ARQUITECTURA, CINE Y LITERATURA: LA SEDUCCI?N DE LA GEOMETR?A
?Estamos presenciando un nuevo paradigma hacia otra forma de concebir la matem?tica?.
El presente ensayo pretende indagar, a trav?s del an?lisis y discusiones sobre diferentes obras literarias,
cinematogr?ficas y proyectos arquitect?nicos, cl?sicos y contempor?neos, la relaci?n entre la
arquitectura y la literatura a partir de las estructuras matem?ticas que los sustentan y c?mo estas se han
modificado o evolucionado a partir de los cambios tecnol?gicos de las ?ltimas d?cadas. Relacionaremos
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11.3 Step 2 – exploration This is the period when, following the identification of the problem, attempts are made to understand it better and to make a stab at designing a solution. This might be a short process or it could take years and involve a detailed search for information, experimenting with different designs, even redefining the problem as a result of this activity. Alexander Graham Bell adopted a problem-focused strategy when exploring the problem of designing a working telephone. This strategy is one
Hidden Line Elimination in Projected Grid Surfaces
The hidden line and hidden surface problems are simpler when restricted to special classes of objects. An example is the class of grid surfaces, that is, graphs of bivariate functions represented by their values on a set of grid points. Projected grid surfaces have geometric properties which permit hidden line or hidden surface elimination to be done more easily than in the general case. These properties are discussed in this paper, and an algorithm is given which exploits them
The Pattern That Connects
While patterns have a spotty history in architecture, their definitions and uses in other fields offer new possibilities for design. This paper examines those definitions and uses?including theories put forward by architectural theorist, Christopher Alexander; art educator, Gyorgy Kepes; chemist, Ilya Prigogine; and anthropologist, Gregory Bateson. Of particular interest is the shift from eternal, essential, universal, and fundamental patterns to fleeting, superficial, specific, and incidental v
Defining Architecture: Defining Information
The rapid onset of information technologies has changed ways we do things and how we view the world. Computation already pervades many aspects of daily life through subtle augmentations and by changing our tools and our professions. Moreover, information technology accelerates the pace of our activities, its speed outstripping our capacity to digest its product. The changes brought on by this deluge force its chroniclers to create new terms. Neologisms spring up daily, often only adding to the c
Electronic Extension: Some implications of cyberspace for the practice of architecture
This white-paper builds upon previous research to present hybrids of electronic and physical spaces as extensions of current design practice. It poses an hypothetical project - a hybrid of physical and cyberspaces - to be developed through an extrapolation of current architectural practice by fully exploiting new information technologies. The hybrid's attributes not only affect the scope of development but the very activities of the design team and client during - and after - deployment. The e
Acknowledgements The following material is Proprietary (see terms and conditions) and is made available under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Licence Grateful acknowledgement is made to the following sources for permission to reproduce material in this course: Co
The Arts Past and Present: Diva
How do you get to be one of the great operatic divas? Catherine Rogers might just have what it takes to be a famous opera singer, but she still has lots of work to do. This album gives us an insight into the immense effort it requires to become a musical performer. As well as singing, acting, language, and stage skills all need to be honed. Catherine tackles the tragic aria of the Countess in Mozart's Marriage of Figaro and is praised by her tutors. In the audio track Elaine Moohan from the Musi
Learning outcomes After studying this course, you should be able to: describe environmental matters regarding obligation and entitlements from a ‘caring’ perspective appreciate the significance of environmental consequentialist ethics in conversations around developing care identify and compare formal and less formal expressions of environmental responsibility understand ‘accountability’ in the context of environmental issues ide
Keep on learning There are more than 800 courses on OpenLearn for you to c Peace Prize Laureate Kailash Satyarthi most memorable moments from the Nobel Days Winyo: Benga & Traditional Music from Kenya Automation of Passive Solar Design System Nappy Rashes In Infants Las formas que se utilizan para definir el arte ¿Recuerda algunas de las formas que se utilizan para definir el arte en la discusión que acaba de oír? Vaya a la transcripción del extracto 2 y anote las fórmulas utilizadas para definir el arte. 4.3 Sentences: subject and object A sentence consists of a number of words which, to make sense, must include a verb. Unless this is the only word in the sentence (as in ‘Run!’), there will normally be a word telling us who or what is doing the action. This doer, whether noun or pronoun, is called the subject of the verb. Consider these sentences: The players ran onto the pitch. The referee blew his whistle, and the centre-forward GS-07: 色調補正 3.1 Addiction article 1 The first selected reading provides a wide ranging review of the theories associated with addiction illustrating how the subject can be investigated at a number of different levels of analysis. The second article explores one particular level further, the pharmacology of drug addiction, and asks why specific drugs are more likely to induce addictive behaviour. Hypertext Between Research and Teaching: An Experience in a Didactic Building Technology Laboratory 6 Subtracting when you have to borrow If the digit at the top of any column in your subtraction is smaller than the digit at the bottom of the same column, you need to borrow (or carry) from the next column on the left. There is an example of this below. Click on each step in turn to see how to carry out the calculation.
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During the Nobel Lecture Kailash Satyarthi lost some pages from the manuscript so he started to tell a story that he remembers from his childhood.
Interview at the Nobel Foundation 12 December 2014. Kailash Satyarthi is awarded the 2014 Nobel Peace Prize together with Malala Yousafzai, "for their struggle against the suppression of children and young people and for the right of all children to education".
Winyo performs traditional Luo songs infused with witty storylines, Afro fusion, Afro jazz, and Benga (a mix of contemporary music with traditional Kenyan Luo music in which the guitar is played to mimic a Luo eight-string lyre called a nyatiti). Winyo sings in Dholuo, Swahili and English.
Speaker Biography: Born Shiphton Onyango, Winyo adopted the artistic name "Winyo," which is a Luo word for "bird." The Luo are a tribe from the Lake Victoria region of Western Kenya. He says that he derives
This research, focus on the automation of passive solar design system using computational method. The quantitative nature of passive solar design system makes the automation possible. The automation is done in stages, because implementing the passive solar design system is not an isolated process, but intertwined with the overall design process. The first phase of automation concentrates in conceptual stage, to avoid major deviations in later stages of the design. The conceptual stage use Eco-gr
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Actividad 4
色調補正パネルを利用した画像の補正方法を学びます。自然な彩度とトーンカーブを使い、薄暗い画像をより鮮やかでシャープなものに仕上げます。
IPER (hypertext for the knowledge of building patrimony) is the result of a research developed with C.N.R. (National Research Institute). The aim of IPER is to provide the knowledge, the description and the management of one or more historical buildings for public or private institutions. IPER allowed us to improve our methodology of building analysis, covering various disciplinary fields, in two different systems. (1.) the first one, synthetic and suitable for a group of historical buildings, (