Galdos student film 05: Realidad's Frederico
Galdos student film 05: Realidad's Frederico
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Galdos student film 06: Los secretos de Senén
Galdos student film 06: Los secretos de Senén
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Galdos student film 02: Realidad
Galdos student film 02: Realidad
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Galdos student film 03: Noticas Realidad
Galdos student film 03: Noticas Realidad
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"Admission all Classes": Blackpool and the North West on Film
"Admission all Classes": Blackpool and the North West on Film
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Review of film: The tree of wooden clogs
Review of film: The tree of wooden clogs
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Birefringence in a film of polyethylene
The colours in the image are the result of birefringence and relate to the residual stress in the film. The colour is generally uniform (with some contrast where an additional thickness of film exists or where wrinkling has resulted in a different apparent thickness). This is indicative of both a uniform film thickness and of the uniformity of the drawing process used to make the film. In the region of the tear, however, the colours indicate strain-induced orientation: because the material is
Author(s): DoITPoMS, University of Cambridge,J A Curran, Depa

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Birefringence in a film of polypropylene
The colours in the image are the result of birefringence and relate to the residual stress in the film, following the biaxial stretching process. The uniformity of the colour (with contrast only where an additional thickness of film exists or where wrinkling has resulted in a different apparent thickness) is indicative of both a uniform film thickness and of the uniformity of the drawing process used to make the film. Note that unlike polyethylene, the film has not been permanently strained in
Author(s): DoITPoMS, University of Cambridge,J A Curran, Depa

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Ordered film of carbon nanotubes
It is necessary to form a stable dispersion of nanotubes in order to properly integrate them into polymeric systems. This can be achieved by treating them with acid to oxidise the tube surfaces. The tubes will then spontaneously disperse in an aqueous medium. The viscosity of these suspensions is analogous to that of polymers; it increases gradually with concentration up to a critical point (at about 0.7vol%) where entanglement occurs. A solid nanotube film has been formed by filtering the s
Author(s): DoITPoMS, University of Cambridge,Prof A H Windle,

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Using film music in the classroom
There are many approaches to using film music in the classroom, including: a focus on pupil experience; a focus on the structure of composition; a focus on the relationship between music and image.
Author(s): The Open University

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Except for third party materials and otherwise stated (see http://www.open.ac.uk/conditions terms and conditions), this content is made available under a http://creativecommons.org/licenses/by-nc-sa/2

8.7 Sunset Song in schools and on film
Sunset Song was written in the early 1930s and is still one of the best-known and most-debated Scottish novels. In this unit, we discuss whether Sunset Song succeeds as critique of capitalism and whether it has value as a work of literature separate from its propagandistic ambitions.
Author(s): The Open University

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Licensed under a Creative Commons Attribution - NonCommercial-ShareAlike 2.0 Licence - see http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ - Original copyright The Open University

7.2 Film properties
Microelectronics has enabled designers of integrated circuits to exercise complete control over the electrical characteristics of each component they create. This unit will illustrate how such control is achieved and the various methods that can be applied in differing circumstances.
Author(s): The Open University

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Licensed under a Creative Commons Attribution - NonCommercial-ShareAlike 2.0 Licence - see http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ - Original copyright The Open University

1.1 Experiencing film music

People hear and experience film music differently, and it is important to respect and explore this subjectivity. No answer is wrong, but merely representative of different cultural perceptions.

‘All that I can say about my method in writing music for films is that it is intensely personal. I work completely emotionally. I cannot intellectualize about the role of music in film. I decide if it should be there
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1 4. Making the music fit the film

It is a huge step from identifying how music can be expressive, to composing music which captures the essence of the visual images, mood and action of a story. Composers such as David Arnold constantly stress how personal their response to the finished film is, but they still manage to guide our expectations and we feel uncomfortable if the music is ‘wrong’ somehow: too loud or quiet, expressing action too explicitly, or not saying enough.

Click on the first link below to watch
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Licensed under a Creative Commons Attribution - NonCommercial-ShareAlike 2.0 Licence - see http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ - Original copyright The Open University

Discussion of Film 'Breathless'
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Sickness Unto Death II - Existentialism in Literature and Film
Phil 7: Existentialism in Literature and Film - Spring 2006. The course will be organized around various attempts to reinterpret the Judeo/Christian God, and to determine in what sense, if at all, such a God is still a living God. We will study Dostoyevsky's and Kierkegaard's attempts to preserve a non-theological version of the God of Christianity, as well as Nietzche's attempt to save us from belief in any version of God offered by our tradition. We will view and discuss three films that deal
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Discussion of Film 'The Third Man' - Rough audio quality
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Discussion of Film 'Hiroshima Mon Amour'
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Theodore Roosevelt: His Life and Times on Film
Theodore Roosevelt was the first U.S. president to have his career and life chronicled on a large scale by motion picture companies (even though his predecessors, Grover Cleveland and William McKinley, were the first to be filmed). This presentation features 104 films which record events in Roosevelt's life from the Spanish-American War in 1898 to his death in 1919; 8 of these films have previously appeared in other American Memory presentations. The majority of films (87) are from the Theodore
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Fundamentals of Narrative Film Editing
This course covers the basics of editing a conversation. This is dramatic scene with scripted dialog. Editing dialog is the most basic form of editing in motion pictures. This is what you need to learn first. This series of lessons gives you hands-on experience editing actual motion pictures and television dramas. It's the real thing!
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