Time | Title | Presenter(s) |
9.30 |
Parallel sessions |
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Seminar room Late 19th Century Symphony
'Reassessing Strauss's late aesthetic: form and function in Malvern'
'The Arrival 6/4 in Wagner's Walküre'
'A parody of grandeur or the grandeur of parody?' Self-reflexivity in the Finale of Mahler's Seventh Symphony
'Conflict in the Theorization of Rotation: Sibelian Form or Formal Principle?'
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Emily Xiu Xien Tan
Ji Yeon Lee
Rebecca Day
Sarah Moynihan
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Endsleigh room Sixteenth-Century
'Music analysis and the reconstruction of incomplete polyphony: a virtuous circle?'
'The reconstruction of incomplete polyphony: two case studies'
'Structure, material and rhetoric in Osculetur me by G.P. da Palestrina: reading from Italian sources'
'Imitative and motivic patterns in the analysis of Willaert's "magnum haereditatis mysterium": polyphonic density as means of dramatic expression'
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Marina Toffetti
Chiara Comparini
Carlos Iafelice
Fernando C. Pereira and Marcos P. Nogueira
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ACLT Piano
'Ancient and Modern Syntax in the Early Nineteenth-Century Piano Étude: Chopin's Op. 10 Reconsidered'
'Bach--Rheinberger--Reger: Goldberg Variations. Analyzing a Multi-Transcription'
'The piano studies of Pedro Albéniz: a key to the technical development in Spain'
'Pianistic linearity and identity in the 20th century concerto: Prokofiev's 'Armless' Concerto'
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Matthew Riley
Benjamin Vogels
Laura de Miguel Fuertes
Emily Scanlon
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11.30 |
Refreshments |
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11.45 |
Parallel sessions |
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Recital hall (11.30-12.30)
‘Performing Subjectivity: Iterative vs Reiterative Paradigms for the Expression of Metre in Pre-Neoclassicist Performance Practices’ (Lecture-recital) |
Robert Hill
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Seminar room China
‘Linguistic Parameters in Contemporary Chinese Choral Music’
‘The evolving notion of gamme chinoise from Amiot to Courant’
‘Pedagogy as ideology: how functional was Riemann in China?’
‘Built-in Pentatonic Collections in Chinese Twelve-note Music’
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David Ho-Yi Chan
John Lam
Hong Ding and Cheong Wai-Ling
John Lai
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Endsleigh room Pedagogy II
‘Légende by Henriette Renié as a musical illustration of a poem «Les Elfes» by Charles Marie Leconte de Lisle. The issues of an interdisciplinary approach, music pedagogy and historical research’
‘Creative enhancement of creative potentials by connecting classical harmony with Jazz harmony and composition’
‘Re-Enchanting the Study of Music History and Analysis’
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Temina Cadi Sulumuna
Markus Preissl
Sara Haefeli
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ACLT 20th Century
‘Typology of relations between acoustic instruments and electronics in mixed works by Saariaho, Berio and Harvey’
‘Britten, Poulenc, and the compulsion to repeat’
‘Second-order observation and Luening's Aleatory music of 1923’
‘Peter Maxwell Davies's Worldes Blis and its title's implications questioning a supposed chronology’
|
René Mogensen
Paul Harper-Scott
Andrew Wilson
Jo Wilhelm Siebert
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13.45 |
Lunch |
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14.30 |
Parallel sessions |
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Recital hall
‘Koch and Momigny: Theorists of Agency in Mozart's Quartets?’ (60 mins)
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Edward Klorman
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Seminar room Schoenberg and Stravinsky
‘Schoenberg's Relationship to the Text of Da meine Lippen reglos sind und brennen (op. 15/4)’
‘Music Analysis and the Construction of Historical Knowledge: The Case of Stravinsky's Serial Compositions’
‘Approaches to brevity and dislocation: finding continuity in Stravinsky's Movements’
‘Rethinking Repetition: Schoenberg and the 'endless reshaping of a basic shape'’
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Mark Delaere
Kristof Boucquet
Martin Scheuregger
Áine Heneghan
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Endsleigh room Schenker
‘Expressive Ambiguity in Musical Structure: A Schenkerian View of Schubert's Op. 94, No. 6’
‘Correlations of Tonal and Linguistic Syntax: A Case Study’
‘Schenkerian Unrolling and Schoenbergian Unfolding’
‘Heinrich Schenker and Ways of Listening’
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Nathan Pell
Robert Snarrenberg
Matthew Arndt
Kirstie Hewlett
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ACLT Partimento and Analysis
‘The Role of the Improviser in 21st century partimento practice’
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‘Positional Analysis--and 'And You And I'’
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Benjamin Katz
Fabio Dell'Aversana
Anthony Abouhamad
John Covach
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16.30 |
Refreshments |
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17.00 |
Keynote two |
Katelijne Schiltz |
18.30 |
Wine reception |
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