All book reviews
A History of the French New Wave Cinema by Richard Neupert
A review by Raymond
J. Haberski, Jr.
Aftershocks: The End of Style Culture by Steve Beard
A review by Neil
Schiller
Ambient Television: Visual Culture and Public
Space by Anna McCarthy
A review by Daniel Chamberlain
Career Movies: American Business and the Success
Mystique by Jack Boozer
A review by Erica
Arthur
Class Struggle in Hollywood, 1930-1950: Moguls,
Mobsters, Stars, Reds, and Trade Unionists by Gerald Horne
A review by George
Lewis
Colonial Cinema and Imperial France, 1919-1939: White
Blind Spots, Male Fantasies, Settler Myths by David Henry Slavin
A review by Sarah
Leahy
Critical Cultural Policy Studies: A Reader edited by Justin
Lewis and Toby Miller
A review by Jennifer
Holt
The Cultural Industries by David Hesmondhalgh
A review by Eithne
Quinn
Dracula by Peter Hutchings
A review by Rebecca
Janicker
Early American Cinema in Transition: Story, Style, and
Filmmaking, 1907-1913 by Charlie Keil
A review by David
Mayer
Exhibition: The Film Reader edited by Ina Rae
Hark
American Audiences on Movies and Moviegoing by Tom Stempel
An Everyday Magic: Cinema and Cultural Memory by Annette Kuhn
A review by Martin
Barker
Film Comedy by Geoff King
A review by Hsiao-Pin
Chang
Film Music: Critical Approaches edited by K. J.
Donnelly
Music and Cinema edited by James Buhler, Caryl Flynn and
David Neumeyer
A review by Ian
Brookes
Heartbreak and Vine: The Fate of Hardboiled Writers in
Hollywood by Woody Haut
The Devil Himself: Villainy in Detective Fiction and
Film
edited by Stacy Gillis and Philippa Gates
A review by Andrew
Pepper
Horror: The Film Reader edited by Mark
Jancovich
A review by Patricia
M. Allmer
Imperial Projections: Ancient Rome in Modern Popular
Culture edited by Sandra R. Joshel, Margaret Malamud, and Donald T.
McGuire, Jr.
The Ancient World in the Cinema (Revised and Expanded
Edition)
by Jon Solomon
A review by Karen
Fang
Key Film Texts by Graham Roberts and Heather Wallis
A review by Brian
Caldwell
Masculinity: Bodies, Movies, Culture edited by Peter
Lehman
A review by Kirsty
Fairclough
Monsters, Mushroom Clouds, and the Cold War: American
Science Fiction and the Roots of Postmodernism, 1946-1964 by M. Keith Booker
Atomic Bomb Cinema: The Apocalyptic Imagination on Film by Jerome F. Shapiro
A review by Elizabeth
Rosen
New Chinese Cinema: Challenging Representations by Sheila Corneilius
with Ian Hayden Smith
Seven Samurai by Joan Mellen
A review by Rayna
Denison
The New Media Book edited by Dan Harries
A review by Karen Orr
Vered
Reading Between Designs: Visual Imagery and the
Generation of Meaning in The Avengers, The Prisoner, and Doctor Who by Piers D. Britton
and Simon J. Barker
A review by Lincoln
Geraghty
ScreenPlay: Cinema/Videogames/Interfaces edited by Geoff King
and Tanya Krzywinska
A review by Lorna
Jowett
Spanish National Cinema by Núria
Triana-Toribio
A review by Camila
Loew
Terrestrial TV News in Britain: The Culture of
Production by Jackie Harrison
A review by Graham
Barnfield
Women's Cinema: The Contested Screen by Alison Butler
Cinema and the Second Sex: Women's Filmmaking in France
in the 1980s and 1990s by Carrie Tarr with Brigitte Rollet
Stars and Stardom in French Cinema by Ginette
Vincendeau
A review by Rebecca
D. Feasey
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All film reviews
8 Mile (dir. Curtis Hanson, 2002)
A review by Charlene
Keeler
Adaptation (dir. Spike Jonze, 2002)
A review by Charles
Tryon
Far From Heaven (dir. Todd Haynes, 2002)
A review by June Scudeler
Harry Potter and the Chamber of Secrets (dir. Chris Columbus,
2002)
A review by Alice
Mills
The Hours (dir. Stephen
Daldry, 2002)
A review by Natalie
Wilson Clift
Jeanne et le Garçon Formidable (dir. Olivier
Ducastel and Jacques Martineau, 1998)
A review by Florian
Grandena
Neil Jordan
Retrospective: Irish Film Theatre
A review by Jerome de
Groot
O (dir. Tim Blake Nelson, 2001)
A review by Haley
Fishburn
The Salton Sea (dir. D. J. Caruso, 2002)
A review by Winter
Elliott
Der Siebente Kontinent (The
Seventh Continent) (dir. Michael Haneke, 1989)
A review by Eva
Kuttenberg
La stanza del figlio (The
Son's Room) (dir. Nanni Moretti, 2001)
A review by Jason
Cisarano
Sweet Home Alabama (dir. Andy Tennant,
2002)
A review by Ross
Thompson
Veronica Guerin (dir. Joel Schumacher, 2003)
A review by Karen
McNally