Pages 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 13991 result(s) returned

5.2 Owen in London 1812–14

Owen's visits to London, where he worked on the essays, coincided with the vital closing years of the Napoleonic Wars. He arrived in the metropolis to find it seething with news of momentous events on the Continent, especially Wellington's victories in the Peninsula and Napoleon's retreat from Moscow, of the course of the war in the United States, and, closer to home, of a series of political crises made more acute by the growing unrest in the country. While the international situation remain
Author(s): The Open University

License information
Related content

Except for third party materials and/or otherwise stated (see terms and conditions) the content in OpenLearn is released for use under the terms of the Creative Commons Attribution-NonCommercial-Share

4.2 Apprenticeship in retailing c.1782–c.1789

Owen's apprenticeship coincided roughly with the initial development of New Lanark. Leaving home when he was ten or eleven years old, by his late teens he had already gained extensive experience in textile retailing. He started work at Stamford apprenticed to James McGuffog, a successful draper. McGuffog, a canny Scot, dealt in fine garments for well-to-do customers, to whom Owen no doubt learned to defer, and possibly also to emulate them when he was older. After completing his apprenticeshi
Author(s): The Open University

License information
Related content

Except for third party materials and/or otherwise stated (see terms and conditions) the content in OpenLearn is released for use under the terms of the Creative Commons Attribution-NonCommercial-Share

4.1 Environment and education: Wales 1771–c.1782

Owen had a remarkable career even before he reached New Lanark. His kin and upbringing at Newtown in mid-Wales were highly influential. His parents were shopkeepers and his father was also the postmaster and a churchwarden. So the Owens possessed practical retailing and administrative skills, which they passed on to their offspring, including Robert, a precocious and clever boy. Newtown was located in one of the most profoundly rural parts of southern Britain, yet beginning to be touched by e
Author(s): The Open University

License information
Related content

Except for third party materials and/or otherwise stated (see terms and conditions) the content in OpenLearn is released for use under the terms of the Creative Commons Attribution-NonCommercial-Share

2.1 The cotton industry

Owen personified one of the key Enlightenment notions of belief in progress. Economic progress, as anticipated by Adam Smith's Wealth of Nations (1776), arose partly from industrialisation. Britain was the first country to experience an ‘Industrial Revolution’, which was at its most dynamic during our period. It gradually transformed production from small-scale, craft-based activity to mass manufacture. While many economic activities were subsequently affected, it was in the textil
Author(s): The Open University

License information
Related content

Except for third party materials and/or otherwise stated (see terms and conditions) the content in OpenLearn is released for use under the terms of the Creative Commons Attribution-NonCommercial-Share

3.2 Publishing

One of the strongest impulses in the Enlightenment was to codify knowledge and publish it widely. The most notable example of this impulse is the French Encyclopedic, 'a rational dictionary of the sciences, art and trades’, published chiefly in Paris in the 1750s and 1760s, under the indomitable editorship of Denis Diderot. The seventeen volumes of text and eleven volumes of plates were intended to summarise and clearly present everything that was worth knowing, from the construction
Author(s): The Open University

License information
Related content

Except for third party materials and/or otherwise stated (see terms and conditions) the content in OpenLearn is released for use under the terms of the Creative Commons Attribution-NonCommercial-Share

Learning outcomes

By the end of this section you should be able to:

  • understand developments in Scotland with regard to the Enlightenment period;

  • give Scottish examples from the community of philosophers and scientists from the Enlightenment period;

  • describe how these Scots helped influence the Industrial Revolution and the American Revolution.


Author(s): The Open University

License information
Related content

Except for third party materials and/or otherwise stated (see terms and conditions) the content in OpenLearn is released for use under the terms of the Creative Commons Attribution-NonCommercial-Share

5.2 History of adinkra

Activity 18

Once you’ve watched the video, make a few notes on what you learnt about the history of adinkra.


Author(s): The Open University

License information
Related content

Except for third party materials and/or otherwise stated (see terms and conditions) the content in OpenLearn is released for use under the terms of the Creative Commons Attribution-NonCommercial-Share

4.1 The functions of kente

In Section 4 you will learn about the many uses of kente and adinkra.

Activity 12

Once you’ve watched the video, make a few notes on what you learnt about the functions of kente.


Author(s): The Open University

License information
Related content

Except for third party materials and/or otherwise stated (see terms and conditions) the content in OpenLearn is released for use under the terms of the Creative Commons Attribution-NonCommercial-Share

2.6 Questions

Now that you’ve been introduced to kente and adinkra, you might like to think about the questions in the activity below. The purpose of these questions is to encourage you to think about the broader issues and themes mentioned in Section 2. Later on you will have more information to go on, but it is worth noting what you can now and generating some first thoughts in relation to these questions.

Author(s): The Open University

License information
Related content

Except for third party materials and/or otherwise stated (see terms and conditions) the content in OpenLearn is released for use under the terms of the Creative Commons Attribution-NonCommercial-Share

2.5 Making adinkra

Activity 5

Once you’ve watched the video, explain how adinkra is made.

