Scope
An online journal of film and television studies: ISSN 1465-9166
University of Nottingham
  

November 1999 

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Book Reviews


Australian National Cinema by Tom O'Regan
A Review by Mike Walsh

British National Cinema by Sarah Street
A Review by J. Emmett Winn

Double Takes: Culture and Gender in French Films and their American Remakes by Carolyn A. Durham
A Review by Dayna Oscherwitz

Female Stories, Female Bodies: Narrative, Identity and Representation by Lidia Curti
A Review by Katrina Daly Thompson

Monsters in the Closet: Homosexuality and the Horror Film by Harry M. Benshoff
A Review by Steven Schneider

More than Night: Film Noir in its Contexts by James Naremore
A Review by Ian Brookes

Representing the Woman: Cinema and Psychoanalysis by Elizabeth Cowie
A Review by Suh-Young Catherine Kim

Sisterhoods: Across the Literature/Media Divide edited by Deborah Cartmell, I. Q. Hunter, Heidi Kaye and Imelda Whelehan
A Review by Rosie White

Stanley Kubrick by Vincent LoBrutto
A Review by Elayne Chaplin

Trash Aesthetics: Popular Culture and its Audience edited by Deborah Cartmell, I. Q. Hunter, Heidi Kaye and Imelda Whelehan
A Review by Antonio Lazaro-Reboll

Unspeakable Shaxxxspearers: Queer Theory and American Kiddie Culture by Richard Burt
A Review by Mark Brownrigg


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Film Reviews

Analyze This (dir. Harold Ramis, 1999)

A Review by George Larke

 

Cookie's Fortune (dir. Robert Altman, 1999)

A Review by Robert Altman

 

Last Night (dir. Don McKellar, 1999)

A Review by Tim Noble

 

Rushmore (dir. Wes Anderson, 1998)

A Review by Martin Flangan

 

The Sixth Sense (dir. M. Night Shyamalan, 1999)

A Review by Joseph P. Redington

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Scope

Department of Cultural, Media and Visual Studies
University of Nottingham
NG7 2RD

Email: scope@nottingham.ac.uk