Introduction This unit introduces common techniques underlying free verse and traditional forms of poetry, and how it is necessary to use these techniques in order to harness what T.S. Eliot called the ‘logic of the imagination’ (Eliot, 1975, p. 77). We discuss the possibility of using your own experience, but also the power of imagination, and of utilising different personae in your poems. You are also introduced to the basic terminology and practical elements of poetry – the line, line-breaks, sta
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Glossary
4.2 Naturalism and reductive explanation There is a widespread commitment among contemporary philosophers and scientists to a naturalistic view of the world. In broad terms, naturalism is the view that everything is scientifically explicable – to put it crudely, that there are no miracles. (Note that I am using ‘naturalism’ here for a metaphysical position – a view about the nature of the world. It is also used for a methodological position – a view about how the world, or some aspect of it, should be
4.1 Introduction Let us turn now to the problem of consciousness. What exactly is the issue here that so divides philosophers and is the focus of such vigorous debate? In broad terms, it is the question of the place of consciousness in the world – the question of how it arises and how it is related to processes in the brain. It is hard to deny that consciousness is closely dependent on the brain. Changes in the brain can affect consciousness (think of the effects of anaesthetics and psychedelic drugs), and
References 2.9.2 Searle's objection In ‘What is a speech act?’, John Searle introduces a memorable example of an utterance in which Grice's conditions are all met for it to mean one thing, but where the words used suggest that the utterance means something quite different, if it means anything at all. The conclusion Searle invites us to draw is that what our utterances mean is not exhausted by the speaker's intentions alone. An additional consideration is the meaning of the expressions used. If they don't match the intentio 1.1 Introduction One of the most impressive but puzzling capacities we have is the ability to represent the world around us, both in talking about it among ourselves and in thinking about it as individuals. When someone utters the sentence, ‘The German economy is bouncing back’, for example, they are able to convey to their audience something about the German economy. Their utterance may be correct or it may be incorrect, but either way it is making a claim about how things are, and in this loose but intu Introduction This unit introduces some philosophical questions concerning the nature of the mind and mental phenomena, such as thoughts, perceptions and emotions. The unit considers what is involved in having a mind, whether there are different kinds of minds, and whether there is some characteristic that is shared by all mental phenomena. This unit is an adapted extract from the Open University course< References 2.1.2 Faustus's first speech The Chorus now introduces Faustus, who delivers his first speech of the play. The way the speech is staged and written serves to emphasise Faustus's position as an eminent scholar. It is set in his study, and he is surrounded by books, from which he reads in Latin. The works he consults, written by such great thinkers of classical antiquity as the Greek philosopher Aristotle, the Greek medical authority Galen, and the Roman emperor Justinian, were central texts in the sixteenth-century univer 2.1.1 The morality play Before looking at the play's opening scene I should add a brief note on the medieval morality play, the type of drama on which Marlowe draws in adapting The Damnable Life for the stage. After the Prologue and Faustus's long opening speech, you may have been startled by the appearance of the Good and Evil Angels. Even if you had expected to find supernatural beings in a play about a man who sells his soul to the devil, the Good and Evil Angels may have struck you as strange, perh 1.2 Doctor Faustus Critics who have studied Marlowe's work have for the most part been inclined to take on trust the picture of him provided by Kyd, Baines, Beard and others, and to read the plays as statements of the author's own radical beliefs. But there is an obvious problem with this approach to Marlowe's work: we simply don't know whether these hostile accounts of his opinions are accurate or, as seems likely, deeply compromised by their writers' own motives and circumstances.
Doctor Faustus 7.2 The public take control There is also good evidence which suggests that the public took control over their own health by choosing not to seek medical help, or by rejecting offers of help and treatment (Figure 10). 3.5 The health of mothers and children The health of mothers and infants was one target for action. France was among the first to introduce infant welfare schemes, as low birth rates, high infant mortality and defeat in the Franco-Prussian War led politicians to fear for the future strength of the nation. Diarrhoea among bottle-fed babies was singled out as a preventable cause of high infant mortality. From the 1890s, charities and local authorities set up infant welfare clinics called gouttes de lait, which encouraged moth 10 Working-class distress and planned communities Meanwhile Owen's views on the problem of poverty were also much influenced by his experience at New Lanark and had particular relevance to the difficult era that opened up after the Napoleonic Wars. Economic depression exacerbated growing problems of poverty and unemployment, and Lord Liverpool's government struggled against a rising tide of disorder, which was manifest in protests and riots. The relief of poverty, which had been a problem before, became a nightmare. While he may have had no 9 The factory reform movement Owen's participation in the movement for factory reform was clearly much influenced by views expressed in the essays. This showed his continuing concern, first evidenced in Manchester, about the impact of industrialisation on society, a theme to which he consistently returned. His personal record on the employment of children at New Lanark was certainly an example of good practice in the cotton industry, which in Owen's words was invariably ‘destructive of health, morals, and social comfort 7 New Lanark as showpiece and text Owen's partnership of 1814, consisting of Bentham and other enlightened individuals, mainly wealthy Quakers, paved the way for the rapid implementation of the innovations spelled out in the Statement of 1812 and subsequently in the essays. Two of the partners, William Allen (1770–1843), a chemist and businessman, and the wealthy and philanthropic John Walker (1767–1824), Owen's closest associate, were interested in education and had encouraged the establishment of schools adopting 6.3 First Essay The earliest essay, written under the nom de plume of ‘one of His Majesty's Justices of the Peace for the County of Lanark’ (if intended to provide Owen with anonymity this was a thin disguise, given the content) and entitled ‘On the Formation of Character’, is prefixed by the famous precept, central to the ‘New View’, that: Any general character, from the best to the worst, from the most ignoran 6.1 Overview Having looked at the contexts and background, let us turn now to the essays themselves. I have used the edition of 1837, which was based on the second edition of the complete work, dating from 1816. However, it is worth noting that Owen made revisions and additions to subsequent English, French and American versions, so the reader will come across occasional references and allusions to developments which are out of context with the period when the essays were first written. I shall draw to yo
