5.7 Extremes of modernity Between 1826 and 1828, after seeing in London a dramatic adaptation of Goethe’s play, Delacroix made a series of 18 lithographs of Faust (Plates 31–36 are reproductions of six of these). A mixture of the comic and evil, these lithographs encapsulate both the sublime and Hugo’s grotesque. They are peopled by strange, elongated figures, whose features have been described as ‘mantis-like’; they have ‘overt ball-and-socket jointing for elbows and knees’ and are dressed in six
3.4 Editing out warfare It is important to note that the requirements of propaganda usually required the editing out of any too explicit reference to the violence of warfare. Thus, for example, though the commission for The Battle of Nazareth was cancelled mainly because Napoleon did not figure in the composition, it probably also had something to do with the gory nature of the scene. Critics of the time expressed disquiet about military paintings that (like Gros's sketch) dwelled on the actual killing involv
6.2.3 Groups The large group portrait came to commercial prominence in the 1880s, probably as a result of the widespread introduction of dry plate negatives. These negatives could be bought ready made over the counter. They did not require immediate processing and they reduced exposure times significantly. The group portrait involved the production of a single negative and a potential sale to each member of the group. Customer costs were kept low without injury to the photographer's profits. School, work
5.6.2 Engagement and marriage Of all rites of passage celebrated in the Victorian family album, those taken at the time of engagement and marriage are by far the most numerous. This testifies to the importance vested in marriage by the Victorians. The custom of commissioning oil or miniature portraits at the time of an engagement or marriage was well established before the advent of photography. Photography enabled couples on more modest incomes to indulge a practice that became widespread among working-class families by
Idealisation If we look at the surprisingly small range of items commonly used as accessories we notice that they, too, confer prestige by association or continue the limited positive characterization. Children are often pictured with prestigious, manufactured toys. Do you remember Walter Eastwood's classy tricycle in Image 16? Boys hold whips or hoops suggestive of street games and the outside world; girls clutch dolls or baskets of flowers which evoke the domestic realm. The book probably appears
2.4 National variation Relatively little research has been undertaken by photohistorians in the field of domestic photography. However, we should be aware that photography developed in different ways in different countries. So, for example, in Britain the daguerreotype remained a luxury article, as high prices restricted sales to the comfortable classes, whereas in America, because of early mass production techniques, studios could offer 4 daguerreotypes for 1 dollar. Photography was, however, a European inve
Acknowledgements This unit was written by Dr Steve Padley
Except for third party materials and otherwise stated (see terms and conditions), this content is made available under a Creative Commons Attribution-NonCommercial-ShareAlike 2.0 Licence Grateful acknowledgement is made to the following sources for permission to reproduc
2.3 Essential properties and central cases What should we expect a finished answer to the ‘What is…?’ question to look like? It might be suggested that we should answer this question by identifying a set of features that are shared by all uncontroversial cases of emotion – for example, cases of anger or fear – and that are not shared by psychological occurrences of other kinds – for example, hunger or cowardice. Once we have identified these features, we will be able to refer to them to decide any controversial cases. An a
2.1 The provinces Controlling and governing the provinces was a substantial part of an emperor's remit. Here you will consider different ways in which the emperor had contact with his provincial subjects. You will work through some sections from books by Goodman and Lewis, and Reinhold and watch a short video sequence. Learning outcomes After studying this unit: you will have learned about the central role played by the Roman emperor in the construction and development of culture, identity and power. 2.6 Houses at Carthage, Bulla Regia and Thugga Your next activity is to watch a video on houses of the Roman élite. The video presents houses from different parts of the empire. Houses of the Roman élite (part 1 (Intro); 2 minutes) 2.5 African mosaics: things Roman and things African? Between the second and the fifth centuries a thriving tradition of mosaic floor decoration developed in North Africa (see Figure 4). There is only limited evidence for the dating of African mosaics, but the earliest seem to be closely influenced by Italian interior design, particularly stucco wall plaster, w 3 A comparison of attitudes It is, indeed, instructive to compare the attitude of the people to imperialism in both these nation states during the final decade of the nineteenth century. Clearly, although there are surface similarities in the situation, the historical tradition of both countries respecting empire in fact determined to a great extent responses to imperialism. It was possible to speak of imperialism and the empire with pride in Britain. The United States denied its empire and its imperial ambitions. When Introduction Historians on both sides of the Atlantic have argued that the empire was not an issue of popular interest in the late nineteenth-century Britain and the United States. This unit examines some of the evidence available to assess the truth of this claim. More broadly, the unit raises questions related to evidence: is it possible to discover what ‘ordinary’ people thought about expansionism? ‘I couldn't give a damn’; ‘I don't know anything about politics’; ‘Why don't they lea Acknowledgements This unit was written by Dr Marion Bowman and Dr Susan Mumm
Except for third party materials and otherwise stated (see terms and conditions), this content is made available under a Creative Commons Attribution-NonCommercial-ShareAlike 2.0 Licence Grateful acknowledgement is made to the following sources for per 2.6.1 The phenomenological perspective The term ‘phenomenology’ is a good example of polysemy, as it has different meanings according to the academic context in which it is found. There are scientific phenomenology and philosophical phenomenology, for example, and the sociologists Ken Thompson and Kath Woodward describe phenomenology as, ‘The development in sociology of a philosophical approach which focuses on people’s consciousness of their experiences and how they interpret the world; the meaning it has for them’ (Tho 2.3 Is religion a museum piece? We have used the video sequence below to highlight the emic/etic problem and we would like you to carry out a short exercise using it to consolidate your understanding of these terms. The video introduces St Mungo Museum of Religious Life and Art in Glasgow, which has been described as the first public museum of religion in the world. Do note, however, that the Museum of Religions at the University of Marburg, Germany was founded in 1927 by Rudolf Otto. It contains a considerable number 2.1 New perspectives The purpose of studying religion is to make the strange familiar, and the familiar strange. We would encourage you now to jot do 1.10 Religion and the individual How formal or informal, how personal or impersonal, how loose or how tight, how casual or demanding the religious community is will depend on the form of religion, the extent to which it is enforced and the level of the individual's commitment to it. It is worth remembering that just as people have certain expectations of religion, religions tend to have certain expectations of adherents. The sociologists Rodney Stark and Charles Glock (1968) have argued that although religious organizations 1.8 Religion and spirituality A good example of polysemy can be found in the different ways in which people regard the terms ‘religion’ and ‘spirituality’, and this is the subject of the first exercise below. Give some thought for a moment to
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