Time |
Title |
Presenter (s) |
9.30-10.30 |
Keynote Lecture: ‘Heimatphotographie revisited’
|
Professor Jonathan Long (University of Durham) |
10.30-11.00 |
Coffee |
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Parallel Sessions: |
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11.00-12.30 |
Panel 3: Border-crossings in contemporary Austrian Literature |
Chair: Dirk Göttsche, University of Nottingham |
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Uncanny Places: Topography, Identity and Politics in Anna Kim’s Novels |
Silke Schwaiger (Austrian Academy of Sciences, Vienna) |
|
‘Imaginary Tales from an Imaginary Asylum: Gerhard Roth’s 66 Anti-Märchen’ |
Pamela S. Saur (Lamar University) |
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‘„Da kann man tatsächlich in die Wirklichkeit der Zuschauer einbrechen, damit sich etwas verbessert.“ Felix Mitterer und die Grenzüberschreitung‘ |
Ursula A. Schneider and Annette Steinsiek (Forschungsinstitut Brenner-Archiv, University of Innsbruck) |
|
Panel 4: Confronting the Past |
Chair: Allyson Fiddler, University of Lancaster |
|
‘“Walzer für Nazis”: The Vienna Philharmonic and the Nazi Past’ |
Lauren Freede (Carl von Ossietzky Universität Oldenburg) |
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‘Keys Against Forgetting?: Recent Counter-monuments in Vienna’ |
Katya Krylova (University of Nottingham) |
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‘The Missing Image: An Installation as Intervention' |
Ruth Beckermann (Vienna) |
12.30-13.30 |
Buffet Lunch |
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Parallel Sessions: |
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13.30-15.00 |
Panel 5: Challenge and Protest in Contemporary Austrian Literature and Cinema |
Chair: Imke Meyer, University of Illinois at Chicago |
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‘A protest against the reality-text: Gerhard Friedl’s Hat Wolff von Amerongen Konkursdelikte begangen? (2004)’ |
Leila Mukhida (IGS Birmingham) |
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‘Mapping the Female Auteur: Gender and Form in ‘minor’ European Cinemas’ |
Heidi Schlipphacke (University of Illinois at Chicago) |
|
‘Does Granny know best? A focus on the grandmother in recent Austrian literature’ |
Petra M Bagley (University of Central Lancashire) |
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Panel 6: Narrative and Identity |
Chair: Ben Schofield, King’s College London |
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‘Narration in the Time of Globalization: Vladimir Vertlib’s Schimons Schweigen’ |
Michael Boehringer (University of Waterloo) |
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‘Narrative and Situational identity in the work of Eva Menasse’ |
Anita Bunyan (Gonville and Caius College, Cambridge) |
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‘Im kalten Dickicht der Stadt. Sozialkritik und Sprachutopie in Peter Waterhouse‘ Erzählung „Der Honigverkäufer im Palastgarten und das Auditorium Maximum“ (2010)‘ |
Eleonore De Felip (University of Innsbruck) |
15.00-15.30 |
Coffee |
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Parallel Sessions: |
|
15.30-17.00 |
Panel 7: Jandl, Bernhard, Jelinek |
Chair: Jonathan Long, University of Durham |
|
‘Rhythmische Subversion in Texten Thomas Bernhards und Ernst Jandls’ |
Lydia Haider (University of Vienna) |
|
‘Thomas Bernhard: Legacy and Influence’ |
Balaji Ravichandran (The Queen’s College, Oxford) |
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‘Jelinek’s Musik-Verein: Critical Remarks on Winterreise and Rein Gold’ |
Peter Höyng (Emory University) |
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Panel 8: Transnational Perspectives on Post-war Austria |
Chair: Rachel Palfreyman, University of Nottingham |
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‘On the Temporal Distance of Exile: Norbert Gstrein’s Die Englischen Jahre (1999) and Hans Flesch-Brunningen’s Perlen und schwarze Tränen (1948)’ |
Ulrich E. Bach (Texas State University) |
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‘‘You'll Never Know the Old Vienna’: The Third Man as Referent in Contemporary Austrian Culture and Literature’ |
Anne-Marie Scholz (University of Bremen): |
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‘An Ambiguous Smile: Representations of Post-War Austria in Contemporary American Fiction’ |
Ben Schofield (King’s College London) |
17.30 |
Film Screening of Those Who Go Those Who Stay (dir. Ruth Beckermann, 2013), followed by Q&A with Ruth Beckermann |
Chair: Katya Krylova, University of Nottingham
|
20.00 |
Buffet dinner at The Hemsley (Staff Club) |
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