Acknowledgements

This unit was written by Dr Phil Perkins

Except for third party materials and otherwise stated (see terms and conditions), this content is made available under a Creative Commons Attribution-NonCommercial-ShareAlike 2.0 Licence

Grateful acknowledgement is made to the following sources for permission to reproduc
Author(s): The Open University

License information
Related content

Except for third party materials and/or otherwise stated (see terms and conditions) the content in OpenLearn is released for use under the terms of the Creative Commons Attribution-NonCommercial-Share

References

A219 course textbooks
Pomeroy, S.B., Burstein, S.M., Donlan, W. and Roberts, J.T. (2004) A Brief History of Ancient Greece: Politics, Society and Culture, Oxford: Oxford University Press.
Hornblower, S. and Spawforth, A. (eds) (1998) The Oxford Companion to Classical Civilization, Oxford: Oxford University Press.
Author(s): The Open University

License information
Related content

Except for third party materials and/or otherwise stated (see terms and conditions) the content in OpenLearn is released for use under the terms of the Creative Commons Attribution-NonCommercial-Share

3.1 Introduction

With your initial work on sources and on what it may mean to ‘explore the Classical world’ under your belt, you're now in a good position to start exploring. To lay the foundations for your explorations, you will in this section do some work on ancient times and places. Not least since you will cover a wide range of materials from different periods and locations, it will be important for you to know how they all fit together.


Author(s): The Open University

License information
Related content

Except for third party materials and/or otherwise stated (see terms and conditions) the content in OpenLearn is released for use under the terms of the Creative Commons Attribution-NonCommercial-Share

2.4.6 Documents

Various texts survive from the ancient world that don't fit into any of the categories above. Most of them are categorised as ‘documentary’. These can be parts of archives, or public commemorations such as tombstones, or inventories, or even shopping lists. Unsurprisingly, the vast majority of such material is now lost (after all, even today, a shopping list and many company and government records have a lower hope of long-term survival than a novel). Nonetheless, some of them have surviv
Author(s): The Open University

License information
Related content

Except for third party materials and/or otherwise stated (see terms and conditions) the content in OpenLearn is released for use under the terms of the Creative Commons Attribution-NonCommercial-Share

2.4 Ancient sources

As you have seen, exploring the Classical world is an interdisciplinary pursuit. Perhaps the most immediately obvious aspect of this interdisciplinary approach is that you will confront different kinds of ancient sources, often simultaneously, since one of them by itself may not be sufficient for answering a particular question you may have. Quite apart from whether a source is ancient or modern, the different disciplines that make up Classical Studies use different kinds of source material.
Author(s): The Open University

License information
Related content

Except for third party materials and/or otherwise stated (see terms and conditions) the content in OpenLearn is released for use under the terms of the Creative Commons Attribution-NonCommercial-Share

Introduction

This unit aims to get you started on exploring the Classical world by introducing you to the sources upon which you can build your knowledge and understanding. The unit also gets you started on an exploration of both time and space in the Classical world.

This unit is an adapted extract from the Open University course Exploring the classical world (A219).


Author(s): The Open University

License information
Related content

Except for third party materials and/or otherwise stated (see terms and conditions) the content in OpenLearn is released for use under the terms of the Creative Commons Attribution-NonCommercial-Share

2.9 Painterly techniques

A sensuous use of colour subverted the neoclassical aesthetic, in which moral and intellectual messages – or, at the very least, a concept of ‘noble form’ – were intended to dominate. In the case of Delacroix, this attention to the effects of colour is heightened by a concern with the textural qualities of paint. In order to produce a matt but bright surface, he applied thin layers of oil glaze to an initial lay-in of distemper (see ten-Doesschate Chu, 2001, p.102). It is thoug
Author(s): The Open University

License information
Related content

Except for third party materials and/or otherwise stated (see terms and conditions) the content in OpenLearn is released for use under the terms of the Creative Commons Attribution-NonCommercial-Share

Learning outcomes

After studying this unit you should:

  • have some understanding of developments in Goya's career as an artist;

  • begin to understand Enlightenment aspects of his work and the ways in which these were later challenged by a more Romantic approach charaterised by a uniqueness of vision and a focus on darker forces;

  • understand some of the ways in which the impact of the Napoleonic invasion of Spain found artistic expression.


Author(s): The Open University

License information
Related content

Except for third party materials and/or otherwise stated (see terms and conditions) the content in OpenLearn is released for use under the terms of the Creative Commons Attribution-NonCommercial-Share

2.4 The First Consul

Click on 'View document' to see plate 11 Antoine-Jean Gros, Bonaparte as First Consul, 1802, oil on canvas, 205 x 127 cm, Musée Nationale de la Légion d’Honneur, Paris. Photo: Bridgeman Art Library

5.5.3 Birthdays

Image 49 Photographer/Painter: Warwick Brookes, Manchester. Subject: Portrait of Max Witte.
Author(s): The Open University

License information
Related content

Except for third party materials and/or otherwise stated (see terms and conditions) the content in OpenLearn is released for use under the terms of the Creative Commons Attribution-NonCommercial-Share

Pages 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700