writing in late capitalism, concentrating on how contemporary ‘Hispanic’ authors have dealt with issues of language, identity, culture, society, nationhood, gender, class, memory, time and writing.
We also explore debates regarding the consistency of the categories of ‘Spain’ and ‘Spanishness’ when analysing cultural production in contemporary Iberia, and assesses the competing discursive practices involved in remapping the notion of Spanish canonical literature at the beginning of the new millennium.
Business and Society in Spain
In this module you will learn to devise and develop projects and teaching methods appropriate to engage the age and ability group they are working with. The module enables you to gain confidence in communicating your subject, develop strong organisational and interpersonal skills, and to understand how to address the needs of individuals.
Thinking the Revolution: Ideology, Education and Culture in Cuba Since 1959
This module assesses Cuba’s revolutionary change since 1959, through an examination of its evolving ideology. The module is structured both chronologically and thematically so as to review the critical factors – nationalism, dependency, radicalism and leadership – shaping developments from the original rebellion up to the present day.
We focus on the role of education policies, and the ways in which a ‘cultural revolution’ was fundamental to the socialisation process of, and popular participation in (or dissent from) the Revolution. This study will inform conclusions about both the meaning of ‘ideology’ within the context of the Revolution, and the international geo-political significance of Cuba's self-definition and evolution.
Literature and Film under Franco
This module aims to further develop your knowledge of 20th century Spanish history, literature and film gained at levels 1 and 2. It familiarizes you with the context and circumstances in which filmic and literary texts were produced under Franco, thereby developing awareness of generic conventions in both literature and film, and perfecting skills in close textual analysis.
The module imparts a solid knowledge of the Francoist régime and of the literature and film produced at this time, plus an understanding of the conditions for cultural production under the Dictatorship.
By the module’s conclusion, you will have gained a good command of the concepts and vocabulary required to analyse literary and filmic texts, a capacity for close reading and textual analysis, as well as seminar-presentation skills and research and essay-writing skills.
Painting in Spain
This module will offer a panorama of painting in Spain from the late 16th century to the late 19th century taking in four themes: portraiture, history and genre painting, religion, and mythology and myths.
Artists covered will include Domenikos Theotocópoulos, Diego de Silva y Velázquez, Jusepe de Ribera and Bartolomé Esteban Murillo from the Spanish Golden Age and Francisco de Goya, Vicente López, Martín Rico and Marià Fortuny from the 19th century.
You will have the opportunity to study other painters in the preparation of assessments throughout the year. There will be an emphasis on designing exhibitions and on understanding the paintings both within the context of art history and the history and cultures of Spain.
Communicating and Teaching Languages for Undergraduate Ambassadors
In this module students learn to devise and develop projects and teaching methods appropriate to engage the age and ability group they are working with. The module enables students to gain confidence in communicating their subject, develop strong organisational and interpersonal skills, and to understand how to address the needs of individuals.
This module explores the United States’ bold but disastrous experiment with Prohibition during the period 1918 to 1933, with particular focus on crime, disorder and policing. We begin with the reasons for passage of the Eighteenth Amendment which outlawed the liquor trade, and examination of its impact on US society and culture during the 1920s. We shall consider the rise of organized crime, gangsters and G-men, and the expanding crime fighting role of the state. The module concludes with the federal crime crusade of the early 1930s and the inglorious end of Prohibition.
US Foreign Policy, 1989 - present
An introduction to the key institutions, structures and processes that combined to produce American foreign policy in the post-Cold War period. You'll analyse the role of the bureaucracy, Congress, public opinion and the media to understand how US foreign policy is formulated and conducted. You'll spend around three hours per week in lectures and seminars if you study this module.
Popular Music Cultures and Countercultures
This module examines the role played by American popular music in countercultural movements. We focus on the ways in which marginalised, subordinate or dissenting social groups have used popular music as a vehicle for self-definition and for re-negotiating their relationship to the social, economic and cultural mainstream. We explore how the mainstream has responded to music countercultures in ways that range from repression to co-optation and analyse how the music and the movements have been represented and reflected on in fiction, film, poetry, journalism and theory. Among the key moments examined are the folk revival and the 1930s Popular Front, rock 'n' roll and desegregation in the 1950s, rock music and the 1960s counterculture, and postmodernism and identity politics in the music of the MTV age.
This module examines the development of photography in America from roughly 1945 onwards. The module breaks the period down into themes and considers:
1. the transformation of ‘documentary’ photograph;
2. the emergence and importance of colour photography;
3. experimental, conceptual and post-conceptual photography;
4. issues of serialism and seriality;
5. landscape photography;
6. the photobook
The module will draw on the work of a diverse range of photographers, including Walker Evans, Robert Frank, Harry Callahan, Aaron Siskind, Ed Ruscha, Lewis Baltz, Robert Adams, Robert Heinecken, Stephen Shore, Todd Hido, William Eggleston and Doug Rickard.
