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Bao, Hongwei (2018), ‘From Celluloid Comrades to Digital Video Activism: Queer Filmmaking in Postsocialist China’. JOMEC Journal: Journalism, Media and Cultural Studies, 12, pp. 82-100.
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Benjamin Barton, 2018, ‘China’s security policy in Africa: A new or false dawn for the evolution of the application of China’s non-interference principle?’, The South African Journal of International Affairs, 25:3, pp. 1-22
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Liu, Bingjian and Sara Sterling (2018) ‘Performing Creativity: Design Thinking amongst Chinese Industry Employees’. Part C, Journal of Mechanical Engineering Science. (First Published online on May 14, 2018) https://journals.sagepub.com/doi/10.1177/0954406218776032
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Chatfield, K & Zhang, X. (2018) “How Does the BBC Portray China? A Study of BBC Documentaries on China from 2007 to 2016 and its Implications”, China Journalism and Communication Journal.
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Ó Briain, Lonán (2018) “Musical Cosmopolitanism in Late-Colonial Hanoi.” Ethnomusicology Forum 27(3). https://www.tandfonline.com/doi/full/10.1080/17411912.2018.1521728
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Ó BRIAIN, L., 2018. Musical Cosmopolitanism in Late-Colonial HanoiEthnomusicology Forum. 27(3).
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Zhang, X., O’Brien, D., and Brown, M. (2018) “No CCP, No New China”, The China Quarterly
https://doi.org/10.1017/S0305741018000954, Published online: 13 September 2018
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Taylor, J. E. (2018), “ Lychees and Mirrors: Local opera, cinema, and Diaspora in the Chinese cultural Cold War,” Twentieth Century China. 43(2), 163-180.
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Taylor, J. E. (2018), “ From Traitor to Martyr: Drawing lessons from the death and burial of Wang Jingwei, 1944,” Journal of Chinese History. 3(1).
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Barker, Thomas (2017) Screen Connections between Malaysia, Taiwan, Hong Kong, and China, Issues & Studies, 54 (1).
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Dauncey, Sarah (2017), “Gendering the Chinese Disabled Body: Explorations at the Intersections of Disability and Masculinity in Contemporary China” NAN NÜ: Men, Women and Gender in China. (In Press.)
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Dauncey, Sarah (2017), “Shi Tiesheng: Writing Disability into Modern Chinese Fiction,” Chinese Literature Today. 6 (1), 48-55.
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G. Shaw & X. Zhang (2017) "Queer Documentary Filmmaking in a Digital China", China Information
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Ó BRIAIN, L. (ED), 2017. Special Issue: Sounding Ethnicity: New Perspectives on Music, Identity and Place. the world of music (new series). 3(2).
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Zhang, S & Zhang, X (2017) “Foreign correspondents: a case study of China in the digital and globalization age”, Journalism Studies.
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Zhuang, M., Zhang, X & Morgan, S. (2017) “Contingent Participation: Media-citizen interaction in Wenzhou’s ‘Civil Monitory Organization’” Journal of Contemporary China, Issue 106, Vol 26, pp. 1 – 17.
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Chang, Ting (2016), 'Crowdsourcing avant la lettre: Henri Cordier's Correspondence and the Network of French Sinology, 1875-1925,' in L'Esprit Créateur, the Johns Hopkins University Press, Vol. 56, No. 3, 47-60.
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Gallagher, Mark (2016), “Tony Leung Chiu-Wai: Acting Sexy in Hong Kong and China” (Asian Cinema 27.1, April 2016.
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Ó BRIAIN, L., 2016. Domesticated Noise: The Musical Reformation of Identity in Urban Vietnam.Journal of Sonic Studies. 12.
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Ó BRIAIN, L., J. STOCK AND A. WOOD, 2016. Editorial Ethnomusicology Forum. 25(3), 253-254
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Ming-Yeh Rawnsley, James Smyth and Jonathan Sullivan, ‘Taiwanese Media Reform’, Journal of the British Association of Chinese Studies Vol.6, December 2016: 66–80 (http://bacsuk.org.uk/journal/journal-current-and-past-entries/taiwanese-media-reform).
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Taylor, J. E. (2016), “ Gendered Archetypes of Wartime Occupation: ‘New Women’ in Occupied North China, 1937-40,” Gender & History. 28(3), 660-686.
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Watters, Casey (2016) “Do All Roads Lead to China? Chinese Commercial Law Scholarship in the Past Decade (Part 1)” The China Review, Vol. 16, No. 2 (Spring 2016) (with Shen Wei).
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Watters, Casey (2016) “Does the Housing Market and Absence of Consumer Bankruptcy Protection Make Interpretation (III) of the Chinese Marriage Law Beneficial to Women, Not Men?” 3 Property Law Journal 101 (2016) (with Charlie Xiao-chuan Weng).
