August 2000
Jump to:
Art and Outrage: Provocation, Controversy and the Visual Arts by John A. Walker
A Review by Sue Roberts
The Art and Science of Screenwriting by Philip Parker
A Review by Graeme Harper
Gender, Ethnicity and Sexuality in Contemporary American Film by Jude Davies and Carole R. Smith
A Review by George S. Larke
The Magnificent Ambersons by V. F. Perkins
A Review by Rebecca Robinson
The Media in Britain: Current Debates and Developments edited by Jane Stokes and Anna Reading
A Review by Rebecca Robinson
Passionate Views: Film, Cognition and Emotion edited by Carl Plantinga and Greg M. Smith
A Review by Sarah Cardwell
Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934 by Thomas Doherty
A Review by Christofer Meissner
The Seventies Now: Culture as Surveillance by Stephen Paul Miller
A Review by Ian Smith
Ziegfield Girl: Image and Icon in Culture and Cinema by Linda Mizejewski
A Review by Nadine Wills
Back to top
All film reviews
Erin Brockovich (dir. Steven
Soderbergh, 2000)
A Review by Matthew Nelson
The House of Mirth (dir.
Terrence Davies, 2000)
A Review by Ian Haydn Smith
The Talented Mr. Ripley (dir.
Anthony Minghella, 1999)
A Review by Paolo Rumi
The Deep End of the Ocean
(dir. Ulu Grosbard, 1999)
A Review by Eugene Doyen
Victimized (aka The Calendar Girl Murders) (dir.
William A. Graham, 1984)
A Review by Rebecca D. Feasey
Back to top