An online journal of film and television studies: ISSN 1465-9166
University of Nottingham

November 2004 

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Book Reviews

All book reviews

David Ehrlich: Citizen of the World by Olivier Cotte

A review by Ian Elliot

Experimental Cinema in the Digital Age by Malcolm Le Grice

A review by Ernest Mathijs

Movie Wars: How Hollywood and the Media Limit What Films We Can See by Jonathan Rosenbaum

A review by Nick Heffernan

Paris Hollywood: Writings on Film by Peter Wollen

A review by Patricia Allmer

Polish National Cinema by Marek Haltof

A review by Michael Stevenson

The American Horror Film: An Introduction by Reynold Humphries

A review by Alex Naylor

The Cinema of Economic Miracles: Visuality and Modernization in the Italian Art Film by Angelo Restivo

A review by Anthony Siu

The End of Cinema As We Know It: American Film in the Nineties edited by Jon Lewis

A review by Elizabeth Rosen

The European Cinema Reader edited by Catherine Fowler

A review by Eugenie Brinkema

The German Cinema Book edited by Tim Bergfelder, Erica Carter, and Deniz Göktürk

A review by Robert D. Levy

The Matter of Images: Essays on Representation (second edition) by Richard Dyer

Now You See It: Studies on Lesbian and Gay Film (second edition) by Richard Dyer

A review by Harry M. Benshoff

The New Iranian Cinema: Politics, Representation and Identity edited by Richard Tapper

A review by Farhang Erfani

The Silence of the Lambs by Yvonne Tasker

A review by Daniel Smith-Rowsey

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Film Reviews

All film reviews

The Adventures of Antoine Doinel (dir. Francois Truffaut, 1959, 1962, 1968, 1970, 1979)

A review by Richard Harrison

Auto Focus (dir. Paul Schrader, 2002)

A review by Jason Woloski

Buffalo Soldiers (dir. Gregor Jordan, 2001)

A review by Ross Thompson

The Dancer Upstairs (dir. John Malkovich, 2002)

A review by Erika Hernandez

Finding Nemo (dir. Andrew Stanton and Lee Unkrich, 2003)

A review by Alice Mills

Kill Bill: Vol. 1 (dir. Quentin Tarantino, 2003)

A review by Brian Gibson

Once Upon a Time in Mexico (dir. Robert Rodriguez, 2003)

A review by Reni Celeste

Pirates of the Caribbean: The Curse of the Black Pearl (dir. Gore Verbinski, 2003)

A review by Rayna Denison

Punch-Drunk Love (dir. Paul Thomas Anderson, 2002)

A review by Steve Woollock

Touching the Void (dir. Kevin Macdonald, 2001)

A review by Jenna Pei-Suin Ng


Conference Reports

Communications in Wales After the Communications Act — A report by Jiska Engelbert

Mutation and Mutability: Encounters with Change — A report by Catherine Anne Davies

Negotiating Fictions: Contemporary Cultures — A report by Emily Munro

Quality American TV: An International Conference — A report by Geoff Lealand

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Department of Cultural, Media and Visual Studies
University of Nottingham