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Zhang, X, Wasserman, H & Mano, (2016) W “China's expanding influence in Africa: projection, perception and prospects in Southern African countries”, Communicatio: South African Journal for Communication Theory and Research. 42(1), pp1-22
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Ó BRIAIN, L., 2015. Beyond the Digital Diaspora: YouTube Methodologies, Online Networking, and the Hmong Music Festival.Journal of World Popular Music. 2(2), 289-306
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Taylor, J.E. (2015), “ Cartoons and Collaboration in Wartime China: The Mobilization of Chinese Cartoonists under Japanese Occupation,” Modern China. 41(4), 406-435.
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Taylor, J. E. (2015), “ Republican Personality Cults in Wartime China: Contradistinction and Collaboration,” Comparative Studies in Society and History. 57(3), 665-693.
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Watters, Casey (2015) "Is China Creating A New Business Order? -- Rationalizing China’s Extraterritorial Attempt to Expand the Veil-Piercing Doctrine," Northwestern Journal of International Law & Business, Vol. 35 (2015) (with Shen Wei)
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Dauncey, Sarah (2014), “A Face in the Crowd: Imagining Individual and Collective Disabled Identities in Contemporary China,” Modern Chinese Literature and Culture. 25(2), 130-165.
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Ó BRIAIN, L., 2014. Minorities Onstage: Cultural Tourism, Cosmopolitanism, and Social Harmony in Northwestern Vietnam.Asian Music. 45(2), 32-57
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Bao, Hongwei (2013), ‘A Queer Comrade in Sydney: Chineseness, Queer Desire and Homonationalism’, Interventions: International Journal of Postcolonial Studies, 15 (1): 129-142.
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Barton, Benjamin (2013), 'The EU's Engagement of China in the Indian Ocean - Getting the People's Liberation Army Navy Onboard in the Fight against Somali Piracy', The RUSI Journal, vol. 158, no. 6, pp. 66-73.
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Ó BRIAIN, L., 2013. 'Happy to be Born Hmong’: the implications of a transnational musical network for the Vietnamese-Hmong people Journal of Vietnamese Studies. 8(2), 115-148
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Ming-Yeh Rawnsley, ‘Taiwanese-Language Cinema: State versus Market, National versus Transnational’, Oriental Archive 81 (2013), pp.437–458.
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Ming-Yeh Rawnsley, ‘The Distribution and Exhibition of Chinese and Asian Cinema in the UK: A Chinese film Forum UK symposium’, Screen 43(4), winter 2013: 534–539.
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Taylor, J.E. (2013), “ Chinese film exhibition in Occupied Manila (1942-1945),” Modern Asian Studies. 47(5), 1588-1621.
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Taylor, J.E. (2013), “ The Sinification of Soviet Agitational Theatre: 'Living Newspapers' in Mao's China,” Journal of the British Association for Chinese Studies. 2, 27-50.
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Zhang, X (2013) “How Ready is China for a China-style World Order?: China's state media discourse under construction”. African Media Studies 34(3), 79-101
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Bao, Hongwei (2012), ‘On Not to Be Gay: Aversion Therapy and Transformation of the Self in Postsocialist China’, Health, Culture and Society, 3 (1): 132-149.
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Bao, Hongwei and Ling Yang (2012), ‘Queerly Intimate: Friends, Fans and Affective Communication in a Super Girl Fan Fiction Community’, Cultural Studies, 26 (6): 842-871.
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Bao, Hongwei (2012), ‘Querying/ Queering Cosmopolitanism: Queer Spaces in Shanghai’, Culture Unbound: Journal of Current Cultural Research, 4: 97-120.
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Dauncey, Sarah (2012), “Three Days to Walk: A Personal Story of Life Writing and Disability Consciousness in China,” Disability and Society 27(3), 311-323.
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Taylor, J.E. and HUANG, G.C. (2012), “ Deep changes in interpretive currents?: Chiang Kai-shek studies in the post-Cold War era,” International Journal of Asian Studies. 9(1), 99-121.
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White, Andrew. and Xu, S. (2012), “A critique of China’s cultural policy and the development of its cultural and creative industries: the case of Shanghai,” Cultural Trends, 21 (3), pp. 249-257.
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Ming-Yeh Rawnsley, ‘Cinema, Identity and Resistance: Comparative Perspectives on A City of Sadness and The Wind that Shakes the Barley’, LSE Journal Taiwan in Comparative Perspective vol.4, December 2012, pp.89–107.
