Our research produces significant results

Bao, Hongwei (2019) ‘Queer History, Culture and Activism in China: A Conversation with He Xiaopei’, Made in China 4 (1): 96-105. https://madeinchinajournal.com/2019/04/18/queer-history-culture-and-activism-in-china-a-conversation-with-he-xiaopei/

Bao, H. (2018). ‘Shanghai is burning’: Extravaganza, transgender representation and transnational cinema. Global Media and China, 3(4), 233–255. https://journals.sagepub.com/doi/10.1177/2059436418818274#articleCitationDownloadContainer

SULLIVAN, J. and KEHOE, S., 2018. “Truth, good and beauty:”: The politics of celebrity in China. The China Quarterly. 241-256. https://www.cambridge.org/core/journals/china-quarterly/article/truth-good-and-beauty-the-politics-of-celebrity-in-china/28764B7F5DFF80CDFF135D1E3759EE71

Bao, Hongwei (2018), ‘From Celluloid Comrades to Digital Video Activism: Queer Filmmaking in Postsocialist China’. JOMEC Journal: Journalism, Media and Cultural Studies, 12, pp. 82-100.

Benjamin Barton, 2018, ‘China’s security policy in Africa: A new or false dawn for the evolution of the application of China’s non-interference principle?’, The South African Journal of International Affairs, 25:3, pp. 1-22

Liu, Bingjian and Sara Sterling (2018) ‘Performing Creativity: Design Thinking amongst Chinese Industry Employees’. Part C, Journal of Mechanical Engineering Science. (First Published online on May 14, 2018) https://journals.sagepub.com/doi/10.1177/0954406218776032

Chatfield, K & Zhang, X. (2018)  “How Does the BBC Portray China? A Study of BBC Documentaries on China from 2007 to 2016 and its Implications”, China Journalism and Communication Journal.

Ó Briain, Lonán  (2018) “Musical Cosmopolitanism in Late-Colonial Hanoi.” Ethnomusicology Forum 27(3). https://www.tandfonline.com/doi/full/10.1080/17411912.2018.1521728

Ó BRIAIN, L., 2018. Musical Cosmopolitanism in Late-Colonial HanoiEthnomusicology Forum. 27(3).

Zhang, X., O’Brien, D., and Brown, M. (2018)  “No CCP, No New China”, The China Quarterly
https://doi.org/10.1017/S0305741018000954, Published online: 13 September 2018

Taylor, J. E. (2018), “ Lychees and Mirrors: Local opera, cinema, and Diaspora in the Chinese cultural Cold War,” Twentieth Century China. 43(2), 163-180.

Taylor, J. E. (2018), “ From Traitor to Martyr: Drawing lessons from the death and burial of Wang Jingwei, 1944,” Journal of Chinese History. 3(1).

Barker, Thomas (2017) Screen Connections between Malaysia, Taiwan, Hong Kong, and China, Issues & Studies, 54 (1).

Dauncey, Sarah (2017), “Gendering the Chinese Disabled Body: Explorations at the Intersections of Disability and Masculinity in Contemporary China” NAN NÜ: Men, Women and Gender in China. (In Press.)

Dauncey, Sarah (2017), “Shi Tiesheng: Writing Disability into Modern Chinese Fiction,” Chinese Literature Today. 6 (1), 48-55.

G. Shaw & X. Zhang (2017) "Queer Documentary Filmmaking in a Digital China", China Information

Ó BRIAIN, L. (ED), 2017. Special Issue: Sounding Ethnicity: New Perspectives on Music, Identity and Place. the world of music (new series). 3(2).

Zhang, S & Zhang, X (2017) “Foreign correspondents: a case study of China in the digital and globalization age”, Journalism Studies.

Zhuang, M., Zhang, X & Morgan, S. (2017) “Contingent Participation: Media-citizen interaction in Wenzhou’s ‘Civil Monitory Organization’” Journal of Contemporary China, Issue 106, Vol 26, pp. 1 – 17.

Chang, Ting (2016), 'Crowdsourcing avant la lettre: Henri Cordier's Correspondence and the Network of French Sinology, 1875-1925,' in L'Esprit Créateur, the Johns Hopkins University Press, Vol. 56, No. 3, 47-60.

