August 2004
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All book reviews
A Long Hard Look at Psycho by Raymond Durgnat
A review by Frances Pheasant-Kelly
Cinema of Interruptions: Action Genres in Contemporary Indian Cinema by Lalitha Gopalan
A review by Oindrila Mukherjee
Conspiracy Nation: The Politics of Paranoia in Postwar America edited by Peter Knight
A review by Christopher H. Smith
Dreaming of Fred and Ginger: Cinema and Cultural Memory by Annette Kuhn
A review by Paul Grainge
Film: An Introduction (Second Edition) by William H. Phillips
A review by Warren Buckland
Global Hollywood edited by Toby Miller, Nitin Govil, John McMurria and Richard Maxwell
A review by Daniel Chamberlain
Horse Opera: The Strange History of the 1930s Singing Cowboy by Peter Stanfield
A review by Sean Griffin
Mexico City in Contemporary Mexican Cinema by David Foster
A review by Karen Anijar & Nicole Teyechea
Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era edited by Pearl Bowser, Jane Gaines and Charles Musser
A review by Celeste-Marie Bernier
Studying Contemporary American Film: A Guide to Movie Analysis by Thomas Elsaesser and Warren Buckland
A review by Eugenie Brinkema
Tomás Gutiérrez Alea: The Dialectics of a Filmmaker by Paul A. Schroeder
Spanish National Cinema by Núria Triana-Toribio
A review by Mileta Roe
Questioning African Cinema: Conversations with Filmmakers by Nwachukwu Frank Ukadike
A review by Ambrose Uchenunu
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All film reviews
Bringing Down the House (dir. Adam Shankman, 2003)
A review by Rebecca Janicker
Charlie’s Angels: Full Throttle (dir. McG, 2003)
A review by Natalie Wilson-Clift
Hulk (dir. Ang Lee, 2003)
A review by Bob Rehak
Irréversible (dir. Gaspar Noé, 2002)
A review by Eugenie Brinkema
Laurel Canyon (dir. Lisa Cholodenko, 2002)
A review by Michael Keating
The Magdalene Sisters (dir. Peter Mullan, 2002)
A review by Brian Gibson
Playtime (dir. Jacques Tati, 1967)
A review by Jerome de Groot
The Recruit (dir. Roger Donaldson, 2003)
A review by Ross Thompson
Spider (dir. David Cronenberg, 2002)
Videodrome (dir. David Cronenberg, 1983)
A review by Wayne Egers
Who Framed Roger Rabbit (dir. Robert Zemeckis, 1988)
A review by Greg Jericho
X2 (dir. Bryan Singer, 2003)
A review by Rayna Denison
All conference reports
Active Heroines Study Day — A report by Kerry Gough
The Wicker Man: Rituals, Readings and Reactions — An Interdisciplinary Conference — A report by Mikel J. Koven
Breaking the Boundaries in Television Historiography: Historical Research and the Television Archive — A report by Jamie Medhurst
Media, Communication and Cultural Studies Association (MeCCSA) Conference (2003) — A report by Rayna Denison
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