All book reviews
Animation: Genre and Authorship by Paul Wells
A review by Esme Davidson
Aristotle's Poetics for Screenwriters: Storytelling Secrets from the Greatest Mind in Western Civilization by Michael Tierno
A review by Christopher S. Morrissey
Billy Wilder: American Film Realist by Richard Armstrong
A review by Rory Drummond
Blacks in the British Frame: The Black Experience in British Film and Television by Stephen Bourne
A review by Gerald R. Butters Jr.
Bollywood Cinema: Temples of Desire by Vijay Mishra
A review by Arnab Das and Subrata Sankar Bagchi
British Television Drama: Past, Present and Future edited by Jonathan Bignell, Stephen Lacey and Madeleine Macmurraugh-Kavanagh
Freakshow: First Person Media and Factual Television by Jon Dovey
A review by Norma Coates
Comic Politics: Gender in Hollywood Comedy after the New Right by Nicole Matthews
A review by Kathrina Glitre
Costume and Cinema: Dress Codes in Popular Film by Sarah Street
A review by Rebecca Janicker
"Dear BBC": Children, Television Storytelling and the Public Sphere by Máire Messenger Davies
A review by Lincoln Geraghty
Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913 by Charlie Keil
A review by David Mayer
Encore Hollywood: Remaking French Cinema by Lucy Mazdon
European Cinema: An Introduction by Jill Forbes and Sarah Street
A review by Andrea Opitz
The End of Cinema As We Know It: American Film in the Nineties edited by Jon Lewis
A review by Brendan Riley
Essential Brakhage: Selected Writings on Filmmaking by Stan Brakhage
A review by Liza Palmer
Eyes Wide Shut by Michel Chion
A review by Paul N. Reinsch
German National Cinema by Sabine Hake
A review by James M. Skidmore
Hollywood, Hype and Audiences: Selling and Watching Popular Film in the 1990s by Thomas Austin
A review by Rayna Denison
Introduction to Documentary by Bill Nichols
The Autobiographical Documentary in America by Jim Lane
A review by Jamie Sexton
Law and Film edited by Stefan Machura and Peter Robson
A review by Shulamit Almog
New Hollywood Cinema: An Introduction by Geoff King
A review by Paul Grainge
Popular Cinema of the Third Reich by Sabine Hake
A review by Robert D. Levy
Psychoanalysis and Cinema: The Play of Shadows by Vicky Lebeau
A review by Arnab Das and Subrata Sankar Bagchi
Representing Black Britain: Black and Asian Images on Television by Sarita Malik
A review by Gerald R. Butters Jr.
Science Fiction Culture by Camille Bacon-Smith
A review by Lincoln Geraghty
Screening Science: Contexts, Texts, and Science in Fifties Science Fiction Film by Errol Vieth
A review by Mark Bould
The Second Century of Cinema: The Past and Future of the Moving Image by Wheeler Winston Dixon
A review by Richard L. Edwards
Shakespeare in Space: Recent Shakespeare Productions on Screen by Herbert R. Coursen
A review by Rebecca Janicker
The Sounds of Early Cinema edited by Richard Abel and Rick Altman
A review by Jeff Smith
Spreading Misandry: The Teaching of Contempt for Men in Popular Culture by Paul Nathanson and Katherine K. Young
A review by Erica Arthur
The Television Genre Book edited by Glen Creeber
Action TV: Tough Guys, Smooth Operators and Foxy Chicks edited by Bill Osgerby and Anna Gough Gates
A review by James Lyons
The Usual Suspects by Ernest Larsen
A review by Scott Ruston
Vertigo by Charles Barr
A review by Jon Wisbey
Voices From The Set: The Film Heritage Interviews by Tony Macklin and Nick Pici
A review by Felicia Chan
The Wild West: The Mythical Cowboy and Social Theory by Will Wright
A review by Stephen McVeigh
Women in British Cinema: Mad, Bad and Dangerous to Know by Sue Harper
A review by Deneka C. MacDonald
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All film reviews
9'11"01 (September 11) (multiple directors, 2002)
A review by Elizabeth Rosen
About Schmidt (dir. Alexander Payne, 2002)
A review by Brian Gibson
Bob le Flambeur (dir. Jean-Pierre Melville, 1956)
A review by Ronald W. Wilson
Donnie Darko (dir. Richard Kelly, 2001)
A review by Ross Thompson
The Edgar G. Ulmer Collection Volume One: The Strange Woman; Moon Over Harlem & Volume Two: Bluebeard (dir Edgar G. Ulmer)
A review by Dana Anderson
Gangs of New York (dir Martin Scorsese, 2002)
A review by Leighton Grist
Gohatto (Taboo) (dir. Nagisa Oshima, 1999)
A review by Kate Moran
K-PAX (dir. Iain Softley, 2001)
A review by Diane R. Wiener
The Lord of the Rings: The Two Towers (dir. Peter Jackson, 2002)
A review by Alice Mills
Morvern Callar (dir. Lynne Ramsay, 2002)
A review by Jerome de Groot
The Pianist (dir. Roman Polanski, 2002)
A review by Michael Keating
Possession (dir. Neil LaBute, 2002)
A review by David Greven
Singin' in the Rain (dir. Stanley Donen and Gene Kelly, 1952)
A review by Sunny Stalter
Star Trek Nemesis (dir. Stuart Baird, 2002)
A review by Lincoln Geraghty
Vanilla Sky (dir. Cameron Crowe, 2001)
A review by Kevin Hunt