2.2 Identifying emotions The question ‘What is an emotion?’ is a question about emotions in general. But it is impossible to address this question without being aware that there appear to be many different types of emotion. One way to start is to consider a range of states and to identify which states we would naturally classify as emotions, and which we would naturally classify as states of some other kind. This will put us in a better position to see whether there are any common features that link different typ
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Conclusion This free course provided an introduction to studying the arts and humanities. It took you through a series of exercises designed to develop your approach to study and learning at a distance and helped to improve your confidence as an independent learner.
2.3 Conclusion As I warned you, it has been necessary to introduce here a fair amount of technical detail on North Indian music. You will not need to remember all of this – indeed, apart from a little basic terminology (such as rag and tal), some instrument names (tabla, tanpura) and the name of this genre (khyal), you may not come across any of these terms again in this course. What I hope you will remember is what this has taught you about the way North Indian art music is put together, and what this te
2.2 Notation The next thing to consider is the role of notation in this tradition. At one point on the video you saw Veena Sahasrabuddhe singing from a printed notation, from a collection first published in the first quarter of the twentieth century by the famous Indian musicologist Pt V.N. Bhatkhande (originally in the Marathi language, this is now best know in its Hindi translation in volume 5 of Bhatkhande, 1987). Actually, she did this at our request – she would not normally sing from notation, but
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