Pages 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 15878 result(s) returned

1.5.2 Discrepancy definitions

The label is given if there is a discrepancy between perceived potential to learn to read (as indicated by general ability) and actual level of reading achievement.

The most common way of diagnosing dyslexia is to look for a discrepancy between someone's general ability as measured by an IQ assessment and his or her performance on standardised measures of reading and spelling. However, there are
Author(s): The Open University

License information
Related content

Copyright © 2016 The Open University

1.5 Defining dyslexia

The ongoing debate about dyslexia is reflected in the different approaches that have been taken to formally define it. Clearly this impacts on how dyslexia is defined in practice. The next three sections summarise how definitions of dyslexia have changed as our knowledge has increased. In short, there have been three main approaches to defining dyslexia: definition by exclusion, discrepancy definitions and the identification of positive indicators.


Author(s): The Open University

License information
Related content

Copyright © 2016 The Open University

2 How to start SPSS

Activity 1

0 hours 20 minutes

This activity shows you how to start the SPSS software, and open any SPSS files that you might have saved on your computer.

You will be asked t
Author(s): The Open University

License information
Related content

Copyright © 2019 The Open University

Acknowledgements

Except for third party materials and otherwise stated (see terms and conditions), this content is made available under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Licence

This course was written by Baldev Singh on behalf of the Specialist Schools Trust.

Grat
Author(s): The Open University

License information
Related content

Copyright © 2016 The Open University

Further reading


Author(s): The Open University

License information
Related content

Copyright © 2016 The Open University

5 Plotlines – what's your story?

Planning is important not only to the success of a lesson but also to the final outcome. Without a clear idea of ‘what, who, why and how’, your project might lose the plot!

Storyboarding is an essential part of film-making. At this planning stage, it is important to examine your initial idea in detail.

  • What ideas do you want to communicate?

  • Who is your audience?

  • Why: what response do
    Author(s): The Open University

    License information
    Related content

    Copyright © 2016 The Open University

4 Cameras – what resources do I need?

The key to success of any lesson is good preparation – and this is never truer than when incorporating a new technology.

Incorporating DV into your lessons can be a simple and enjoyable experience, but it requires a clear understanding of all the technological requirements. There are a number of areas to consider in the first instance:

  • Hardware, software and other equipment, such as peripherals.

  • Your classroom – what space d
    Author(s): The Open University

    License information
    Related content

    Copyright © 2016 The Open University

3 Direction – find your inspiration

Bringing history to life, filming field trips, creating a video montage of class – the ways in which you can incorporate DV into your lessons are endless and limited only by your imagination.

Your project must have clear objectives and outcomes. Start by asking yourself: ‘Is the use of video going to enhance the lesson or is it just going to transform what could be a good lesson into a technical disaster?’ This question will be driven by the learning outcomes and objectives of the
Author(s): The Open University

License information
Related content

Copyright © 2016 The Open University

2 Starting to use DV

DV, therefore, is a learning and teaching tool that has a lot to offer and one we cannot afford to ignore. Increasingly, DV will become an essential part of the teacher's ‘toolbox’, but it is one whose use has to be planned, in order for it to be effective.

Click on the following link to view the BFI Evaluation Report; for background information click on BECTA DV Pilot Project.

This course aims to familiarise you with the techniques and concepts of DV and to help you consider
Author(s): The Open University

License information
Related content

Copyright © 2016 The Open University

1 Lights – can DV illuminate teaching?

TV, mobiles, gaming consoles – students interact with digital media every day. Indeed, inbuilt digital cameras on mobiles have become increasingly popular with a generation that demands the freedom to interact with digital imagery any time, anywhere. If this need can be harnessed, digital media has an important and powerful role to play in education.

Do you want to engage students in a lesson that will encourage the development skills listed below:


    Author(s): The Open University

    License information
    Related content

    Copyright © 2016 The Open University

Learning outcomes

After studying this course, you should be able to:

  • appreciate the impact digital video (DV) has on learning and teaching

  • assess what hardware and software is needed to deploy DV in the classroom

  • recognise filming and editing techniques

  • plan and deliver a project that uses DV as a teaching tool.


Author(s): The Open University

License information
Related content

Copyright © 2016 The Open University

Keep on learning

Study another free course

There are more than 800 courses on OpenLearn for you to
Author(s): The Open University

License information
Related content

Copyright © 2016 The Open University

Conclusion

This course has explored the ways in which moving and still images may motivate and inspire pupils in their understanding of music. You may find it helpful to share your experiences of using images with your peers, perhaps through a short presentation to your department.


Author(s): The Open University

License information
Related content

Copyright © 2016 The Open University

1.5.1 Different ways of working

Composing for an entire film is an intense and intensive experience, which must usually be completed in a very short time. Composers are always the last people to work on a film, and cannot begin writing the score until the final edit of the film is ready, often only a few weeks before the film is to be released.

Composers work in many different ways: David Arnold (the current James Bond composer) uses an electronic keyboard and computers to record and manipulate his ideas, which are or
Author(s): The Open University

License information
Related content

Copyright © 2016 The Open University

1 3. From experience to interpretation

In almost all films, the visual story is completed first, dialogue and sound effects are then added and music is composed last of all. However, when Disney made the animated film Fantasia in 1940, they reversed the process, producing animations based on pieces of classical music. You may like to look at the Disney archives website, or read some information about the making of Fantasia from the Disney family museum website.

At the time, this was thought of as a way to popularise c
Author(s): The Open University

License information
Related content

Copyright © 2016 The Open University

1.1 Experiencing film music

People hear and experience film music differently, and it is important to respect and explore this subjectivity. No answer is wrong, but merely representative of different cultural perceptions.

‘All that I can say about my method in writing music for films is that it is intensely personal. I work completely emotionally. I cannot intellectualize about the role of music in film. I decide if it should be there purel
Author(s): The Open University

License information
Related content

Copyright © 2016 The Open University

Acknowledgements

This course was prepared for TeachandLearn.net by Ronnie Goldstein and Alan Bloomfield. Ronnie Goldstein was formerly a lecturer in the Faculty of Educational and Language Studies at The Open University. Alan Bloomfield is Deputy Head of School of Education at Cheltenham and Gloucester College of Higher Education.

The content acknowledged below is Proprietary (see terms and conditions) and is used under licence.

Grateful acknowledgement is made to the followin
Author(s): The Open University

License information
Related content

Copyright © 2016 The Open University

References

Bills, C. (2002) ‘Mental mathematics’ in Haggarty, L. (ed.), Aspects of Teaching Secondary Mathematics: Perspectives on Practice, London, Routledge.
Mason, J. (1988) ‘Imagery, imagination and mathematics classrooms’ in Pimm, D. (ed.), Mathematics, Teachers and Children, Sevenoaks, Hodder and Stoughton.
The Open University (1988) ME234 Using Mathematica
Author(s): The Open University

License information
Related content

Copyright © 2016 The Open University

Keep on learning

Study another free course

There are more than 800 courses on OpenLearn for you to
Author(s): The Open University

License information
Related content

Copyright © 2016 The Open University

6.2 Shaping knowledge

It seems inevitable that any understandings we have will have been shaped and influenced by other (past and present) members of the same culture(s) we belong to. Most of these influences ‘just happen’: they arise out of our experiences as part of a culture whose members have had their experiences and shared them over many centuries. However, knowledge can also be deliberately influenced by powerful elements within a society: as we saw in Section 5.3, the church suppressed Galileo's reason
Author(s): The Open University

License information
Related content

Copyright © 2016 The Open University

Pages 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794