Gallagher, Mark (2016), “Tony Leung Chiu-Wai: Acting Sexy in Hong Kong and China” (Asian Cinema 27.1, April 2016.

Ó BRIAIN, L., 2016. Domesticated Noise: The Musical Reformation of Identity in Urban Vietnam.Journal of Sonic Studies. 12.

Ó BRIAIN, L., J. STOCK AND A. WOOD, 2016. Editorial Ethnomusicology Forum. 25(3), 253-254

Ming-Yeh Rawnsley, James Smyth and Jonathan Sullivan, ‘Taiwanese Media Reform’, Journal of the British Association of Chinese Studies Vol.6, December 2016: 66–80 (http://bacsuk.org.uk/journal/journal-current-and-past-entries/taiwanese-media-reform).

Taylor, J. E. (2016), “ Gendered Archetypes of Wartime Occupation: ‘New Women’ in Occupied North China, 1937-40,” Gender & History. 28(3), 660-686.

Watters, Casey (2016) “Do All Roads Lead to China? Chinese Commercial Law Scholarship in the Past Decade (Part 1)” The China Review, Vol. 16, No. 2 (Spring 2016) (with Shen Wei).

Watters, Casey (2016) “Does the Housing Market and Absence of Consumer Bankruptcy Protection Make Interpretation (III) of the Chinese Marriage Law Beneficial to Women, Not Men?” 3 Property Law Journal 101 (2016) (with Charlie Xiao-chuan Weng).

Zhang, X, Wasserman, H & Mano, (2016) W “China's expanding influence in Africa: projection, perception and prospects in Southern African countries”, Communicatio: South African Journal for Communication Theory and Research. 42(1), pp1-22

Ó BRIAIN, L., 2015. Beyond the Digital Diaspora: YouTube Methodologies, Online Networking, and the Hmong Music Festival.Journal of World Popular Music. 2(2), 289-306

Taylor, J.E. (2015), “ Cartoons and Collaboration in Wartime China: The Mobilization of Chinese Cartoonists under Japanese Occupation,” Modern China. 41(4), 406-435.

Taylor, J. E. (2015), “ Republican Personality Cults in Wartime China: Contradistinction and Collaboration,” Comparative Studies in Society and History. 57(3), 665-693.

Watters, Casey (2015) "Is China Creating A New Business Order? -- Rationalizing China’s Extraterritorial Attempt to Expand the Veil-Piercing Doctrine," Northwestern Journal of International Law & Business, Vol. 35 (2015) (with Shen Wei)

Dauncey, Sarah (2014), “A Face in the Crowd: Imagining Individual and Collective Disabled Identities in Contemporary China,” Modern Chinese Literature and Culture. 25(2), 130-165.

Ó BRIAIN, L., 2014. Minorities Onstage: Cultural Tourism, Cosmopolitanism, and Social Harmony in Northwestern Vietnam.Asian Music. 45(2), 32-57

Bao, Hongwei (2013), ‘A Queer Comrade in Sydney: Chineseness, Queer Desire and Homonationalism’, Interventions: International Journal of Postcolonial Studies, 15 (1): 129-142.

Barton, Benjamin (2013), 'The EU's Engagement of China in the Indian Ocean - Getting the People's Liberation Army Navy Onboard in the Fight against Somali Piracy', The RUSI Journal, vol. 158, no. 6, pp. 66-73.

Ó BRIAIN, L., 2013. 'Happy to be Born Hmong’: the implications of a transnational musical network for the Vietnamese-Hmong people Journal of Vietnamese Studies. 8(2), 115-148

Ming-Yeh Rawnsley, ‘Taiwanese-Language Cinema: State versus Market, National versus Transnational’, Oriental Archive 81 (2013), pp.437–458.

Ming-Yeh Rawnsley, ‘The Distribution and Exhibition of Chinese and Asian Cinema in the UK: A Chinese film Forum UK symposium’, Screen 43(4), winter 2013: 534–539.

Taylor, J.E. (2013), “ Chinese film exhibition in Occupied Manila (1942-1945),” Modern Asian Studies. 47(5), 1588-1621.

