Her research interest lies in the area of Cultural Studies. Specifically the ways in which minorities are represented in public discourse in multicultural societies. She also writes critics of movies from the perspectives of psychoanalysis, postcolonialism and nationalism.
"Rhetoric of the Korean Diaspora: Critical Reflection on the Analysis of Grain In Ear and Desert Dream", Glocal Perspectives on Cinema, Literature, and Culture, Yonsei Summer International Conference, Yonsei University, South Korea, 2014.07.10.-2014.07.11.
"Folklore as a Reflection of a Society: Black Pete and Cheoyong,"The European Conference on Cultural Studies 2014, IAFOR, Brighton, U.K., 2014.07.24.-2014.07.27.
"Rhetoric of the (Re)Discovery of Cosmopolitanism in Folklore: Dutch Black Pete and Malaysian Hang Tuah,"Travelling Contexts: Cosmopolitanisms Old & New, East & West, 2014 Ellak 60th Anniversary International Conference, Ewha Womans University, South Korea, 2014.11.20.- 2014.11.22.
"Hidden Hybridity and Constructed Authenticity: KPop and Damunhwa,"Culture and Commerce in the Traditional, Modern and Contemporary Asian Music Industries, 2014 Situations International Conference, Yonsei University, South Korea, 2014.12.12.-2014.12.13.
"The Successful Transition of Female Representation in The Handmaiden," East/West: Ruptures & Convergences, Department of English, Faculty of Arts and Social Sciences, University of Malaya, KL, Malaysia, 2016.12.01.-2016.12.02.
"The Desire of Ah-ga-ssi (The Handmaiden)," As the Boom Goes Bust in Asia..., 2017 Situations International Conference, Hyatt Regency Jeju, South Korea, 2017.11.03.-2017.11.04.
"The Modern Invention of Folklore: Hang Tuah of Malaysia and Zwarte Piet of the Netherlands," Transgressions, Tradition, and Modernity: Contemporary Malaysia, Southeast Asia, and Beyond, Department of English, Faculty of Arts and Social Sciences, University of Malaya, KL, Malaysia, 2017.12.13.-2017.12.14.