Pages 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 17345 result(s) returned

5.14.1 Multistage flash distillation

In this process (Figure 34) saline water (screened first, if it is sea water) is distilled under reduced pressure in a series of sealed tanks. Due to the reduced pressure, the water evaporates suddenly or 'flashes' at a temperature lower than 100°C, typically 80°C. Pure water condenses on cooling coils in the tanks and is collected. As the temperature of the feed water falls in each succeeding tank (as the latent heat of evaporation is extracted from it) a correspondingly lower pressure has
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5.6 Filtration

In filtration, the partially treated water is passed through a medium such as sand or anthracite, which acts as a 'strainer', retaining the fine organic and inorganic material and allowing clean water through. The action of filters is complex and in some types of filter biological action also takes place. Sand filters are used in water treatment to remove the fine particles which cannot be economically removed by sedimentation. They have been effective in removing Cryptosporidium, a pr
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3.3.3 Temperature

All aquatic organisms have a fairly well-defined temperature tolerance range and this determines their distribution. Temperature affects the saturation concentration of dissolved oxygen (as seen in Table 2). An increase in water temperature will reduce the oxygen solubility as well as increase the metabolic activity of aquatic organisms. The combination of these two effects means that oxygen demand by organisms increases just when oxygen supply is being reduced.

Coarse fish such as perc
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2.2.3 Doing

Finally, learning how to act or perform in particular ways is essential for the development of all kinds of intellectual and physical skills. For example, we need to be able to learn how to create a variety of kinds of written communication, or how to present complex information in a clear diagram, or to decide how a team will structure its work, and so on. No amount of explanation of how to compose a clear technical report, for example, would provide convincing proof that we could actually p
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3.4.1 Fracture surface

One half of the eye at the joint is shown in Figure 38(a), and it shows two breaks in the limbs either side of the pin-hole. Although both appear brittle in this picture, in fact one side showed signs of ductile deformation. The way it had fractured was unique when compared with the other eye
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Carnival and the performance of heritage
There's a lot more to Notting Hill Carnival than a great street party. This album gives you a true insider guide, by some of the people who have made the Carnival what it is today. Its story reaches back to the darkest recesses of European tradition, through Colonialism and slavery, to racist Britain of the 1950’s and 60’s. It merges contemporary ideas with art forms reaching back via the Caribbean slave plantations to tribal Africa. And its setting in West London brings out a history of th
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Museums in contemporary society
What are museums for? In this album we look behind the displays to reveal the conflicting roles, power struggles and ethical dilemmas that affect museums today. Once the undisputed sources of authority on the objects in their care, museums now have to justify their decisions to the government, to their audiences, sometimes even to vociferous pagans. The challenge is to reach out to new audiences and devise new ways of communicating with them. The rewards are many: to maintain status and respect,
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Greek Theatre
What was it like to go to the theatre nearly 2500 years ago? Greek theatre has survived through the ages as a powerful and influential art form. This album introduces what early Greek theatres looked like and the kind of audience they attracted. Using the Theatre of Dionysus as a starting point, experts discuss the significance of attending the theatre as a civic occasion, associated with the political and cultural achievements of Athens. Through archaeology and analysis of contemporary art form
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Introduction

This course introduces key terms that are essential for understanding the Classical Roman world.

This OpenLearn course provides a sample of Level 3 study in Arts and Humanities.


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Acknowledgements

This free course was written by Ms Candida Clark

Except for third party materials and otherwise stated (see terms and conditions), this content is made available under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Licence .

The material acknowledged
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1.5 Tips on character creation

  • Use a journal to build ideas for character.
  • Consider all the influences that go into the making of your character: age, gender, race, nationality, marital status, religion, profession.
  • Know about your character’s inner life: what s/he wants, thinks, remembers, resents, fears, dreams, denies.
  • Know about your character’s behaviour, what s/he wears, buys, eats, says, works at and plays at.
  • Know how your character speaks and how
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1.1.1 The Rhind papyrus

For a literate civilisation extending over some 4000 years, that of the ancient Egyptians has left disappointingly little evidence of its mathematical attainments. Even though the classical Greeks believed mathematics to have been invented in Egypt – though their accounts are far from unanimous on how this happened – there are now but a handful of papyri and other objects to convey a sense of Egyptian mathematical activity. The largest and best preserved of these is the Rhind papyrus (Ext
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Learning outcomes

After studying this course, you should be able to:

  • understand the debates in the late Enlightenment concerning suicide, immortality, the nature of evidence, the existence of God and related topics

  • understand some characteristic shifts and continuities in the move from Enlightenment ideals towards Romantic ones

  • feel confident that study can transform a centuries-old text into an enjoyable, informative, articulate and reasoned discussion of a familiar
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3.2 Interpretation beyond biography

The three interpretative strategies outlined in the previous section, and represented by Langdon, Freedberg, and Reynolds and Ostrow, largely rely on recreating the context contemporary with Caravaggio's painting. Other interpretations seem to have more to do with the context and priorities of the modern historian. If, therefore, the interpretation of a work of art is about more than the artist's particular intention regarding that work of art, then, as Martin Kemp asks,

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2.3 A first attempt at defining ‘imagining’

So far I have made some preliminary remarks on the meanings of ‘imagination’ and related terms, and considered one attempt at distinguishing different conceptions of imagination. In a broad sense, ‘imagining’ means thinking in some way of what is not present to the senses. Imagining may involve, but is not the same as, imaging. In a derogatory sense, ‘imagining’ may mean ‘fantasising’, as suggested by their etymological roots in Latin and Greek, and our use of the term ‘imag
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Learning outcomes

After studying this course, you should be able to:

  • understand Schubert's place as a composer in early nineteenth-century Vienna

  • understand the place of Schubert in the history of German song and the development of Romanticism

  • follow the words of songs by Schubert while listening to a recording, using parallel German and English texts

  • comment on the relationship between words and music in Schubert's song settings.


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3.4 Strawson: Section VI

There is only one more section left in the paper. Here, as we would expect, Strawson returns to the way in which he set out the problem (in II:4) and makes good his promise to ‘[give] the optimist something more to say’.

Activity 5

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2.1 Before the recording

Now you have the opportunity to listen to the recordings of Sorley MacLean. I hope you will find that it brings to life the poetry that you have looked at on the page, and that it helps you to grasp some of the differences between Gaelic and English that affect MacLean's translation of his own work, as well as elucidating particular references that may have puzzled you. Perhaps the best plan, if you have time, will be to listen to each section once, and then go through them again, stopping an
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3.1 Overview

In 1995, a large portion of central Edinburgh – the architecturally significant medieval and early Renaissance ‘Old Town’ and the Georgian ‘New Town’ – were included in the World Heritage List. Capital of Scotland since the fifteenth century, Edinburgh's unique character, a result of its particular combination of medieval fortress city and eighteenth-century neoclassical Georgian city, was given as the reason for its World Heritage status. The ‘Justification by State Party’ no
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2.8 References and further reading

Ascherson, N. (2002) Stone Voices: The Search for Scotland (revised edn), London, Granta.

Basu, P. (2007) Highland Homecomings: Genealogy and Heritage Tourism in the Scottish Diaspora, London, Routledge.

Carman, J. and Carman, P. (2006) Bloody Meadows: Investigating Landscapes of Battle, Thrupp, Sutton.

Culloden (1964) DVD, Peter Watkins (director), BBC
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