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Zhang, X (2012) “Hegemony and Counter-hegemony: the politics of dialects in TV programmes in China”, The Chinese Journal of Communication 5(3), 300 - 315
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Bao, Hongwei (2011), ‘Queer Comrades: Transnational Popular Culture, Queer Sociality and Socialist Legacy’, English Language Notes, 49 (1): 131-137.
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Ming-Yeh Rawnsley, ‘Cinema, Historiography and Identities in Taiwan Cinema: Hou Hsiao-Hsien’s A City of Sadness’, Asian Cinema Journal 22 (2, Fall/Winter 2011): 196–213
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Chang, Ting (2011), ‘Le japonisme, la chinoiserie et la France d’Edmond de Goncourt,’ Les Cahiers Edmond et Jules de Goncourt, Vol. 18, 55-68.
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Zhang, X (2011) "From Totalitarianism to Hegemony: the reconfiguration of the party-state and the transformation of Chinese communication". Journal of Contemporary China, 20(68), 103 - 115.
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Barker, Thomas (2010) Imagining “Indonesia”: Ethnic Chinese Film Producers in Pre-Independence Cinema (with Charlotte Setijadi), Asian Cinema, Volume 21, Number 2, pp. 25-47(23).
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Taylor, J.E. (2010), “ Qujianghua: disposing of and re-appraising the remnants of Chiang Kai-shek’s reign on Taiwan,” Journal of Contemporary History. 45(1), 181-196.
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Taylor, J.E. (2009), “ The reluctant embassy: establishing, maintaining and ending Australian diplomatic representation in Taipei, 1966–72,” Asian Studies Review. 33(2), 197-210.
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Taylor, J.E. (2009), “Our native place — our cinema”: Nation, State and Colony in the Amoy-Dialect Film Industry of the 1950s,” Journal of Chinese Overseas. 5(2), 235 – 256.
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Taylor, J.E. (2009), “ Being a ‘Friend of Free China’: W. G. Goddard in Nationalist Taiwan,” The Chinese Historical Review. 16(2), 208-227.
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Taylor, J.E. (2009), “ Discovering a Nationalist heritage in present-day Taiwan,” China Heritage Quarterly. 17.
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Chang, Ting (2008), ‘Object, beeld en voorstelling; twee 19e-eeuwse Europese verbeeldingen van “China,”’ Aziatische Kunst, Asian Art Society in the Netherlands, Jaargang 38, 2, June 2008, 56-66.
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Taylor, J.E. (2008), “ From transnationalism to nativism?: The rise, decline and reinvention of a regional Hokkien entertainment industry,” Inter-Asia Cultural Studies. 9(1), 62-81.
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Dauncey, Sarah (2007), “Screening Disability in the PRC: The Politics of Looking Good,” China Information. 21(3), 481-506
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Khoo, Gaik Cheng Khoo (2007), “Just Do-It-(Yourself): Independent Filmmaking in Malaysia.” Inter-Asia Cultural Studies 8.2: 227-247.
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Taylor, J.E. (2007), “ Taipei's 'Britisher': W. G. Goddard and the promotion of Nationalist China in the Cold War Commonwealth,” New Zealand Journal of Asian Studies. 9(2), 126-146.
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Taylor, J.E. (2006), “ The production of the Chiang Kai-shek Personality Cult, 1929-1975,” The China Quarterly. 96-110.
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Taylor, J.E. (2006), “ Recycling personality cults: Observations of the reactions to Madame Chiang Kai-shek's death in Taiwan,” Totalitarian Movements and Political Religions. 7(3), 347-362
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Dauncey, Sarah (2003), “Illusions of Grandeur: Perceptions of Status and Wealth in Late-Ming Female Clothing & Ornamentation,” East Asian History. 25/26, 43-68.
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Dauncey, Sarah (2003), “Bonding, Benevolence, Barter and Bribery: Female Gift-Giving and Social Communication in the Jin Ping Mei,” Nannü,”: Men, Women and Gender in Early & Imperial China. 5(2), 203-239.
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Taylor, J.E. (2003), Reading Colonial Texts: Some Thoughts from Taipei,” Rethinking History. 7(2), 235-241.
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Taylor, J.E. (2003), “ Nation, topography and historiography: Writing topographical histories in Hong Kong,” Modern Chinese Literature and Culture. 15(2), 45-74.
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Chang, Ting (2002), ‘Collecting Asia: Théodore Duret’s Voyage en Asie and Henri Cernuschi’s Museum,’ Oxford Art Journal, Vol. 25, No. 2, Spring 2002, 17-34.
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Taylor, J.E. (2002), “ The Bund: Littoral Space of Empire in the Treaty Ports of East Asia,” Social History. 27(2), 125-142.
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Taylor, J.E. (2001), “ Preserving the Remnants of Empire in Taiwan: The case of Hamaxing,” East Asian History. 21, 143-164.