May 2002
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From Antz to Titanic: Reinventing Film Analysis by Martin Barker with Thomas Austin
A Review by Ernest Mathijs
Deleuze and Cinema: The Aesthetics of Sensation by Barbara M. Kennedy
A Review by David Martin-Jones
Fire and Desire: Mixed-Race Movies in the Silent Era by Jane M. Gaines
Straight Lick: The Cinema of Oscar Micheaux by J. Ronald Green
A Review by David Gerstner
Haunted Media: Electronic Presence from Telegraphy to Television by Jeffrey Sconce
A Review by Annalee R. Ward
The Historical Film: History and Memory in Media edited by Marcia Landy
A Review by Paul Grainge
The Internet and Society by James Slevin
A Review by Karen Orr Vered
The Modern Fantastic: The Films of David Cronenberg edited by Michael Grant
A Review by Robin Griffiths
Modernism, Mass Culture and the Aesthetics of Obscenity by Allison Pease
Sex Ed: Film, Video, and the Framework of Desire by Robert Eberwein
Hollywood v. Hard Core: How the Struggle over Censorship Saved the Modern Film Industry by Jon Lewis
A Review by Janet Staiger
Screening Scotland by Duncan Petrie
A Review by Jonathan Murray
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All film reviewsA.I.: Artificial Intelligence— A review by Keith McDonald
Bridget Jones's Diary — A review by Stephen Thompson
The Claim — A review by Douglas A. Cunningham
Dekha — A review by Debanjan Chakrabarti
Electric Dragon 80,000 Volts — A review by Patrick Cogan
Ghost World — A review by Monique Hyman
Harry Potter and the Philosopher's Stone — A review by Alice Mills
La Lengua de las Mariposas — A review by Antonio Lázaro-Reboll
Mulholland Drive — A review by Valerie Holliday
The Score — A review by Brent Andrews Bowles
Shadow of the Vampire — A review by James M. Skidmore
The Sorrow and the Pity — A review by Anna Norris
Swordfish — A review by David Turner
Wonderland — A review by Jeongmee Kim
The Wounds — A review by Andrew Grossman
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