Taylor, J.E. (2013), “ The Sinification of Soviet Agitational Theatre: 'Living Newspapers' in Mao's China,” Journal of the British Association for Chinese Studies. 2, 27-50.

Zhang, X (2013)  “How Ready is China for a China-style World Order?: China's state media discourse under construction”. African Media Studies 34(3), 79-101

Bao, Hongwei (2012), ‘On Not to Be Gay: Aversion Therapy and Transformation of the Self in Postsocialist China’, Health, Culture and Society, 3 (1): 132-149.

Bao, Hongwei and Ling Yang (2012), ‘Queerly Intimate: Friends, Fans and Affective Communication in a Super Girl Fan Fiction Community’, Cultural Studies, 26 (6): 842-871. 

Bao, Hongwei (2012), ‘Querying/ Queering Cosmopolitanism: Queer Spaces in Shanghai’, Culture Unbound: Journal of Current Cultural Research, 4: 97-120.

Dauncey, Sarah (2012), “Three Days to Walk: A Personal Story of Life Writing and Disability Consciousness in China,” Disability and Society 27(3), 311-323.

Taylor, J.E. and HUANG, G.C. (2012), “ Deep changes in interpretive currents?: Chiang Kai-shek studies in the post-Cold War era,” International Journal of Asian Studies. 9(1), 99-121.

White, Andrew. and Xu, S. (2012), “A critique of China’s cultural policy and the development of its cultural and creative industries: the case of Shanghai,” Cultural Trends, 21 (3), pp. 249-257.

Ming-Yeh Rawnsley, ‘Cinema, Identity and Resistance: Comparative Perspectives on A City of Sadness and The Wind that Shakes the Barley’, LSE Journal Taiwan in Comparative Perspective vol.4, December 2012, pp.89–107.

Zhang, X (2012) “Hegemony and Counter-hegemony: the politics of dialects in TV programmes in China”, The Chinese Journal of Communication 5(3), 300 - 315

Bao, Hongwei (2011), ‘Queer Comrades: Transnational Popular Culture, Queer Sociality and Socialist Legacy’, English Language Notes, 49 (1): 131-137.

Ming-Yeh Rawnsley, ‘Cinema, Historiography and Identities in Taiwan Cinema: Hou Hsiao-Hsien’s A City of Sadness’, Asian Cinema Journal 22 (2, Fall/Winter 2011): 196–213

Chang, Ting (2011), ‘Le japonisme, la chinoiserie et la France d’Edmond de Goncourt,’ Les Cahiers Edmond et Jules de Goncourt, Vol. 18, 55-68.

Zhang, X (2011) "From Totalitarianism to Hegemony: the reconfiguration of the  party-state and the transformation of Chinese communication". Journal of Contemporary China, 20(68), 103 - 115.

Barker, Thomas (2010) Imagining “Indonesia”: Ethnic Chinese Film Producers in Pre-Independence Cinema (with Charlotte Setijadi), Asian Cinema, Volume 21, Number 2, pp. 25-47(23).

Taylor, J.E. (2010), “ Qujianghua: disposing of and re-appraising the remnants of Chiang Kai-shek’s reign on Taiwan,” Journal of Contemporary History. 45(1), 181-196.

Taylor, J.E. (2009), “ The reluctant embassy: establishing, maintaining and ending Australian diplomatic representation in Taipei, 1966–72,” Asian Studies Review. 33(2), 197-210.

Taylor, J.E. (2009),  “Our native place — our cinema”: Nation, State and Colony in the Amoy-Dialect Film Industry of the 1950s,” Journal of Chinese Overseas. 5(2), 235 – 256.

Taylor, J.E. (2009), “ Being a ‘Friend of Free China’: W. G. Goddard in Nationalist Taiwan,” The Chinese Historical Review. 16(2), 208-227.

Taylor, J.E. (2009), “ Discovering a Nationalist heritage in present-day Taiwan,” China Heritage Quarterly. 17.