Film and Television Genres
You'll be introduced to the key concepts and theoretical work on specific film genres. Each year, the module investigates a particular genre or cycle such as action cinema, television drama, low-budget film productions and TV movies, and more. Combined with what you have learnt on previous modules, you will look at genre in the context of production and consumption, spending around five hours a week in workshops and seminars.
Troubled Empire: The Projection of American Global Power from Pearl Harbor to Covid-19
This module will challenge students to critically engage with the period that Henry Luce referred to as the “American Century”. It will cover a range of case studies between Luce’s injunction and the subsequent US entry into World War Two in 1941 and the recent twin-crises marked by the 2008 Great Recession and the Covid-19 global pandemic. In doing so, it will prompt students to consider both the projection of American power on a global scale after 1941 and the considerable challenges that this project faced. Incorporating a series of focused case studies and reflections on the wider contexts relating to them, it will give students first-hand experience of weighing up the practical challenges US policymakers faced and the way that historians have subsequently assessed their efforts and understood their actions.
American Madness: Mental Illness in History and Culture
Experiences of and ideas about madness, insanity, and mental illness have varied and changed radically within American history and culture. This module will survey and analyse these changes from the mid-19thcentury to the present. We will consider how and why medical authority, gender, and class have all impacted the way in which mental illness is understood, and consider the significance of changing approaches to treatment. Sources used on this interdisciplinary module range from medical accounts and psychiatric theory to memoir, fiction and film. The aim is to place representations of mental illness in their historical context, and to ask what they reveal about related ideas about identity, conformity, social care and responsibility.
Sexuality in American History
From the Puritans to Playboy, sexuality has been a focal point in the culture, politics, and society of the United States. This module will examine Americans' differing attitudes over time toward sexuality. Representative topics covered may include marriage and adultery, homosexuality and heterosexuality, nudity, abortion, birth control, prostitution, free love, and rape.
The Special Relationship, Spit and Slavery- Britain and the US 1776-1877
This module encourages students to reassess the Anglo-American relationship during an era of major upheaval in both nations (1776-1877).
Taking students from the American Revolution through to the end of the Reconstruction era the module will challenge learners to examine how events and ideas forced Britons and Americans to reconceptualize their relationship.
Through the module, students will engage with concepts crucial in the formation of the modern world including race, ethnicity, liberty, republicanism, class, gender, manners and reform.
Recent Queer Writing
This module explores lesbian, gay, transgender and queer writing, focusing especially on the search for agency and the representation of gender and sexuality in selected contemporary texts. The majority of writers studied will be Canadian, although some American examples will also be included. The module is multi-generic, engaging with forms including novels, short fiction, life writing, poetry, drama and graphic narratives. Topics for discussion will include:
- LGBTQ sexuality;
- constructions of masculinity and femininity;
- the politics of representation: the extent to which writing can enable agency as subjects or citizens;
- intersections between race, ethnicity, class, nationality, religion, and the construction of gender and sexual identites
- writing for LGBTQ youth
- literature studies will be contextualized in relation to relevant debates in feminist, queer, post-colonial and transnational theories
Representative authors for study may include James Baldwin, Jane Rule, Dionne Brand, Dorothy Allison, Shyam Selvadurai, Tomson Highway, Leslie Feinberg, and Ivan Coyote.
Ethnic and New Immigrant Writing
This module will consider the development of ‘ethnic’ and new immigrant literature in the United States from the late 19th century to the contemporary era. You will examine a range of texts from life-writing to short fiction and the novel by writers from a range of ethno-cultural backgrounds, including Irish, Jewish, Caribbean and Asian American. Issues for discussion will include the claiming of the United States by new immigrant and ‘ethnic’ writers; race and ethnicity; gender, class and sexuality; labour and economic status; the uses and re-writing of American history and ‘master narratives’; the impact of US regionalism; how writers engage with the American canon; multiculturalism and the ‘culture wars’; and the growth of ‘ethnic’ American writing and Ethnic Studies as academic fields.
History of the Civil Rights Movement
This module examines a range of documents and scholarly controversies pertaining to the Civil Rights Movement between 1940 and 1970. Documents will include public and organisational records, photo-journalism, speeches, memoir and personal papers.
Controversies will include those relating to the chronological limits, spatial dynamics, and gender politics of the movement, as well as those relating to the movement’s goals and achievements.
North American Film Adaptations
This module examines North American short stories and novels and their film adaptations, paying attention to the contexts in which both the literary and the cinematic texts are produced as well as to the analysis of the texts themselves. In particular, the module takes an interest in literary texts whose film adaptations have been produced in different national contexts to the source material.
Varieties of Classic American Film, Television and Literature since 1950
What is a film, television or literary classic? How has this term come under pressure and fractured over the past half century or so? In this module you will consider the concept of the mid and late twentieth century American “classic” in a variety of contrasting and overlapping contexts. These contexts will be elaborated on the basis of their formal, generic, period and/or cultural designations that will cover university and exam curricula reading lists, popular opinion and widespread critical consensus (such as the currently prevalent view, for instance, that the early twenty-first century constitutes a ‘golden age’ of US television).