| Day 1 |
Friday 17 April 2015 |
|
| Time |
Title |
Presenter(s) |
| 11.00 |
Welcome and opening remarks |
|
| 11.30 |
Session 1: STYLE – Chair: Owen Rees (University of Oxford) |
|
|
Jacob Regnart, ‘ein trefflich Kerll ... ein gutter Musicus’: His contribution to the post-Tridentine motet in the context of Orlando di Lasso’s recommendation |
Walter Kreyszig (University of Saskatchewan and Universität Wien) |
|
On imitation and compositional process in Palestrina's Offertoria |
Andreas Pfisterer (Universität Regensburg)
|
|
Where did the ‘proper’ style go? Polychoral motets and psalms by Tomás Luis de Victoria and his contemporaries |
Sergi Zauner (Universität des Saarlandes)
|
|
Modality as orthodoxy and innovation: Strategies of tonal organisation in Victoria and Palestrina |
Daniele Sabaino (Università di Pavia) and Marco Mangani (Università di Ferrara) |
| 1.30 |
Lunch |
|
| 2.45 |
Keynote address 1 |
|
|
A mid-life compositional summary? Palestrina's three motet books of 1569–1575 |
Noel O'Regan (The University of Edinburgh) |
| 3.30 |
Session 2: CONFESSIONAL ISSUES – Chair: David Crook (University of Wisconsin at Madison) |
|
|
Psalms for a city hall: Gregorius Wagener’s Deutzsche Psalmen in Augsburg and Regensburg, 1565 |
Megan Eagen (University of North Carolina at Chapel Hill) |
| 4.00-4.15 |
Break |
|
|
The honey-sweet preacher: Setting St Bernard's poetry in a cross-confessional culture |
Barbara Eichner (Oxford Brookes University) |
|
A case study: Nicolaus Zangius' Cantiones sacrae a 6 (Vienna, 1612) |
Vladimír Maňas (Masarykova univerzita) |
| 5.15 |
Keynote address 2 |
|
|
Beyond the confessionalisation paradigm: The motet as denomination practice in the late 16th century |
Christian Leitmeir (Bangor University) |
| 6.00 |
End of Day 1 |
|
|
Dinner |
|
| Day 2 |
Saturday 18 April 2015 |
|
| Time |
Title |
Presenter(s) |
| 9.00 |
Keynote address 3 |
|
|
In search of the English motet |
Kerry McCarthy (Independent Scholar, Oregon) |
| 9.45 |
Session 3: SPECIAL AND NEIGHBOURING GENRES – Chair: T. Frank Kennedy (Boston College–University of Oxford) |
|
|
Vespers antiphons, motets and the performance of the post-Tridentine liturgy |
Jeffrey Kurtzman (Washington University in St. Louis) |
|
Motets and liturgy for the dead in Italy, 1570–1650 |
Antonio Chemotti (Ludwig-Maximilians-Universität München) |
|
The homophonic psalm-motet and late sixteenth-century liturgical psalmody |
Diane Temme (Bangor University) |
| 11.15 |
Break |
|
| 11.30 |
Session 4: CITIES – Chair: Egberto Bermúdez (Universidad Nacional de Colombia) |
|
|
The motet as historiographic form in imperial Prague |
Erika Supria Honisch (Stony Brook University) |
|
The development of the polychoral motet in Bologna between the 16th and 17th centuries |
Valeria Mannoia (Università di Pavia) |
|
Mapping the motet in post-Tridentine Seville and Granada: Meaning, function and works |
Juan Ruiz Jiménez (Independent Scholar, Granada) |
|
A cultural history of the motet in Milan |
Daniele V. Filippi (Schola Cantorum Basiliensis–Musik Akademie Basel) |
| 1.30 |
Lunch |
|
| 2.45 |
Session 5a and 5b: CASE STUDIES
(Participants will have a choice of two sessions which will run concurrently) |
|
|
Session 5a – Chair: Jeffrey Kurtzman (Washington University in St. Louis) |
|
|
Palestrina's choice of texts for motets |
Thomas Neal (Independent Scholar, Cambridge) |
|
‘Oreque dulcisono dulcia verba tulit’: Orazio Colombano’s celebrative and liturgical motets |
Tommaso Maggiolo (Independent Scholar, Venice) |
|
Canons regular in post-Tridentine musical landscape: Floriano Canale’s Sacrae cantiones of 1581 |
Marcello Mazzetti and Livio Ticli (Palma choralis® Research Group & Early Music Ensemble; Università di Bologna) |
|
Matthew, Mark, Luke, and John sing a motet |
Todd Borgerding (Colby College) |
|
Session 5b – Chair: Noel O'Regan (The University of Edinburgh) |
|
|
The texts of the motets for six voices by Orfeo Vecchi |
Dario De Cicco (Université de Genève and Università di Pavia) |
|
‘Noluit consolari’. Formal design and rhetorical aspects in two polyphonic laments by Bernardino de Ribera: Rex autem David and Vox in Rama |
Carlos Gutiérrez Cajaraville (Universidad de Valladolid) |
|
Is Versa est in luctum by Victoria an ‘early motet’? |
Adriano Giardina (Freiburg Universität–Université de Lausanne) |
|
Victoria and the motet in Genoa: Models and influence |
Peter Poulos (University of Cincinatti) |
| 4.45 |
Break |
|
| 5.00 |
Panel discussion 1: PERFORMANCE ISSUES |
|
|
Performance locations and ritual contexts within the church, and implications for performance, also featuring a Concert-presentation by members of Galliarda and The Willoughby Consort: The performance of the motet in non-liturgical contexts in England |
Led by Owen Rees (University of Oxford)
|
| 6.30 |
End of day 2 |
|
| Day 3 |
Sunday 19 April 2015 |
|
| Time |
Title |
Presenter(s) |
| 9.00 |
Keynote address 4 |
|
|
Proper to the day: Calendrical ordering in post-Tridentine motet books |
David Crook (University of Wisconsin at Madison) |
| 9.45 |
Session 6: PRINTED COLLECTIONS – Chair: Kerry McCarthy (Independent Scholar, Oregon) |
|
|
Readership for motet books: Tomás Luis de Victoria’s Motecta festorum totius anni (1585) |
Esperanza Rodríguez-García (Leverhulme Early Career Fellow, The University of Nottingham) |
|
Lasso motet prints within the post-Tridentine era |
Philip Weller (The University of Nottingham) |
| 10.45 |
Break |
|
| 11.00 |
Panel discussion 2: THE COUNCIL OF TRENT AND THE MOTET |
Led by Christian Leitmeir and Noel O'Regan |
| 12.30 |
General conclusions of the conference/Roadmap to publication |
|
| 12.45 |
Lunch |
|
| 1.30 |
End of day 3 |
|