Chang, Ting (2008), ‘Object, beeld en voorstelling; twee 19e-eeuwse Europese verbeeldingen van “China,”’ Aziatische Kunst, Asian Art Society in the Netherlands, Jaargang 38, 2, June 2008, 56-66.

Taylor, J.E. (2008), “ From transnationalism to nativism?: The rise, decline and reinvention of a regional Hokkien entertainment industry,” Inter-Asia Cultural Studies. 9(1), 62-81.

Dauncey, Sarah (2007), “Screening Disability in the PRC: The Politics of Looking Good,” China Information. 21(3), 481-506

Khoo, Gaik Cheng Khoo (2007), “Just Do-It-(Yourself): Independent Filmmaking in Malaysia.” Inter-Asia Cultural Studies 8.2: 227-247.

Taylor, J.E. (2007), “ Taipei's 'Britisher': W. G. Goddard and the promotion of Nationalist China in the Cold War Commonwealth,” New Zealand Journal of Asian Studies. 9(2), 126-146.

Taylor, J.E. (2006), “ The production of the Chiang Kai-shek Personality Cult, 1929-1975,” The China Quarterly. 96-110.

Taylor, J.E. (2006), “ Recycling personality cults: Observations of the reactions to Madame Chiang Kai-shek's death in Taiwan,” Totalitarian Movements and Political Religions. 7(3), 347-362

Dauncey, Sarah (2003), “Illusions of Grandeur: Perceptions of Status and Wealth in Late-Ming Female Clothing & Ornamentation,” East Asian History. 25/26, 43-68.

Dauncey, Sarah (2003), “Bonding, Benevolence, Barter and Bribery: Female Gift-Giving and Social Communication in the Jin Ping Mei,” Nannü,”: Men, Women and Gender in Early & Imperial China. 5(2), 203-239.

Taylor, J.E. (2003),  Reading Colonial Texts: Some Thoughts from Taipei,” Rethinking History. 7(2), 235-241.

Taylor, J.E. (2003), “ Nation, topography and historiography: Writing topographical histories in Hong Kong,” Modern Chinese Literature and Culture. 15(2), 45-74.

Chang, Ting (2002), ‘Collecting Asia: Théodore Duret’s Voyage en Asie and Henri Cernuschi’s Museum,’ Oxford Art Journal, Vol. 25, No. 2, Spring 2002, 17-34.

Taylor, J.E. (2002), “ The Bund: Littoral Space of Empire in the Treaty Ports of East Asia,” Social History. 27(2), 125-142.

Taylor, J.E. (2001), “ Preserving the Remnants of Empire in Taiwan: The case of Hamaxing,” East Asian History. 21, 143-164.

Gaik Cheng Khoo (2019) ‘Defining “Modern Malaysian” Cuisine: Fusion or Ingredients?’ in Culinary Nationalism in Asia edited by Michelle T. King. https://www.bloomsbury.com/uk/culinary-nationalism-in-asia-9781350078697/

Bao, Hongwei (2019) ‘Conversion Therapy in Asia’, in Howard Chiang (ed.) Global Encyclopedia of Lesbian, Gay, Bisexual, Transgender and Queer (LGBTQ) History. Farmington Hills MI: Charles Scribner’s Sons, 418-422.

Ming-Yeh Rawnsley, ‘Politics of the Everyday: Taiwanese-Language Cinema of the 1950s–1960s’, Special issue on “Taiwan’s Lost Commercial Cinema: Taiwanese-Language Cinema”, Journal of Chinese Cinema, forthcoming (eds. by Chris Berry and Ming-Yeh Rawnsley), forthcoming

Ming-Yeh Rawnsley and Lihyun Lin, ‘The New Type of Media Conglomerate in Taiwan: A Case Study of Fobon’, in Keith Wagner, Jung Bong Choi and Doobo Shim (eds.), Asian Media Conglomerates: Countering the North Atlantic Mediascape and its Infrastructure, London: Routledge, forthcomingMing-Yeh Rawnsley, Gary Rawnsley and Ming Yu, ‘International Coproduction of Documentaries as a Form of Chinese Cultural Diplomacy’, in Jens Damm (ed.), Chinese Cultural Diplomacy, London: Palgrave Macmillan, forthcoming

