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Conclusion I hope this course has made clearer what a business manager can do to impact positively on the school and its core function of teaching and learning as we move forward into a changing future. You may now find it helpful to revisit your job description and the notes you made in Activity 1. Equally, through some of the new developments that are taking place in society, the school itself will need business management in order to best position itself to help pupils, parents and commun
6 One hundred possibilities The more teachers are convinced that intellectual and expressive activities have both multiplying and unifying possibilities, the more creativity favours friendly exchanges with imagination and fantasy. Creativity requires that the school of knowing finds connections with the school of expressing, opening the doors to the hundred languages of children. (Loris Malaguzzi, 1990) In each of t
5.1 Introduction Creativity should not be considered a separate mental faculty but a characteristic of our way of thinking, knowing and making choices. Creativity seems to emerge from multiple experiences, coupled with a well-supported development of personal resources, including a sense of freedom to venture beyond the unknown. The most favourable situation for creativity seems to be interpersonal exchange, with negotiation conflicts and co 4.2 Case Study 2: A digital arts collaboration The Virtual Identities Digital Arts Project (Learning Schools Programme, 1999a) involved post-16 art and design students from two Liverpool schools and two Kent schools in the United Kingdom. The project unlocked new ideas and ways of working by encouraging collaboration between students from different geographical areas, cultures, experiences and perceptions. Each student was assigned a partner. To begin with they exchanged a ‘digital postcard’ that represented one aspect of their 1.4 What is creativity? All people are capable of creative achievements in some areas of activity, provided the conditions are right, and they have acquired the relevant knowledge and skills … creative possibilities are pervasive in the concerns of everyday life, its purposes and problems … creative activity is also pervasive … creativity can be expressed in collaborative as well as individual activities, in teamwork, in 1.1 Creating creativity Read the poem below, ‘The Hundred Languages of Children’ by Loris Malaguzzi (translated from the Italian by Lella Gandini). Consider how the school curriculum and environment may or may not encourage creativity in children. Do you agree or disagree with the statements expressed in the poem? Note down your thoughts or the thoughts of your group so you can review them as you continue to work through this unit and engage with some of the debates on creativity. Acknowledgements This unit was prepared for TeachandLearn.net by John Morgan. John works at Bristol University where he teaches on the geography PGCE course. Before that he taught geography in schools and colleges. He is the co-author of Essential AS Geography (2000) Nelson Thornes and Teaching to Learn Geography (forthcoming) RoutledgeFalmer. The content acknowledged below is Proprietary (see (see Author(s): 6.2 Citizenship at work Employment is an issue of growing relevance to the lives of young people. In addition to their contact with the world of work through work experience, work-related learning and Citizenship, many young people also combine part-time work with their studies…. Young people need to know about the importance of health and safety at work, how to tackle discrimination and how to exercise their rights. They also need to underst Conclusion This free course provided an introduction to studying Education, Childhood & Youth. It took you through a series of exercises designed to develop your approach to study and learning at a distance, and helped to improve your confidence as an independent learner. Conclusion This free course provided an introduction to studying Education, Childhood & Youth. It took you through a series of exercises designed to develop your approach to study and learning at a distance, and helped to improve your confidence as an independent learner. 4.1 Geography as a medium of education Geography is what geographers do. (Anon) Aren't we all geographers now? (Buttimer, 2004) Define history. Now define geography (Gritzner, 2004) Charles Gritzner supplies us with one of t 2.1 The significance of geography as a subject It has been argued that geography ‘has been hijacked by environmentalists’. Following the publication of his original article, ‘Constructing a value map’ (see under the link below), Alex Standish (a former geography teacher) appeared on the Radio 4 Today programme to discuss this topic. Listen to the interview again and read the transcript again by clicking on the link below. Read Alex Standish's 'Constructing a value map' by clicking 'view document' below. 1.1 Chasms and great divides: can we imagine a world without geography? Many school systems around the world do not have geography with the status of a separate subject. Schools in England and Wales are different. Here, geography is a national curriculum subject (5–14 years) and the former Minister for Schools (Stephen Twigg) has asserted the subject's importance in several speeches in 2004. For example, he says: ‘The unique contribution of geography is preparing young people to en References Keep on learning   There are more than 800 courses on OpenLearn for you to 4 Performance skills Performance skills are those aspects that set dancing apart from mechanical movement. Often, our attention is drawn to the dancer who is using a range of performance skills effectively, because they stand out from the rest. Performance skills are aspects such as: focus; projection; musicality; timing; emphasis; expression. All of these aspects are connected 3 Dance combinations Movement and dance combinations enable students to make physical sense of the exercises and movement material that they are given in class on a regular basis. In dance, repetition and recapitulation are vital ingredients in the learning process, and so being presented with phrases of movement that progress and develop in complexity will allow the individual to progress and develop too. Did you know that it takes around 180 repetitions of a movement for the muscle memory to retain that p 1.3 Warm-up activities A variety of actions might be included in warm-up activities, and there is good reason for keeping these simple and repetitive. If the brain and muscles have to concentrate on learning new and complex patterns of movement, then this takes attention away from raising the core body temperature by 1 or 2 degrees and increasing the heart rate enough to perspire. Movements might include: walks gradually increasing in speed to a small run; 1.2 The warm up The importance of an effective warm up to prepare the body for physical exertion cannot be emphasised enough. Warm-up activities for dance should: mobilise the joints; increase the internal temperature of the body; increase the heart rate and blood flow to the muscles; make the muscles warm and pliable; increase the range of movement around the joints; increase the speed o
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