19 - Philip Roth, The Human Stain
Course - Group - 19 - Philip Roth, The Human Stain - Yale University > The American Novel Since 1945 - Audio > 19 - Philip Roth, The Human Stain
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18 - Cormac McCarthy, Blood Meridian (cont.)
Course - Group - 18 - Cormac McCarthy, Blood Meridian (cont.) - Yale University > The American Novel Since 1945 - Audio > 18 - Cormac McCarthy, Blood Meridian (cont.)
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17 - Cormac McCarthy, Blood Meridian
Course - Group - 17 - Cormac McCarthy, Blood Meridian - Yale University > The American Novel Since 1945 - Audio > 17 - Cormac McCarthy, Blood Meridian
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16 - Marilynne Robinson, Housekeeping (cont.)
Course - Group - 16 - Marilynne Robinson, Housekeeping (cont.) - Yale University > The American Novel Since 1945 - Audio > 16 - Marilynne Robinson, Housekeeping (cont.)
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15 - Marilynne Robinson, Housekeeping
Course - Group - 15 - Marilynne Robinson, Housekeeping - Yale University > The American Novel Since 1945 - Audio > 15 - Marilynne Robinson, Housekeeping
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14 - Maxine Hong Kingston, The Woman Warrior
Course - Group - 14 - Maxine Hong Kingston, The Woman Warrior - Yale University > The American Novel Since 1945 - Audio > 14 - Maxine Hong Kingston, The Woman Warrior
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13 - Toni Morrison, The Bluest Eye
Course - Group - 13 - Toni Morrison, The Bluest Eye - Yale University > The American Novel Since 1945 - Audio > 13 - Toni Morrison, The Bluest Eye
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12 - Thomas Pynchon, The Crying of Lot 49
Course - Group - 12 - Thomas Pynchon, The Crying of Lot 49 - Yale University > The American Novel Since 1945 - Audio > 12 - Thomas Pynchon, The Crying of Lot 49
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11 - John Barth, Lost in the Funhouse
Course - Group - 11 - John Barth, Lost in the Funhouse - Yale University > The American Novel Since 1945 - Audio > 11 - John Barth, Lost in the Funhouse
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10 - J. D. Salinger, Franny and Zooey
Course - Group - 10 - J. D. Salinger, Franny and Zooey - Yale University > The American Novel Since 1945 - Audio > 10 - J. D. Salinger, Franny and Zooey
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09 - Jack Kerouac, On the Road (cont.)
Course - Group - 09 - Jack Kerouac, On the Road (cont.) - Yale University > The American Novel Since 1945 - Audio > 09 - Jack Kerouac, On the Road (cont.)
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08 - Jack Kerouac, On the Road
Course - Group - 08 - Jack Kerouac, On the Road - Yale University > The American Novel Since 1945 - Audio > 08 - Jack Kerouac, On the Road
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07 - Vladimir Nabokov, Lolita (cont.)
Course - Group - 07 - Vladimir Nabokov, Lolita (cont.) - Yale University > The American Novel Since 1945 - Audio > 07 - Vladimir Nabokov, Lolita (cont.)
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06 - Guest Lecture by Teaching Fellow Andrew Goldstone
Course - Group - 06 - Guest Lecture by Teaching Fellow Andrew Goldstone - Yale University > The American Novel Since 1945 - Audio > 06 - Guest Lecture by Teaching Fellow Andrew Goldstone
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05 - Vladimir Nabokov, Lolita
Course - Group - 05 - Vladimir Nabokov, Lolita - Yale University > The American Novel Since 1945 - Audio > 05 - Vladimir Nabokov, Lolita
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04 - Flannery O'Connor, Wise Blood (cont.)
Course - Group - 04 - Flannery O'Connor, Wise Blood (cont.) - Yale University > The American Novel Since 1945 - Audio > 04 - Flannery O'Connor, Wise Blood (cont.)
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03 - Flannery O'Connor, Wise Blood
Course - Group - 03 - Flannery O'Connor, Wise Blood - Yale University > The American Novel Since 1945 - Audio > 03 - Flannery O'Connor, Wise Blood
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02 - Richard Wright, Black Boy
Course - Group - 02 - Richard Wright, Black Boy - Yale University > The American Novel Since 1945 - Audio > 02 - Richard Wright, Black Boy
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01 - Introductions
In this first lecture Professor Hungerford introduces the course's academic requirements and some of its central concerns. She uses a magazine advertisement for James Joyce's Ulysses and an essay by Vladimir Nabokov (author of Lolita, a novel on the syllabus) to establish opposing points of view about what is required to be a competent reader of literature. The contrast between popular emotional appeal and detached artistic judgment frames literary debates from the Modernist, and through the pos
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24 - General Review
The last class of the semester consists of a brief recapitulation of topics in the Divine Comedy addressed throughout the course, followed by an extensive question and answer session with the students. The questions posed allow Professor Mazzotta to elaborate on issues raised over the course of the semester, from Dante's place within the medieval love tradition to the relationship between his roles as poet and theologian.
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