Ming-Yeh Rawnsley, Chien-san Feng, James Smyth and Jonathan Sullivan, ‘The Media System in Taiwan’, in Jonathan Sullivan and Chun-yi Lee (eds.), A New Era in Democratic Taiwan: Trajectories and Turning Points in Politics and Cross-Strait Relations, London: Routledge, 2018

Ming-Yeh Rawnsley and Gary D. Rawnsley, ‘Science Communication in Taiwan: Rethinking Local and Global’, in Carsten Storm (ed.), Connecting Taiwan: Participation, Integration, Impacts, London: Routledge, 2018, pp.74–95 

Ming-Yeh Rawnsley, ‘ Cultural translation between “local” and “international”: The Golden Harvest Award in Taiwan’, in Chris Berry and Luke Robinson (eds.), Chinese Film Festivals: Sites of Translation, London: Palgrave Macmillan, 2017, pp.57–78.

Ming-Yeh Rawnsley, Kuei-fen Chiu and Gary Rawnsley (eds), Taiwan Cinema: International Reception and Social Change. London: Routledge, 2017. 

Zhang, X. (2017) “Media Construction of the African Image(s) for the Chinese Media Public”, in Batchelor, K and Zhang, X., eds.  China-Africa Relations: Building Imagesthrough Cultural Cooperation, Media Representation, and Communication, Routledge. 

 Zhang, X. and Guo Z.(2017) “The Effectiveness of the Overseas Chinese Cultural Centre in China’s Public Diplomacy” in Daya Thusu (ed.) China Goes Global Routledge. 

Ming-Yeh Rawnsley, ‘ Cultural Democratization and Taiwan Cinema’, in Gunter Shubert (ed.), Routledge Handbook of Contemporary Taiwan. London: Routledge, 2016, pp.373–388.

Zhang, X. (2016)  “A World of Shared Influence”, in Zhang, X. Wasserman, H. and Mano, W. (ed.) China's Soft Power in Africa: promotion and perception. Palgrave Macmillan, pp. 3 – 16.

Ming-Yeh Rawnsley and Chien-San Feng, ‘ Public Service Television in China’, in Gary Rawnsley and Ming-Yeh T. Rawnsley (eds.), Routledge Handbook of Chinese Media.  London: Routledge, 2015, pp.298–311

Zhang, X and Shaw, G (2015) “New Media, Emerging Middle Class and Environmental Health Movement in China”, in Hanspeter, K. Ed. Urban mobilizations and new media in contemporary China, Ashgate Publishing Limited, 101 – 116

Ming-Yeh Rawnsley, ‘ Stars as Production and Consumption: A Case Study of Brigitte Lin’, in Leung Wing-Fai & Andy Willis (eds.), East Asian Film Stars. London: Macmillan, 2014, pp.190–204. 

Ming-Yeh Rawnsley, ‘”Korean Wave” in Taiwan: Cultural Representation of Identities and Food in Korean TV Drama, Dae Jang Geum’, in Jeongmee Kim (ed.), Reading Asian Television Drama: Crossing Boarders and Breaking Boundaries. London: IB Tauris, 2014, pp.213–234

 Zhang, X. (2011) "The Mass Media". In  Zang, X Understanding Chinese Scoiety, Routledge. 

Ming-Yeh Rawnsley and Haizhou Wang, ‘Hero: Rewriting the Chinese Martial Arts Film Genre’, in Gary Rawnsley and Ming-Yeh Rawnsley (eds.), Global Chinese Cinema: The Culture and Politics of Hero. London: Routledge, 2010, pp.90–105 

Ming-Yeh Rawnsley and Xiaoming Chen, ‘ On “Tian Xia” (all under heaven) in Zhang Yimou’s Hero’, in Gary Rawnsley and Ming-Yeh Rawnsley (eds.), Global Chinese Cinema: The Culture and Politics of Hero. London: Routledge, 2010, pp.78–89

Zhang, X. (2010) “China’s International Broadcasting: The Case of CCTV International”. In: WANG, J, ed., Soft Power in China: Public Diplomacy through Communication Palgrave Macmillan. 57- 1